3631044
Published: 19th November, 2009
Last edited: 10th December, 2009
Created: 16th November, 2009
Based on RM Playtime solid.This is a clone of RM Playtime solid FS1.0
118144145
Published: 30th October, 2009
Last edited: 7th November, 2009
Created: 30th October, 2009
Maybe shifting to CCAN licensing will discourage pilferers from trying to make money out of my designs. Cheek!
457758
Published: 15th October, 2009
Last edited: 16th October, 2009
Created: 2nd October, 2009
A new member of the Afro-family is born: Afroblack, another version of Afrobeat without any horizontal lines. Although I changed only a couple of details it has a very different feeling. Take a look at the example! I´m not sure about the numbers, probably a few of them have need to be reworked. What do you think?
This is a clone of Afrobeat Regular
391610418
Published: 2nd October, 2009
Last edited: 19th May, 2011
Created: 1st October, 2009
Heavy crude stencil face: OIL (Operation Iraqi Liberation)This is a clone of LE Meta
35211104
Published: 18th September, 2009
Last edited: 20th August, 2018
Created: 18th September, 2009
India inspiration ?
This is my first font set (not finished)
1513992
Published: 9th September, 2009
Last edited: 13th September, 2009
Created: 26th August, 2009
The unassuming functionality of a stencil typeface with stark angles hinting at 1970’s chic.
Tyro = learner / beginner ( very apt )
128305843
Published: 6th September, 2009
Last edited: 6th September, 2009
Created: 5th September, 2009
Minimal stencil font. lowercase, numerals and some punctuation. More on http://typerider.wordpress.com/This is a clone
6712598
Published: 6th September, 2009
Last edited: 20th April, 2024
Created: 6th September, 2009
The dirty version of safehouse. Minimal stencil font, lowercase, numerals and some punctuation.
More on http://typerider.wordpress.com/This is a clone
1251120124
Published: 2nd September, 2009
Last edited: 6th September, 2009
Created: 30th August, 2009
Clone of FS Mini which started as an alternative with UC & filter set at 2 to gain half brick positions. I changed the filter to 1.78 after not being satisfied with it & got amazed by the possibilities. Even when I came to some brick limitations I found myself redesigning some glyphs to abusethem of these new found possibilities & maintain a certain harmony within the whole set.This is a clone of FS Mini
59939818
Published: 2nd September, 2009
Last edited: 2nd September, 2009
Created: 2nd September, 2009
Metal Gear Solid RISING font. ALL CAPITOL. The lowercase 'A', 'C' and 'L' are shifted to the left for flexibility.
16454042281
Published: 29th July, 2009
Last edited: 4th September, 2009
Created: 10th May, 2009
I intended to make some sort of an M.C.Escher tribute here. I'm sorry this isn't very complete and far from being perfectly well done, but it somewhat started to make me feel dizzy...;) And even though I'm not very convinced by this, I don't think I'd come up with a way better execution soon.
I hope for Mr Escher that there are better tribute fonts for him out there! He'd definitely deserve it...
It was by the way funk_king's Impossible Alphabet that reminded me of this unfinished thing laying around in my messy unpublished fontstructions box, and made me take it out and finish it. (If you can call 42 characters "finished".)
Also check out Frodo7's Hommage à Escher, geneus1's IsoMatrix 3D, and funk_king's Soma for some other great Escher-esque fontcrafting!
239174337
Published: 22nd July, 2009
Last edited: 23rd July, 2009
Created: 25th June, 2009
This is a Sessions flavored remix of Saberrider's wonderful Poff font.This is a clone of poff
21482714
Published: 16th July, 2009
Last edited: 16th July, 2009
Created: 15th July, 2009
Please see the samples in the comments.
Using a new technique that combines 1.8 scaling and diagonals.
724755
Published: 10th July, 2009
Last edited: 23rd July, 2009
Created: 22nd February, 2009
A big, fat, funky font to use only at huge sizes!
