64811216
Published: 11th February, 2010
Last edited: 24th July, 2010
Created: 10th February, 2010
For now, apart from the provided 'fi' and 'fl' ligatures, all 'f-' and 'ff-' variations - and other alternatives - are within the capitals. More punctuation and to come and and any suggestions for further alternatives welcome.
1331410341
Published: 31st January, 2010
Last edited: 22nd February, 2010
Created: 29th January, 2010
The letter forms are based on solid square, where each letter form is created by removing only what is necessary to identify the letter and retaining consistency between the other letterforms.
93619340
Published: 27th January, 2010
Last edited: 28th January, 2010
Created: 25th January, 2010
Hand sewn folky lettering with some extended Latin characters.
110169133
Published: 26th December, 2009
Last edited: 19th May, 2011
Created: 25th December, 2009
This is an exercise to explore potential combinations of bricks to get the most pleasing curves close to Bezier-based fonts. The result, well, not tremendously original in shape, but demonstrates the power of FS. Long live the Brick!
9463629
Published: 25th December, 2009
Last edited: 16th February, 2010
Created: 15th December, 2009
Clone of ProLamina Trans Narrow Black.This is a clone of ProLamina TNB
1845819
Published: 15th December, 2009
Last edited: 13th December, 2009
Created: 12th December, 2009
you would think there are a lot of lined fonts. not really. i googled to see what was out there. i was surprised i didn't find this one. just uc for now.This is a clone
8843012
Published: 6th December, 2009
Last edited: 5th December, 2009
Created: 5th December, 2009
it's been a long time since i released a fontstruction. today i felt like doing one again. it features smooth transitions from diagonals to roundings, notable on the S and Z.
43111295
Published: 30th November, 2009
Last edited: 30th November, 2009
Created: 30th November, 2009
Based on the font used for some train- and subwaylines in and around Amsterdam.This is a clone of Subway 22:38
935348528
Published: 24th November, 2009
Last edited: 25th November, 2009
Created: 14th November, 2009
My version of a Star Trek logo font. I only used Horizon as a guide when I couldn't find a good solution to a letter (e.g. Q).
Looks good at pixel size.
421912
Published: 13th November, 2009
Last edited: 13th November, 2009
Created: 9th November, 2009
Monohype is a screen, non serif font. I got my inspiration from AndyChung.ca and NEUBAUWELT font.
To see the real size, please click on the pixel button. The smalest one, is the right one!
Take a look and told me, what you thing about it. thx
811123717
Published: 11th November, 2009
Last edited: 26th July, 2010
Created: 25th July, 2009
I abandoned this a few months ago, but decided to go ahead and release it while I complete the character set.
201931
Published: 9th November, 2009
Last edited: 3rd December, 2009
Created: 10th October, 2009
I've tried to make a font that is very wide, with big bowls, but still remains quite readable.
58722910
Published: 8th November, 2009
Last edited: 14th April, 2010
Created: 8th November, 2009
I've made the lower case smaller, and it is no longer monospaced.This is a clone of Unfix
443821031
Published: 8th November, 2009
Last edited: 9th November, 2009
Created: 6th November, 2009
this is the rework of my original which was a clone of Cube Style by gaiatata. i redid since i wanted to restrict the license but couldn't. also added additional glyphs :)
14156815
Published: 7th November, 2009
Last edited: 3rd December, 2009
Created: 20th October, 2009
A uni project on found type, inspired by the theme order.
711218411
Published: 4th November, 2009
Last edited: 27th December, 2009
Created: 2nd November, 2009
A scifi-inspired type design. Upper and lower case. Expands on some concepts from some of my other Fontstructions: Power Grid and Transmission.
761618923
Published: 1st November, 2009
Last edited: 26th August, 2010
Created: 29th October, 2009
Based on the same grid as NCD PSMagazine, but I've changed 90% of the glyphs, thus creating something a little more original and versatile.
This is the Bold version, plans for Regular and Light are on the table.
All comments appreciated.This is a clone
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”