Going for an industrial sci-fi look. The hard angles give these letters the appearance of being made by some kind of tape or roller.

Like most of my fonts, this is made to have a constant height, with plenty of empty space between rows/lines to enhance readability. Accented characters might be completed at some point, but only if I can work their designs into the existing letter height. If someone asks for specific letters, I'm happy to add them!

This font was originally designed to be uppercase only. So, the lowercase should be considered as an alternate set. When I began this, only A and X had alternates. I started adding more for flavor, and the rest is history. :^)

Original size: 24pt (24pt, 48pt, etc. look most crisp when not using antialiasing)

Happy 10th anniversary to FS and all the fontstructors! Thanks a million to Meek and the sponsors. This is a wonderful trip and the future is infront of us, compañeros!

BTW, "Sorpasso" means "overtaking" in italian.

I'm kerning...

Yet another dot matrix typeface for a printer that never existed...

An angular font with built-in ligatures for <f> and <j>. More punctuation and international support (hopefully) coming soon.

It's a real pleasure to work now in FontStruct! And here we are a lot of new challenges too. PS for the beginners: Just only let the basic square and try the other bricks... It's amazing, believe me!

One-brick (more or less)-font, using 2x2 filters. 

"Zorionak" means "Congratulations" in euskera (one of the regional languages in Spain).

I decided to be laynecom for a day, and this is the result. Didn't have time for numbers and punctuation though, unfortunately...

Some alternates available in Extended Latin A. Suggestions and critiques encouraged, as always. Thanks and enjoy!

More of an experiment than an attempt at an amazing typeface, but I thought it'd be a fun entry nonetheless. Don't let the creation date fool you: I started this design in early 2014. There were many issues that had to be remedied before publishing, most notably the lack of characters and major discrepancies between the shapes of serifs (some were entirely triangular, others entirely curved). It's still heavily a work in progress. Suggestions are encouraged, especially for the Q and punctuation. Thanks and enjoy!

Very tiny letters with the height of 5px.

(This font is dedicated to my dear friend Miguel and his wife María. Miguel just died on 26/may/2012. ¡Nunca te olvidaremos, compañero!)

Work in progress (kerning and more glyphs to come).

Work in progress (kerning and more glyphs to come).

Work in progress (kerning and more glyphs to come).

My first entry for Serifcomp. Originally created in 2013, when I still had little knowledge about the finer details of type design. I've made major changes to the original design while trying not to lose its original feel (avoiding diagonal strokes, for example). I ended up making major changes to M, Q, T, W, f, k, m, q, r, t, and w, and minor changes to a bunch more; a ton of kerning was also required. It's not very polished yet, but it's a start...

Some alternates are available in Latin Extended A. As always, suggestions and critiques are welcome. Thanks and enjoy!

Designed ages ago on MS Paint, this plain font taught me how to be a junior brick jigger.

Everything other than the capitals was an afterthought.

Kulibin or Kulidyaka? Kulich?

See more:       https://www.fontsquirrel.com/fonts/list/foundry/alexey-kryukov

https://fontstruct.com/fontstructions/show/152204/unispace

https://fontstruct.com/fontstructions/show/942604/lexiconius

Eda (by Alexander Tarbeev)

http://www.myfonts.com/fonts/shinn/bodoni-egyptian-pro/

http://www.myfonts.com/fonts/shinn/scotch-modern/         

http://www.myfonts.com/fonts/artlebedev/mirta/

Kostro, 21 Cent  (https://yurigordon.com/ru/shop/fonts)

Kazimir, Parmigano, Brioni, Karloff (https://type.today/en)

Marian family(19c), Caponi (https://commercialtype.com/)

https://www.paratype.ru/pstore/default.asp?fcode=PT_FIL&letter=F

http://www.myfonts.com/fonts/itc/caslon-no-224/

https://www.paratype.ru/pstore/yfonts/ITC-Bodoni-72.htm

http://www.myfonts.com/fonts/wiescherdesign/bodoni-classic-cyrillic/text-light/

http://www.myfonts.com/fonts/redrooster/poor-richard-rr/monoline/glyphs.html 

https://www.colophon-foundry.org/typefaces/peggs/

Inspired by the works of regular_one. Unlike most fonts I've released recently, many of the glyphs had to be modified or even redone from scratch.

- M, W, m, w, @, #, %, <, >, ~, and the circumflex above accented letters were all too wide and had to be condensed;

- I, f, i, j, l, r, and t were all too narrow and were expanded a bit, mostly through the careful application of serifs;

- K, M, W, X, Y, v, w, y, 7, /, and \ all had ugly mixes of angles that needed to be redesigned;

- N, *, (, and ) were completely redesigned, and many more touched up, to fit better with the rest of the font.

Most of the edits made were not possible before nudging. It's still not perfect, but it's much better than it was before, and I'm proud of how much it has "grown up". Of course, suggestions and critiques are encouraged. Thanks and enjoy!

An attempt to make a very readable sans similar to what you would see on streetsigns, utilizing larger curves than the average FontStruction. Uses 3x3 curves on the uppercase and 2.5x2.5 on the lowercase/numbers. A few alternates in Latin Extended-A. As always, suggestions and critiques are welcome. Thanks and enjoy!

Inspired by a font I saw in a children's book. The artist had drawn a map of the world on canvas and used a tiny serif font to label important points on the map. The letters had such a cute hand-made feel to them that I just had to recreate it in FS.

Uppercase letters are 6 grid squares (3 bricks) tall; lowercase are 4.5 (2.25 bricks). IIRC nudging had recently been introduced; this definitely would have been impossible without it.

Staring at an oscilloscope...

The kerning of some letters is way off for some reason, namely the Ss, the Ts, the hyphen, the plus sign, and the 7s.