I had the original concept for this one a while ago, but was not satisfied with the dots on the i and j, so I tweaked the filters a bit to set them at the same height as the ascends.
I recommend using it at really big sizes so it won't lose detail, since letter spacing is so narrow to balance the dot distance.
Only Spanish Glyphs LC so far, plus some basic punctuation. 21.07.09 redesigned all numbers plus e,f,s,z,$ and added fi, fl and & (sounds redundant, huh?^_^) 23.07.09 expanded it some more...
11896522
Published: 24th June, 2009
Last edited: 29th June, 2009
Created: 23rd June, 2009
Experimenting with reverse glyph building (knockouts) to create a modular monoline font with more fluid, rounded shapes.
A work in progress. I would appreciate any and all feedback, suggestions, etc.This is a clone
120114225
Published: 30th May, 2009
Last edited: 30th June, 2009
Created: 27th May, 2009
A tribute to Josef Albers: inadvertently inspired by saberrider and afrojet.
This font totally happened by accident. Recently, saberrider created steep, which uses a 2.0 x 1.11 filter setting to smoothly blend the quarter-circle bricks into the triangles. After saberrider created his experimental variable scale fontstruction, it lead me to revisit an abandoned work I did from last year that was done in a similar scale. After getting over the initial disgust of looking at the dismal failure, I started tweaking. Then I decided to tweak the letters instead. It became apparent that I could create a stencil type font that also looked like Josef Alber's font. Coincidentally, Saberrider also has a variation with fontstract,
and of course, that Stewf guy has his own family of Leaflets. ;-) Afrojet's sessions came into play in creating some of the letter forms, especially the numerals. The final filter setting became 1.638 x 1.08, which created a nice fusion of the curved and triangular bricks, but was also naturally inclined to necessitate the vertical divide on each glyph. The rest flowed rather easily from there. Here's to more happy accidents. =)
The sample is also a tribute to Alber's color theory, showing the names in identical colors, which, when juxtaposed over contrasting colors tricks the eye into thinking the bottom name is darker than the top.
The following Josef Albers quote can relate to all things creative, like fontstructing, not just color:
"It should be clear by now that our way of studying color does not start with the past - neither with works of the past nor with its theories.
As we begin principally with the material, color itself, and its action and interaction as registered in our minds, we practice first and mainly a study of ourselves.
Thus, we replace looking backward by looking first at ourselves and our surroundings, and replace retrospection with introspection."
- Josef Albers
This is a clone
1244727
Published: 26th March, 2009
Last edited: 2nd May, 2009
Created: 2nd August, 2008
A regular geometric stencil font.This is a clone of Ficus Stencil Condensed
500727
Published: 26th March, 2009
Last edited: 22nd May, 2009
Created: 26th March, 2009
A striped geometric stencil font.This is a clone of Ficus Stencil Regular
90371
Published: 12th March, 2009
Last edited: 12th March, 2009
Created: 12th March, 2009
Clone of Mac Lab 072 with a high horizontal stencil. If you clone this please do not name your font "Mac Lab xxx" as I will be playing with and using "Mac Lab" fonts in my classroom. Thanks!This is a clone of Mac Lab 072
100371
Published: 12th March, 2009
Last edited: 12th March, 2009
Created: 12th March, 2009
Clone of Mac Lab 072 with double vertical stencil. If you clone this please do not name your font "Mac Lab xxx" as I will be playing with and using "Mac Lab" fonts in my classroom. Thanks!This is a clone of Mac Lab 072
100370
Published: 12th March, 2009
Last edited: 12th March, 2009
Created: 12th March, 2009
Clone of Mac Lab 072 with version two of single vertical stencil. If you clone this please do not name your font "Mac Lab xxx" as I will be playing with and using "Mac Lab" fonts in my classroom. Thanks!This is a clone of Mac Lab 072