7797124
Published: 24th May, 2010
Last edited: 25th May, 2010
Created: 21st May, 2010
This font imitates a 2D-barcode. I just felt like creating something chaotic. The lower case are alternates for the upper case.
590986
Published: 13th June, 2008
Last edited: 16th June, 2009
Created: 13th June, 2008
This is the bold version of a penmanship font based loosely on the the lettering that Japanese junior high school students learn including four line guides.
44520911
Published: 7th March, 2011
Last edited: 7th March, 2011
Created: 5th March, 2011
Clone of Pixel Serif. Title says the rest.This is a clone of Pixel Serif
13181358260105
Published: 25th November, 2009
Last edited: 23rd April, 2015
Created: 17th October, 2009
A monospaced pixel font with over 8000 glyphs! 7 pixels wide, 12 pixels tall. Some characters may be wider than 7 pixels to make them connect with other characters.
10742899
Published: 13th April, 2008
Last edited: 20th January, 2014
Created: 13th April, 2008
Clone of 7seg with uppercase letters only, but in a unicase design, i.e. some majuscules use minuscule shapes.This is a clone of 7seg
47499813
Published: 22nd September, 2008
Last edited: 18th April, 2009
Created: 6th July, 2008
A complete pixel font that should be visible on the smallest of scale.
79117320
Published: 20th March, 2011
Last edited: 22nd March, 2011
Created: 19th March, 2011
With this font, every word is a maze.
Starts: ( [
Ends: . , ? ! ) ]
It is recommended you put a start and an end around every word, but you don't have to. :)
411713
Published: 21st June, 2008
Last edited: 16th June, 2009
Created: 21st June, 2008
This is half-baked, but hey. I'm (reluctantly) going to have to forego some of those pesky diagonals because they're looking just a shade on the wrong side of weird. Particularly in the caps.
77148115
Published: 6th November, 2009
Last edited: 25th November, 2009
Created: 4th November, 2009
Symmetric patterns difying legibility. Each l/c letter consists of two different bricks in a square copied diagonally. The u/c are the same as the lower case but copied into four (making a fifth in the middle).
19682549347
Published: 13th June, 2025
Last edited: 3rd February, 2012
Created: 26th October, 2011
A completely different design direction from my other fontstruction "Shadowman" & "Letterpress".
832559
Published: 29th August, 2008
Last edited: 15th June, 2009
Created: 29th August, 2008
A nice backstitch font I pulled off some needlework from when my brother was born.
874368
Published: 12th October, 2008
Last edited: 15th June, 2009
Created: 9th October, 2008
Now you can smell great, even when you're designing! This typeface was inspired by Axe male grooming products, particularly Axe's line of shower gels. NOTE: This typeface may result in, but is not limited to, exceptional design projects and/or late nights.
177187639
Published: 24th December, 2011
Last edited: 4th January, 2012
Created: 22nd December, 2011
Typeface based on the work of Victorian Designer and Architect E. W. Godwin (1833-1886) born in Stokes Croft, Bristol. He was influential in the Aesthetic movement that created "the look" of Victorian Britain. He began his career working in the strongly polychromatic "Ruskinian Gothic" style of mid-Victorian Britain, inspired by The Stones of Venice, then moved on to provide designs in the "Anglo-Japanese taste" of the Aesthetic Movement and Whistler's circle in the 1870s. A friend of Oscar Wilde, James Whistler and William Burges he was also the father of revered actress Dame Ellen Terrys illegitimate child. Godwin's influence can be detected in the Arts and Crafts Movement. To judge from his sketchbooks at the Victoria and Albert Museum, one might have expected an eclectic historicist, but Godwin, by no means a tame reproducer of antiquarian Gothic designs, was among the first to extend the European design repertory to include the arts of Japan, which had been opened to the Western world in 1853. His work is undergoing a revival since he was jokingly adopted as the patron saint of Stokes Croft by community action group the Peoples Republic of Stokes Croft. The group aim to to put some of his finest architectural achievements in the city back to good use as many of them despite being buildings of some historical significance lie empty and unused. His design work is being reincorporated into the urban landscape through the community organisation's programme of public art and his style has recently been adopted by a number of Street Artists including Dones and Felix Braun so his work is undergoing some kind of a revival.The glyphs are all based on the patterns from his sketchbooks.
510662
Published: 24th May, 2008
Last edited: 21st June, 2009
Created: 24th May, 2008
a silly sixties-style font. I've got a different notion for the l/c characters which I've yet to get to.
7945617
Published: 7th November, 2011
Last edited: 16th November, 2011
Created: 24th October, 2011
hello my name is gemma coates. I created This font while in my first year at uwe studying graphic design. we were given a list of words to choose from to design a font around. I chose chaos. I started to look at riots, war and things are chaotic while they are happening. then started to think about the after effect of chaos and decided to based my font on the aftermath of a natural disaster and how thing become disordered and in the wrong place.
106612016
Published: 22nd February, 2015
Last edited: 1st March, 2015
Created: 21st February, 2015
What if there were ‘hexasegment’ indicator cells? Now, thanks to new block displacement feature, we know!