Telos Unicase with overzealous antialiasing applied to it. It looks as if it were automatically antialiased by 16-bit hardware - a bit smudgy, almost pencil-shaded. Check it out at 2x Pixel size!

Despite its simple looks, this font is just about the densest thing I can create on a 5x5 grid without obfuscating the letters themselves.

A 5x5 Greek pixel font designed by request for a friend. This is going to be used in some amusing comics! Too bad I won't be able to read them. :D

(This also supports Dutch and English.)

Legend of Pixel V2.0 - Extended

- Completed:

Basic Latin; Latin 1 - Suplement; Latin Extendend - A; Latin Extendend - B; IPA Extension; Combining Diacritical Mark; Greek and Coptic;

- In progress:

Cyrillic

Cyrillic Supplement

Cherokee

Combining Diacritical Marks Extend

Cyrillic Extended - C

Phonetic Extension

Phonetic Extension Suplement

Combining Diacritical Marks Supplement

Latin Extended Additional

Greek Extended

General Punctuation

Superscripts and Subscripts

Currency Symbols

Combining Diacritical Marks for Symbols

Letterlike Symbols

Number Forms

Latin Extendend - C

Coptic

Cyrillic Extended- A

Supplemental Punctuation 

Lisu

Cyrillic Extended-B

Modifier Tone Letters

Latin Extended-D

Latin Extended-E

Cherokee Supplement

Vertical Forms

Small Form Variants

Ancient Greek Numbers

Ancient Symbols

Lycian 

Carian

Coptic Epact Numbers

Old Italic

Gothic

Osage

Elbasan

Cypriot Syllabary

Lydian

- Unmade Unicodes:

00AA, 00B0, 00B2, 00B3, 00B9, 00BA, 02B0 to 02FF, 030D, 0318 to 031A, 031D to 0320, 0329 to 032B, 033A to 033D, 034D to 034F, 0353, 035B, 0362 to 036F.

My first serif font!

It might take long but I will finish is as soon as I can.

Oh Look, I made another one.

This time with Sans Serif block letters, currently work in progress

Tiled Letters and numbers for all your tiled letter and number needs!

Will add more to this later

Based off of the pokemon, unknown.  I made up the lowercase, the numbers, and most of the punctuation and symbols.

Font from the ingame marquee display of "Barcade Brawl", a 2015 game by yours truly. This was made to look similar to the system fonts from old arcade boards, PC microsystems, etc. You've probably seen the fonts I'm talking about; they're everywhere and many people refer to them singularly as "the arcade font" or "the NES font".

This is 7x7 with no wasted matrix, but it looks better without monospacing since not every glyph is the same width. It also makes a decent terminal & chat font, at least for those who don't care about the case of the messages they read and write.

Feel free to use this in your games, etc.!

*

Original size: 5.25pt (use multiples of this size for pixel perfection)

A strong, clear, fixed-width font. Made to resemble 1980s Acorn 8-bit microcomputer text, but much smoother. Good for programming, text editing and consoles. Contains a full set of CP-1252 glyphs for single byte values 0x20-0xFF. Also contains basic sets of Cyrillic/Greek chars, and arrows/blocks/boxes/widgets for text interface design.

We live in a world controlled by technology. As a creative professional I rely on tech to perform my primary business activities, whilst I am extremely pro-technology, I also recognise the negative impacts it has on society.

The theme for this project is ‘Dangerous’.

Please feel free to use this font as you wish, I would appreciate being told in advance as I love to see my work in use.

Ed Garrett / edgarrett1982@gmail.com

Here is my fourth attempt to make a narrow font that accentuates diagonals. It seems to be a good programming font at size 10. It makes it surprisingly easy to read upper case consonant names.

Design is as follows:

Monospaced of course, because code pretty much requires this. Code fonts are built for both reading and editing, and when some letters are very narrow like the i and l in most fonts, that makes them very hard to select with a mouse and therefore very hard to edit and makes these fonts very hard to use for programming. In addition block cut and paste is important for programming and monospaced is required to do this easily.

Small sizes need to be easily readable. Sometimes you need to be able to see a lot of code on one screen.

Two Dimensional - designed for two dimensional grid-like work such as spread sheets and programming. Lines to draw reader's attention vertically are preferred over lines to draw reader's attention horizontally (as in most fonts). That makes this font more difficult for reading text and less difficult for reading code.

Glyphs are wide in the center of each letter so that diagonals and crossbars are easy to see, and narrow toward the top and bottom so that the characters pull away from each other and are easy to tell apart.

Bodies of the lower case letters are made relatively tall so they are easy to read in code, yet maintaining a clear difference between the height of the lower case and upper case characters - very important.

From top to bottom: 2 blocks upper diacritics, 1/6 block space, 2 blocks stems and upper case, 5.5 blocks lower case body, 1/3 block space, 2 blocks lower diacritics.

Clear distinctions exist among the members of each of the following groups of glyphs: ({[  ])}   Il1  aes   Ss56$   Zz217?   `'   .,   uUvV   coCO0D   pP   ;:   ~-  to help tell exacty what each glyph is. This is critical in programming.

Numbers are really large. It doesn't hurt at all for numbers to stand out in programming. This is ok because numbers never have diacritics. The 7 has a bit of a scoop so it does not look like a 2 when underlined.

Vertical alignment - The pairs {}  ()  and []  line up precisely vertically.

The dots are large and distinct so they show up easily in code.

Large numeric 'operators' +-/\%^~=* are easy to read in code.

At least one block touches the right edge in each glyph so that Visual Studio can figure out what's going on. This also means that many glyphs do not touch the left edge and some narrow puctuation glyphs have a tiny extra block off on the right edge.

Floating a little bit above the zero line helps in dealing with underlines.

Avoids horizontal strokes to reduce problems with pixelation at various sizes in various programming tools.

Sans Serif (mostly) so that you can cram glyphs together more tightly.

Also:

Diacritics have lots of space since the area above and below the capitals is more than 2 blocks, so they can be added later on.

Looks scripty - There is a bit of a scripty thing going on because of the wide bases for the lower case i and l, so this is enhanced a bit in the I, J, S, U, Z, f, t, u, z and s.

Narrow enough to be mistaken for an informal text font although since it is designed for two dimensional work, simple lines of text are not that easy to read.

A little too thin - A little bit too thin to be easy to read on a pixelated screen below size 10, although it does print very nicely, so I am labeling this Friendly Geek Light, and I am building a Regular and a Bold font also.

Recent Changes:

Made the 'h' lean to the right to distinguish from the 'b'. Straightened out the '+'. Made the 'F' drop below the rest of the upper case to make it look less like an 'f'. Heightened the 'v' to make it smoother.

This is the 7/6 block version. I've been liking this weight for programming at size 8.

Friendly Geek:
 Good for...
  - Labels
  - Upper case
  - Code
  - Table cells
  - Outlines
  - Display
  - Printing
  - Informality

 Not Good for...
  - Normal Text
  - Sentences
  - Formality
 
 Sometimes Good, Sometimes not...
  - For each display screen size, one or two weights work well

I have changed the 'h' and the '+' to work better for programming. Changed the 'F' to make it more clearly different from the 'f'. Before it was looking a little bit like lower case somehow.

Exactly what it says on the tin: I anti-aliased the Pico-8 font.

SPACETOON