This font inspired from a Duck :D! I made this decorative duck typeface look cute by using a curvy shape. I also add some signatures of a duck wich is beak and wings. This work is not yet done, but i will finish it as fast as i can, so please kindly leave commend if i did something wrong, i hope you can give a good suggestion to support my work. :D
Thanks Fonstructor!
Rules & Guidelines:
1) All FontStruct users may participate in FontOut, and can do so with a maximum of 5 entries each.
2) An entry in a FontOut is a picture or image posted on this page.
3) Every so often, a FontOut will be announced and participants can publish images within a two-week time period.
This FontOut:
(5th May 2013)
Lines! — Horizontal, vertical, diagonal: lines make up multiple facets of our lives. Your assignment is to create a sample image using FontStruct that creatively shows usage of lines. Have fun!
The last time you can upload a sample is 26th May 2013. Voting starts on that date. Please only constructively criticise the motive of another's entry. Thanks.
Let's see what our FontStruct community can do!
Don't forget to check out all the forums & FontOuts!
This is a clone of FontOut7(ИнфиниНикиСтръкт Макс) InfiniNikineseStruct Max 5.13.95 is a pixel Unicode font which has many glyphs and typeable in many languages.
A good font!
The InfiniNikiStructMax font is required for the following Windows versions:
Windows Vista✅
Windows 7✅
Windows 8/8.1✅
Windows 10✅
Windows 11✅
The font is also available for Android users:
Samsung✅
Lenovo✅
Realme✅
Xiaomi✅
Redmi✅
Google Pixel✅
The font is also available for MacBook, iPhone and iPad.
Versions:
1.0 - Initial
The font is required to those YouTubers: Mathis R.V, DoDeca D., WTIF2023, SuperWindows78, NO!, me and TheNikinistPoliticianGuy.
I have seen that many FontStructors made fonts, so. Before my Birthday day, I decided to make NikiType as a beginner.
Only for macOS and mobile phone downloadable.
Added New in the PUA: Logos, Klingon, Aurebesh, Liran, Tengwar, Cirth, Shidinn, Cadexian, Nikinese, Latin Extended Appendix A-B, Phonetic Extensions Appendix A-B, Unifon, Seuss, MUFI-CYFI, CYFI, Myriad Pro PUA and Fairfax HD Alphabetic PUA, Kinya, Ordinateurfont Alphabetic PUA (deleted), Enclosed Numbers Appendix, Sitelen Pona (Toki Pona), Control Pictures Appendix-A, .notdef icon and many many more...
I added 11 conlangs.
InfiniNikiStruct Max becomes special and popular!!!
InfiniNikiStruct Max - a normal pixel bold font. minimalist sans-serif
INSPIRATION
===============================================
InfiniNikiStruct Max was founded in 2014 in Sofia, Bulgaria by architect Nikolay Atanasov. Literally translated as “hard work“ in Nikinese, the Nikinese typeface for mobile phone and macOS was born out of the pixels of designing basic necessities like Nikinese characters, presentation forms and hard work, with the core idea that form follows PUA.
Nikinese is my conlang:
In September 10, 2023 the hard work moved to Kazanluk for 3 days, where its ideal of creating a slow work of Extensions, Nikinization, and growing of letter entities flourished. Many now-iconic designers called the hard work, and their legacy of industrial pixels and functional yet big typography lives on today. The Islamic kingdom of Saudi Arabia.
By nikinizating industrial technology and fine art, the hard work masters and their characters designed functional objects that could be mass-produced with modern Nikinization. Their concrete and tall padding, many languages, and bold lettering for advertising posters continue to inspire creatives in all fields of art and design. Typography that leaves a lasting imprint.
Typography from Kostinbrod Municipality, Bulgaria is instantly recognizable. Simple pixel forms, unadorned with serifs. Vibrant, expressive colors. Balanced layouts that convey a clear and direct message. Some of the world's most celebrated ad layouts, political posters, album covers, and logo designs owe their power to lettering designs created at Kostinbrod.
It's considered to be the national font for the Kingdom of Nikolandia - the center of Nikinisia continent.
For Android or iOS to see more unicodes.
---VERSIONS LIST---
Version 1.0 - Initial release for NikiType.
