Please remember there are many symbols missing in Galactic Alphabet By Mojang. So i have replaced those with a square. Sorry....

Font from the ingame marquee display of "Barcade Brawl", a 2015 game by yours truly. This was made to look like the system fonts from old arcade boards, PC microsystems, etc. You've probably seen the fonts I'm talking about; they're everywhere and many people refer to them singularly as "the arcade font" or "the NES font".

This is 7x7 with no wasted matrix, but it looks better without monospacing since not every glyph is the same width. It also makes a decent terminal & chat font, at least for those who don't care about the case of the messages they read and write.

The original supported English only. I've added support for Dutch and German for the time being...

AN UPDATED VERSION OF MY ASTRO-DYNAMICS FONT WITH A LOT MORE CHARACTERS.

A style of writing based on Orcish architecture, culture, and mythology. The main design rule was "no diagonals". 

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Original size: 6.75pt (use multiples of this size for pixel perfection)

My first serif font!

It might take long but I will finish is as soon as I can.

WIP

Recreation of the pixel font from Namco's "Fighter & Attacker" (aka "F/A", 1992). Only the characters present in the game's tile set have been included.

A busy and sometimes harsh-looking stencil design. It has a structural asymmetry which I think gives it a casual look.

Check out the Pixel view! It looks a bit like a light-up marquee.

Experimental 5x3 font. This went through quite a few iterations! The result is surprisingly readable, but still not quite something I'd want to use as a chat font.

In making this I did my best to avoid compression and truncation, trying instead to use the interpretation of light as my guide. Many glyphs don't look much at all like what they represent, but as my eye glides over them, they make sense and I read them without issue.

A copy of QWERTY & DVORAK fonts.

A compressed, squareish microfont. 4x4, monospaced, no wasted matrix.

I like how this one uses all the space it occupies. Glyphs like ijl1 fill out the words they're in rather than creating voids.

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Original size: 3pt (use multiples of this size for pixel perfection)

WORK IN PROGRESS: Unfortunately not all of the letters are competely finished yet. A typeface inspired by liquid movement, trying to capture its fluidity and ablility to distort. My inspiration for this process comesfrom the effect of ink dropped into water.

Recreation of the secondary large pixel font from Irem's "Air Duel" (1990). Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Irem's "Air Duel" (1990). Only the characters present in the game's tile set have been included.

A font for a horror project of mine, its supposed to look slightly off, which it does, only contains basic Latin alphabet and some other fancy symbols, though due to the typefaces general visual style some characters, like the copyright sign, yeng, currency sign and things are not exactly easy to recognise as themselves so really, this font is only good as a fun little thing, not be used in a serious situation were those characters might actually see use. Some of the Greek characters are used to, but they are just funny icons that could be used for decoration, and are illegebel as letters let alone Greek characters. Was also my first font, so, its not brilliant looking.

Comments Welcome

See more:

https://fontstruct.com/fontstructions/show/860986/nectarine

https://fontstruct.com/fontstructions/show/772601/luikeza_4

FT Trio, 0:1 Slope ,

2:1 Slope,

and Curves;

Trio.