I AM ON A ROLL!

I don't know how i'm producing fonts this fast, but I am.

PIRATE-Y FONT COMING YOUR WAY!

a pixelated unicode font that can be read at small sizes.

14 sept '22, 17:47:11 hkt / massive update. added coptic, spacing modifier letters and improved readability.

Includes about 1000 combinations that have kerning.

This is Squared Eyes 3x5. A pixel-art font I made to use in the games I make. Every Character is within the bounds of 3x5 pixels. I intended to only use uppercase, which is why lowercase is a bit low-effort. I hope it can be useful for whatever you need.

Futura is the fully developed prototype of the twentieth century Geometric Sanserif. The form is ancient, Greek capitals being inscribed by the Cretans twenty-five hundred years ago at the time of Pythagoras in the Gortyn Code, by the Imperial Romans, notably in the tomb of the Scipios, by classical revival architects in eighteenth century London, which formed the basis for Caslon’s first sanserif typeface in 1817. Some aspects of the Geometric sanserif survived in the flood of Gothics that followed, particularly in the work of Vincent Figgins. In 1927, stimulated by the Bauhaus experiments in geometric form and the Ludwig & Mayer typeface Erbar, Paul Renner sketched a set of Bauhaus forms; working from these, the professional letter design office at Bauer reinvented the sanserif based on strokes of even weight, perfect circles and isosceles triangles and brought the Universal Alphabet and Erbar to their definitive typographic form. Futura became the most popular sanserif of the middle years of the twentieth century. Ironically, given its generic past, Futura is the only typeface to have been granted registration under copyright as an original work of art, and, further irony, given the key part played by the Bauer letter design office, the full copyright belongs to Renner and his heirs. This decision in a Frankfurt court implies that a further small group of older typefaces may also be covered by copyright in Germany, particularly those designed for Stempel by Hermann Zapf. This situation appears to be limited to this small group of faces in this one country, although protection of designers’ rights in newer typefaces is now possible in France and Germany through legislation deriving from the 1973 Vienna Treaty for the protection of typefaces. Mergenthaler’s Spartan is a close copy of Futura; Ludlow’s Tempo is less close. Functional yet friendly, logical yet not overintellectual, German yet anti-Nazi... with hindsight the choice of Futura as Volkswagen’s ad font since the 1960s looks inevitable.

Happy now?

A pixelated font

I will add other glyphs from time to time.

This is a recreation of an in-game font used for the dialogue in Super Mario World.
Credit goes to Nintendo.

Greek letters from the Greek-translated hack.
 

Pounding My head but instead of some alternative glyphs, its lowercase

Any sugesstions for fixing the Uppercase B? All ears.

This font I designed was kind of inspired by the PlayStation series of fonts, with the curves and lines. Making some of thetters were kind of a pain, because I had to make every block bigger so that the curves would appear more natural.

This is the alphabet for a worldbuilding project I'm working on. It needs the reference decoder (which has not been published anywhere) to be used properly/read. It is also unfinished, and I would like to improve some of the punctuation marks as I feel they don't match the rest of the letters (especially the quotation marks). Please give me feedback on this!

i made this in just 2 hours and surprisingly it turned out very good imo so i decided to share this font with you

The "水" stands for water.

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