9411021
Published: 26th December, 2008
Last edited: 5th May, 2009
Created: 25th December, 2008
A modified & completed Clone of Playtime Rounded Bold. Just take a look at the example.This is a clone of Playtime Rounded Bold
7111473
Published: 13th November, 2008
Last edited: 18th February, 2009
Created: 6th October, 2008
Reily is a sans-serif typeface based on circles and squares.
13242143
Published: 5th November, 2008
Last edited: 22nd June, 2009
Created: 4th November, 2008
A tall, sans serif font, named after the squircle, a combination between a square and a circle, which is the general shape of the characters.
Technically the shape is more like what's called a 'rounded square', but eh.
Contains A-Z, a-z, 0-9, and more.This is a clone
5617783
Published: 30th October, 2008
Last edited: 16th June, 2009
Created: 30th October, 2008
If at first you don't succeed...This is a clone of circleplay
977556
Published: 1st October, 2008
Last edited: 16th June, 2009
Created: 9th September, 2008
2x1 brickscaled. I have Eurostyle in my mind when I began this one, but made it without diagonals.
222101618
Published: 16th September, 2008
Last edited: 16th December, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
16119814
Published: 16th September, 2008
Last edited: 3rd November, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
1371988
Published: 16th September, 2008
Last edited: 3rd October, 2009
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
420944
Published: 11th September, 2008
Last edited: 12th September, 2008
Created: 10th August, 2008
Clone of Johann Skinny.This is a clone of Johann Skinny
170980
Published: 8th September, 2008
Last edited: 12th September, 2008
Created: 8th September, 2008
This combines "Moblie Infratry" with "SSi" in an unique sense of a different style
2001540
Published: 29th August, 2008
Last edited: 10th September, 2008
Created: 29th August, 2008
Adapted from OctagonoProportional, but several bricks taller. Many punctuation marks are proportional, while the letters, numerals, and other characters are monospaced.This is a clone of OctagonoProportional
1582865
Published: 6th August, 2008
Last edited: 16th June, 2009
Created: 6th August, 2008
inspired by the beautiful etiquette of the german beer "schneider weisse" and added some minuscels.
1601542
Published: 31st July, 2008
Last edited: 2nd August, 2008
Created: 31st July, 2008
Like GravitonoMono, but suddenly weightless.This is a clone of GravitonoMono
2301542
Published: 31st July, 2008
Last edited: 2nd August, 2008
Created: 30th July, 2008
Not as thick and clunky as AmazonoMono, but still solidly earthbound.This is a clone of PortraitTextMono
2901540
Published: 27th July, 2008
Last edited: 25th November, 2008
Created: 27th July, 2008
This typeface has no connection to the chemical element or to alien superheroes, except that monospaced fonts, especially those with rhyming names, are my weakness.This is a clone of BoronoMono