Generic monospace font.

A serif companion to aaaa (Not published).

The Minecraft GUI Font.

THIS IS NOT AN OFFICIAL MINECRAFT PRODUCT NOR IS IT APPROVED BY OR ASSOCIATED WITH MOJANG.

This started as a tiny version of Ballotine and then gradually acquired the cartoon-esque look it has now. It gives me a mild "noir" feeling.

Why can't I stop making sports themed fonts?

Tiny font with a 1x5 global matrix.

Sometimes the smallest and simplest change produces the most drastic results.

A skeletonized variant of Ione with lotsa plus signs in it.

Version 1.1: S and Z were experimentally altered. Added numerals.

*

An experimental design which calls to mind medieval wattle-and-daub houses, round windows, targeting reticles, quadratic cheese wheels, and the math equations of the mad.

It's named for Ione Falstin, daughter of Rhoen, a character from one of my own stories who came up with the idea which was later refined into the mathematical concept of "Falstin's Demon".

The preview is not kind to this one, but I rather like the weathered effect it provides. It helps the font's intended aesthetic.

Recreation of the pixel font from Data East's "Silent Debuggers" (1991) on the PC Engine/TurboGrafx-16.

This font contains an almost complete set of hiragana and katakana characters. In the game's tileset, the dakuten and handakuten are separate tiles, and positioned in the line above the character they relate to. In this recreation, these characters are pre-combined into a single glyph.

Apart from these, only the characters present in the game's tile set have been included.

Old Ponish Rune Set (as of 1.2)

c=sh, q=soft th, x=hard th

This font has everything Zeph-y. Decolike shapes, half-arcs, procedural asymmetry, slight gaudiness, and an ampersand that looks like a priest with a cross walking on the ocean waves.

Solid Quartzthrone. Somehow, this looks more "cartoonish" than the others.

Maybe I'll do an outlined version next.

A slightly leafy engraving-style Decolike.

A variant of Bulwarx Pixel which uses halftones to save 64% more ink than the original.

The second halftone is 60*60 (3600px) within a 100*100 (10000px) canvas. So, this halftone fills only 36% of the grid square, and yet it remains solid-looking even at 2x Original size. I think this is therefore the best single halftone on FS for actual printing purposes. Of course, modern printers are likely to be accurate enough to print this with the grid squares showing...

A pixel demake of Bulwarx. The original design was so close to being Pixel Optimized that I decided to go ahead and make a version that actually is.

I decided to make this version the same size as the original in order to preserve the ratios. This means that the font is very similar at small sizes, and sacrifices only a few corners/angles in exchange for superb crispness.

The original diacritics had to be reworked, as well... this makes the font effectively taller than original Bulwarx, but it couldn't be helped.

Maybe I'll round it more later.

A Quartzthrone variant that looks like fancy upholstered furniture (or cactus heartwood).

The original intent was to make a checkerboard pattern, but because of the use of horizontal filter size 0.5 along with half-width bricks, I wound up with this pattern. No complaints here!

With the original font's punctuation.

Punctuation in the style of the rest of the font. See the Caps variant for the original's.

More multiline Romanesque doodle thing.

Multiline Romanesque doodle thing.

An even more condensed Tronixis. This is definitely giving me an "old book/newspaper" feeling.

Pixel demake of Arizone Unicase. Same glyphs as the original.

Superwide Bulwarx/Embassy L hybrid.

A small and condensed pixel font which uses a combination of techniques from designs like Marengi Mk2, Micro Machina, and Mncrft. The spacing, along with many glyphs, is experimental and defies my usual conventions.