Edit 1.0: Adding only Uppercase
Edit 1.1: Converting Lowercase Letters to their original form
Edit 1.2: Turning on Expert Mode
Edit 1.3: Added IPA
Edit 1.4: Even More Glyphs
Edit 1.5: Big Edit
After many Edits:
Edit ???: Starting PUA
---COMING SOON--
Other Planes
---MILESTONE OF DOWNLOADS---
50: Checked
75: Checked
100: Checked
---MILESTONE OF GLYPHS---
5000: Checked
8000: Checked
10000: Almost Checked
---LINKS---
---INSPIRATIONS---
Anthonistruct
STF_FAUXHAUS
Electronic Data
Nishiki-teki
Catrinity
Fairfax HD
AwesomeDylanStruct
NikiStruct (fake version)
Marnienese Sans (remastered via FontCreator modification of Calibri)
---PERMISSIONS---
If you want to download this font, you must ask me or Sed4Tives this:
"Can I download?".
---NOTES---
This font absolutely does not support Arabic, Syriac, Thaana, Mandaic, Tibetan and Devanagari.
---THANKS---
The InfiniNikineseStruct Max font is an official font that was founded in 1980.
It is powered by the Nikinese Government and Vyara Atanasova.
---COPYRIGHT---
Copyright © NKF2014. You can use or download this font anytime with permission only.
No rights reserved.
That's all for now. I hope you like it so far, cheers!
Rules & Guidelines:
1) All FontStruct users may participate in FontOut, and can do so with as many entries as they like.
2) An entry in a FontOut is a picture or image on a specific FontStruct forum. It can also be a public font. There are no limits on licence.
3) The font must be tagged with "FontOut#" where '#' stands in for the specific number of the FontOut.
4) Every two weeks, a FontOut will be announced and participants can publish fonts or images within that two-week time period.
This FontOut:
(24th June 2012)
Create a new logo for FontStruct! Post a sample image showing the logo in the comments. The logotype must be done in FS, but it doesn't have to be a compete font. (Note: this is an unofficial contest, and the actual FS logo will not be changed.)
The last time you can upload a sample is 1st July 2012. Voting starts on that date.
Let's see what our FontStruct community can do!
Don't forget to check out all the forums & FontOuts!
This is a clone of FontOut2Game font from Teenage Mutant Ninja Turtles: Tournament Fighters for NES. Recreated font from ENG ROM.
Cyrillic is Custom made.
UPD (25-dec-2023):
Added all "More Latin" symbols (Customs)
Added more "Cyrillic" symbols (Customs)
Some fixes in "Basic latin" from Custom to Original
Rules & Guidelines:
1) All FontStruct users may participate in FontOut, and can do so with as many entries as they like.
2) An entry in a FontOut is a picture or image on a specific FontStruct forum. It can also be a public font. There are no limits on licence.
3) The font must be tagged with "FontOut#" where '#' stands in for the specific number of the FontOut.
4) Every two weeks, a FontOut will be announced and participants can publish fonts or images within that two-week time period.
This FontOut:
(8th July 2012)
Ligatures! Ligatures are special characters that connect two or more glyphs. This week, create the word firefly using a ligature for fi, fl, and any other ligatures you want. Let's see how many letters can be connected! Entries must be created using FontStruct.
The last time you can upload a sample is 15th July 2012. Voting starts on that date.
Let's see what our FontStruct community can do!
Don't forget to check out all the forums & FontOuts!
This is a clone of FontOut3BOOTSHAUS — Geometric "Bauhaus"-inspired modernist sans
═══════════════════════════════════
Bootshaus is another endeavour into the Bauhaus realm of typography.
Focus for this font lies mainly within it's broad choice of glyph alternate forms to select from for stylish texts or logos.
Much of the extra glyph alternative forms are loosely based on the lettering by Sascha Lobe for the Bauhaus-Archiv
Many more glyph alternative forms are planned to be included, stay tuned..
— WIP
Cheers!
Tugas mata kuliah Tipografi 2.
Keber adalah sebuah gabungan tulisan yang dibuat oleh pedagang kaki lima untuk menyatakan apa yang di jualnya.
font ini dibuat untuk keber pedagang kaki lima yang menjual nasi bebek & ayam goreng di kawasan Universitas Kristen Petra.
