24916021
Published: 27th August, 2010
Last edited: 10th March, 2012
Created: 13th May, 2010
doesn't use anything new, but with all the energy on the site today, i got motivated to finish something :) i guess this is a multi-inline, pseudo-stencil-ish, art deco-ish type of font.
2202666
Published: 27th August, 2010
Last edited: 27th August, 2010
Created: 27th April, 2010
A serif version of popular C64 pixel typeface.This is a clone of C64 multilingual
350668
Published: 27th August, 2010
Last edited: 3rd September, 2010
Created: 25th August, 2010
This font shows an example of the letterforms created with the new Arc brick with the default 1:1 filter settings.
The design decisions become limited by the inability for the arcs to connect to form the letter S in particular. The upper and lower S's here show some options to work within the limitation. WIP. Upper and lowercase for now.
The proper connections can only be created with the advanced filter settings set to 2:2 for both the horizontal and vertical axes. The Arc Brick 2:2 Sample Font shows more options in brick placement that alleviate some of the limitations found in the 1:1 filter space.
Please clone and check it out for details. If you have a question, just ask. =)
3835410
Published: 27th August, 2010
Last edited: 27th August, 2010
Created: 25th August, 2010
This font shows an example of the letterforms created with the new Arc brick with the advanced filter settings at 2:2.
The 2:2 setting enlarges each brick twice the size on the horizontal and vertical axes. About 90% of everything I work on uses the advanced filter settings. This enables two important things:
1. Half-brick positioning
2. Brick overlapping.
The Arc Brick 1:1 Sample Font works with the default filter setting. When switching filters from 1:1 to 2:2, you have four times as many brick placement options. The main thing to deal with in working with bricks using the 2:2 filter is to remember that each brick needs to be handled on the lower left. Since every brick now spans two grid spaces horizontally and vertically in a square, you will need to click and drag bricks from the lower left corner. This can get really confusing with multiple overlapping bricks.
The brick placement on this font is designed to maximize efficiency, minimizing overlaps to connect each brick cleanly. WIP. Upper and lowercase for now.
Please clone and check it out for details. If you have a question, just ask. =)
192497
Published: 26th August, 2010
Last edited: 26th October, 2010
Created: 3rd August, 2010
Minimalistic experiment. I started with a big dot for each letter. 'f', 'i', 'j', 'l', 'r' and 't' didn´t look good enough to keep them like this. I am quite content with the result. If you have any suggestions... please go ahead!
1301970
Published: 25th August, 2010
Last edited: 25th August, 2010
Created: 29th July, 2010
Unexpectedly begun while working on a digital map key, this pixel font has no pixel-corners diagonals while each letter exists in a single 5x5 frame before serifs are added, creating a unique challenge and super-blocky feel. Type and feel strangely retro-modern.
132812
Published: 25th August, 2010
Last edited: 25th August, 2010
Created: 19th August, 2010
I added stars and such to things! Clearly this font will make you cooler, and not only that but it will increase your memory, Give you super powers, and increase your chances at winning the lottery...Just to name a few things.