My personal favorite, work in progress.

What if GS Unicode wasn't just made of pixels?  What if it had a better, more appealing width/height ratio?  What if it utilized the new FS inventory?  And what if I wasn't way too ambitious/crazy in making this?  No idea, but I'm eager to find out!

I've split this font series up by plane (though as of yet only the fonts for Plane 0 and F exist), since .ttf files have a technical limit of 65,535 glyphs.

Things that are planned but not implemented yet are listed as [TBA] (to be added).

This font (Plane 0) should also serve as the hub for most major updates (like those relating to the series as a whole).

Links to planes:

Plane 0: [THIS FONT]
Plane 1: here
Plane 2: [TBA]
Plane 3: [TBA]
Plane E: [TBA]
Plane F: here
Plane 10: [TBA]

PUA assignments:

E000~E07F - Tengwar
E080~E0FF - Cirth
E100~E62F - <unassigned>
E630~E64F - Seussian Latin Extensions
E650~E88F - <unassigned>
E890~E8DF - Aurebesh
E8E0~EB9F - <unassigned>
EBA0~EBDF - Cistercian Numerals
EBE0~EFFF - <unassigned>
F000~F2FF - Latin Orthographic Extensions
F300~F7BF - <unassigned>
F7C0~F7FF - Kana Orthographic Extensions [TBA]
F800~F8CF - <unassigned>
F8D0~F8FF - Klingon

Additional PUA assignments in supplemental planes, which will be put in their respective fonts:

F0000~F1FAF - <unassigned>
F1FB0~F1FFF - Muric [TBA]
F2000~F235F - canIPA [TBA]
F2360~10FFFF - <unassigned>

Blocks listed [TBA] are subject to change in length and location, while those that aren't are (theoretically) stabilized à la UTC policies.

Feel free to recommend PUA assignments!

Also, it's more than likely I won't know every script well enough that there won't be any mistakes.  If/when I make a mistake, please tell me and I'll do my best to fix it!

Big update at my first font, after a year...

Decided to bigly update Reblinking with tons of new supported glyphs in most categories, and instead of the old name, I based on my own, and now it's called "RePlayz! Now supporting Greek symbols, now it'll be called "Reblinking 2.0" by being the regular edit, and more cyrillic symbols! I hope you like it, and let me know your thinkings by downloading and commenting on it, and thanks for your download choice! :)

What began nearly 8 years ago as an experiment in multi-stage, multi-resolution pixel serif type drafting (starting smallish then manually upscaling x4), took on the robust character you see here after countless edits and some tricky lessons learned along the way.

The initial weight was on the light side (cloned privately for posterity), so I took a leap into this bookish weight by fattening each glyph copy-pasted 1 pixel shifted both up and to the right. A rudimentary technique, by no means novel, yet almost wholly effective. I saw fit from here to only make a handful of corrections, keeping the slightly rounded and slanted serif shape that resulted as well as the subtle reenforcing of a pen-nib construction. 

More intriguing is the 1-bit “anti-aliasing” scheme I found myself  progressively guided toward while finding the lines of these curves developing the initial light weight. Implied diagonals and said curves – as well as refinement of contrast – are substantially more granular and specific than had I taken a black-and-white posterized, or stairstepped approach.

At half-resolution, the resulting smoothness is acceptible. This type of hinting will be useful in developing a substitution rule set consisting of subpixel slanted or curved bricks to produce a “vectorized” version.

Indeed, such a process could be purely automated by a proficient developer or properly trained neural network (this would be a really interesting future feature for fontstruct pro – rather than hinting a font after painstaking vector construction, why not reverse the process by way of en vogue ai-assisted upscaling?).

Basic accented charaters and numerals are being added as I churn through the extended character set...

Partly inspired by the Kyocera Domino font.

In 70s, India and Romania Founded Crew Sans Typography used as A-OTF. Crew Sans is a Heavy Sans Serif that used as brick round and much more, This design is also created by VTOTFS2021, The Crew Sans Font is now coming used in Romania and India. The Letter I and L are the same letters.

This is the Plane 1 font of the GS Unicode font series.  I've split this font up by plane (though as of yet only the fonts for Plane 0, 1, and F exist), since .ttf files have a technical limit of 65,535 glyphs.

This font is/will be (in theory) made up of U+0020 and U+10000~U+1FFFD, which is exactly 65,535 code points.

Things that are planned but not implemented yet are listed as [TBA] (to be added).

Links to planes (I'll most likely be posting updates related to this series as a whole in the Plane 0 font):

Plane 0: here
Plane 1: [THIS FONT]
Plane 2: [TBA]
Plane 3: [TBA]
Plane E: [TBA]
Plane F: here
Plane 10: [TBA]

PUA assignments can be found in the Plane 0, F, and (eventually) 10 fonts.

Feel free to recommend PUA assignments, though if it's a smaller block (i.e. ~256 characters or fewer), I might recommend the BMP PUA.

Also, it's more than likely I won't know every script well enough that there won't be any mistakes.  If/when I make a mistake, please tell me and I'll do my best to fix it!

A font in the style of the [retro]futuristic typeface seen in the 1981 movie "Outland". There are a few variations that appear in the film but this most closely resembles the almost square aspect ratio as seen in the opening credits.

Latin in progress.

See more:

https://fontstruct.com/fontstructions/show/45476/isomatrix_3d

This font was created because of a college project. But I liked it so much, that I tried to venture myself doing the extra glyphs. Although, I still need finish it... I hope this font can be of use, for someone out there ;)

The 7 segment digts come from the Atari ST.

If you use this, please make sure to credit me somewhere…

This font is for free so you don't need to spend time making your own font (unless you want to make your own font). Use it for anything; for your poster, video game, book, movie, program--anything!

The only thing you CANNOT do is CHANGE LICENSE OF AN EXACT CLONE.

Should you make a new font from it, it needs to be under "Creative Commons Attribution Share Alike". An attribution to the original must be made, too.

I chose this license so that it can always be free without anyone having to worry about using it, commercially or not.

Added some punctuation