See more:

https://fontstruct.com/fontstructions/show/685591/advancer_lite_1

https://www.behance.net/gallery/27010917/Pobeda

I've been wanting to do this kind of font for ages, think of it as a soft square or a hard circle. Since it's been so long, I can't really remember the exact source of inspiration, but I do remember it had something to do with kix and his work.

The ability to kern now has obviously made the spacing better than it would have been otherwise. Thanks, Rob.

Using some of the new wonderful bricks and the fantastic guide features!!!  Wow!

Quite different from Archaus, but can be considered as from the same series.

Spacing got much better ;)

Additional lines give this a certain retro-deco feel.

Thanks!

Inspired by Radim Peško's 'Agipo' typeface. mx Kurino is a condensed sans serif typeface with a bold weight. Good to use as a header font, providing impact with simplicity.

A pixel font I made in all caps for a game I am making!

Underground is based on the typeface used on The Velvet Underground's debut album "The Velvet Underground & Nico" from 1967. Currently only the A-Z, a-z, 0-9, and basic punctuation are available.

Art deco

Inspired by Speedometer.

Grotesque vintage sans in all caps.

An experimental unicase design.

A back-to-basics, Bauhaus-ey, geometric sans serif. Some of the shapes (G and S) are a bit unconventional due to the small grid, but I think they are fairly legible.

011616. Oops. This one was supposed to be released when it was created. Somehow it got lost. Anyway, it was an experiment with smoothed out diagonals, which was difficult before the brick nudging feature. Now it its easy. So more improvments added. Here was my original text in 2010.  Old links were broken, I can't add links anymore...? 

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Created from scratch, but inspired by will.i.ૐ's WPA Go Thin, which was inspired by Stewf's WPA Gothic. Not as much an in depth character study as William's, but delving deeper into the concept of smoothing out all hard edged corners, especially the transitional connections between all diagonal lines to their horizontal or vertical counterparts. This direction forced me to dig deep to figure out if it was possible to create a smoothly ramped curve. After chiseling out multitudinous variations of composite combinations, I came up with this solution. Then I pat myself of the back and gave myself a cookie. The technique is also employed on my Escapade, and Streamlyne fonts. As usual, I like to leave these techniques as Easter eggs for everyone to discover for themselves using their own creativity. Sometimes its inspiring just to know such a thing is possible. But let me know if you can't figure it out. Press Shift+PXL on the preview to zoom in and check it out.

Hand drawn anti-aliased dot patterns.