A work u+3104 whats bubbles?
unicode what to next version:Unicode 14
A working to latin extended-h?
PLANE 2:here
Version History:
12/01/2022 (1.0.0):First Release
09/02/2022 (1.1.0):First Unicode 15 Upgraded Draft
07/03/2022 (1.1.1):Unicode 15 Review The Codes (L2/22-056)
20/03/2022 (1.2.0):Draft Boomless 4488 Characters
25/03/2022 (1.2.1):Fixel Windows 11 BabelMap
26/03/2022 (1.2.2):Suport Windows 11 Emoji
06/04/2022 (1.2.3):Fixed iOS 15.4 Font Download
07/04/2022 (1.2.4):CLDR Version Fourty-One Relased!, Combing At April 19...
12/04/2022 (1.3.0):Support LG Velet Emojis in zFont 3
21/04/2022 (1.3.1):Fixed All Currency Symbols
22/04/2022 (1.3.1a):What's New Unicode 15 Reviews
24/04/2022 (1.4.0):Fixed Small Bugs
25/04/2022 (2.0.0):Future Version 15.0
1/06/2022 (2.0.1):Second Unicode 15 Upgraded Draft
10/06/2022 (2.0.1):fixeds of unicodes
Rules & Guidelines:
1) All FontStruct users may participate in FontOut, and can do so with as many entries as they like.
2) An entry in a FontOut is a picture or image on a specific FontStruct forum. It can also be a public font. There are no limits on licence.
3) The font must be tagged with "FontOut#" where '#' stands in for the specific number of the FontOut.
4) Every two weeks, a FontOut will be announced and participants can publish fonts or images within that two-week time period.
This FontOut:
(22nd July 2012)
Crazy glyphs! In honour of Abneurone Fluid Types, in this competition, you must make the craziest, most ornate, most mindblowing character you can. Please, only one glyph per sample.Entries must be created using FontStruct.
The last time you can upload a sample is 29th July 2012. Voting starts on that date.
Let's see what our FontStruct community can do!
Don't forget to check out all the forums & FontOuts!
This is a clone of FontOut4Tugas Tipografi 2
Keber adalah sebuah tulisan yang dibuat di suatu media yang digunakan oleh pedagang kaki lima untuk memberi tahu apa yang dijual :)
Jenis font ini dibuat untuk pedagang kaki lima yang menjual nasi bebek dan nasi ayam goreng di sekitaran Universitas Kristen Petra Surabaya
Rules & Guidelines:
1) All FontStruct users may participate in FontOut, and can do so with a maximum of 10 entries each.
2) An entry in a FontOut is a picture or image on a specific FontStruct forum. It can also be a public font. There are no limits on licence.
3) The font must be tagged with "FontOut#" where '#' stands in for the specific number of the FontOut.
4) Every two weeks, a FontOut will be announced and participants can publish fonts or images within that two-week time period.
This FontOut:
(5th August 2012)
Ambigrams! In honour of truth14ful, in this competition, you must build a sample that can be read upside down and right side up. See truth14ful's font fs Gaux Ambigram for inspiration. Entries must be created using FontStruct.
The last time you can upload a sample is 12th August 2012. Voting starts on that date.
Let's see what our FontStruct community can do!
Don't forget to check out all the forums & FontOuts!
This is a clone of FontOut5Update 1.1: Added Uppercase Final Sigma, Shidinn, and Klingon
Update 1.2: Big Update
Update 1.3: Moved Latin Lowercase Chi's Codepoint Position, Added Lambdas in Latin Extended D, and Added Kwak (in the Private Use Area)
Update 1.4: Some Latin Letters Are Added. Greek Mp And Nt Are Added. Hebrew Is Added. Armenian Is Added
Update 1.5: Cherokee & Bengali are added.
Update 1.6: Added Extra Thai letters and I also added Cadexian.
Update 1.7: Added Georgian, Fixed Armenian Capital Yev, Tagalog, Alternatives for Russian, and a logo of what it was installed
This typeface is inspired by a traditional chicken noodle street food store in Indonesia. I want to make this typeface as simple as possible but also appealing in people's eyes. The chicken noodle contain noodle, minced chicken, chicken dumpling and of course some fried crispy pangsit. In each every stroke of the typeface there something sharp at the middle and that's represent the fried pangsit and also the typeface that i made is rather slim and semi elastic that represent the thin and almost chewy noodle.
