My first colour font. My zistersoul, but now with awesome 2 layers and it's original own colours! 

Another "little" font: only 1,5 bricks x-height (2 bricks for the upercase) with 2:2 filters. Inspired -just only the rounded aspect- by the great Frankfurter font, whose original (heavy) weight was designed by Bob Newman in the Letraset studio and issued in 1970. In 1978, Medium (the only style to include a lowercase, by Alan Meeks) and Highlight (by Nick Beishaw) were added. Inline (by Studio) followed in 1981. Our well know FS escaphandro build Choripán, an excellent actualization of the classic font. BTW, my accents and other few glyphs must be improved. WIP.

2021-06-02: Made dagger more like a cross and (Ʃ + ƪ) does not look good.

2021-06-03: (Ʃ + ƪ) looks better now. ƽ looks like the amiibo font from the Super mario maker 2 ad.

2021-06-03: Looking better now.

This is a really conservative design, reminiscent of the early days here at FS when all the features didn't exist. Yet they are well hidden here. In smaller font sizes, db Katalog looks really balanced… but scale it up and it soon doesn't look so round anymore. Maybe that's what makes it so. Perfectly imperfect.
In any case, I am open to any suggestions for improvement. 
Thank you.

@Dear and appreciated minimum: It has been an honour for me to have received from you the possibility of rebuilding my own version of your excellent font "tm Patchpanel", as a result of your very generous offer in FS of the pieces that it was made. I feel enormously lucky and grateful for that. It was also really very interesting for me to be able to go (in a certain way) into the depths of the ins and outs to build glyphs of a great master. With all this, I have dared to propose my humble version of this great font, which is this one that I am now making public. With all this, I have tried to make the grid more obvious, showing the shape of the letters inside. I've also tried not to repeat any of the glyphs of the original font, and I confess also my inability to get a good enough H. The final result appears to lack the freshness of your original font, but offers (to my mind, I hope also to you) some other qualities. I wish I hadn't demeaned the original too much and not made it too ugly. Thanks a million.

This font is another of the products that a challenge as lively as TwentiesComp generates in FontStruct. You spend two weeks (or more) devising and building original and competitive fonts in a crazy race, but your brain does not stop when the Comp is over and continues through the nooks and crannies that you had demanded of it before, searching and producing new suggestions. This was one of those post-hoc ideas that came up when the fonts to present were already finished. Hope I don't detract too much with it the great level that this Comp has had. Thanks for your compreension.

Based on Chicago. Some of the design choices in the original have been bothering me, so I made my own version.

accidentally downloaded 4 times

this is a mega extension of genero with even more characters than before ( +131 glyphs )

Undertow from the TwentiesComp.

Russian AG: (avant-garde) also known as Russian constructivism a period in the 1920s.

In the footsteps of Paul Renner (Futura, 1927)...

TwentiesComp entry. Not really sure how twenties this is (maybe more 30s), but this is where inspiration led.

Outline-Mix aus Bauhaus und Art Deco

Art-deco style font developed from the letter s (which wasn't that easy to make).

Moscow, Paris, Berlin in the 1920s... Konstruktivizm, Art Deco, Bauhaus... Effervescent people! This font is for Sergei, the smiling boy in the picture, and for all the people who together built the world. See also zandrine and ztefan.

Berlin, Moscow, Paris in the 1920s... Bauhaus, Konstruktivizm, Art Deco... Effervescent people! This font is for Stefan, the cameraman in the picture, and for all the people who together built the world. Alternative M and N in the { and } glyphs. See also zergei and zandrine.