VOLLE BUISJES — Geometric sans-serif style
═══════════════════════════════════
[ INTRODUCTION ]
This font had derived and materialized from my previous FontStruction called Buisjes, and had innitially been planned to be made into this “solid”-style instance that would've then were to be combined and included to the original master font. That idea was later canceled when I decided not to make this part of the “Buisjes”-typeface.
I still went on completed it though, but I was now simply treating it as this unrelated new font instead.
The original “outlined”-variant still stood testimony in this second stage of development, as it served as the global basic backbone for this. But, since it now no longer was bound by accurate representation I could start utilize more dynamic sculpting techniques and make minute adjustments that incnclude some optical corrections, as well as implementing a slight more polished looking geometry.
[ TECHNICAL BACKGROUND ]
I took a clone from “Buisjes” and started modifing it into this new solid style. What I basically did was utilizing the “brick swap”-method in the FS-editor to replace every brick inside the font's “My Bricks”-palette. By doing so, essentially converting the font one-brick-at-a-time into this 1 : 1 conversion of its source without making any additional changes to the actual glyph-contours.
After a while due to some undesirable result that came from replacing the original bricks the design took a different turn when I started realizing that making an exact 1 : 1 conversion into this solid style wouldn't generate the most desirable looking font. This new solid version that was rendered from the “brick swap”-process seemed to have several optical complications, that when compared to the original outline version, had quite the different effect on its physical properties as well as the aesthetic quality of the letterforms, and had far less visual appeal. These newly presented optical misfortune also had a direct negative effect on the font's legibility. In oder to gain a better understanding as to why it took a toll on legibility some additional thing needs to be explained first, to make sense of it all later. This explains in short the visual effect of added contrast that comes from that “bi-linear”-characteristic nature of the outline version, which employs so much more emphasis to the font's overall geometric properties of various form, and therefor to the contour shape of a glyph. In return this has a direct impact on the overall effectiveness of these forms.
The reduction of this additional contrast within the font's “positive vs. negative”-whitespace balance for the solid version results in a letterform that has a rather weak representation of its several typographic components as well as for each of the individual letter-parts that form a whole, which also help to distinguish one letter from another. In simple words this means that a solid style lacks a lot of that emphasis that is present in the the original outline version, and makes for a far less pleasant and effective font.
Another issue I had with the 1 : 1 identical conversion was the unanticipated but pretty drastic deterioration of its initial “wow”-factor in the solid version that was generated. No longer beneficiary from additional added value that came with a more “decorative”-characteristic that is present within a outlined glyph contour. Also the “bi-linear”-nature of the outlined letters sort of gave the impression it was putting double the emphasis to the typographic parts and the geometric properties that make up each letterform. The rather squarish “box”-like characteristics of the lettering became much more evident in the solid glyph face. Shifting visual focus from the previously more ornate display attraction away towards this more “mechanical”-style that is this rather plain and somewhat shallow looking flat faced letter.
All of these were things that worked out just fine in the font's outlined version, but not so much in terms of a solid “filled”-like style.
Here are some of the things that cause trouble within an exact 1 : 1 conversion into solid bricks:
• Enclosed typographic elements render much thicker than what is considered “acceptable”
(requires optical correction)
• Diacritics render too thick and often too big
(requires a complete re-design)
• Radius of FontStruct's default solid circle arc connection brick is too small
‣ Making a solid font constructed from these to look compressed
‣ Arc intersection point not sitting deep enough
• Reduced emphasis in depth of geometric form
‣ Simple rather “feature-less” and “squarish”-looking geometry
(both requires numerous custom composite bricks in order to break-away from these constraints)
— The combination of the above in terms of the appropriate adjustments required to make optical corrections in order for it to have balanced proportions will have such significant impact to certain aspects of the physical presentation of the letterforms that they no longer share that seamless overlapping cohesion, and it couldn't really classify any longer as being this solid / filled style instance to the original master font.
That wasn't all (LOL) but yeah I'm done typing for now!
Hope you like it, more info follows..
Cheers
This is a clone of STF_BUISJES