All cap bold serif

kerned : Russian, Latin Basic, More Latin

I can't even type cyrillic extended, there are too many letters in latin extended, I don't have greek keyboard either

I wish I could make everything, but I'm a human after all (or am I?), I decided that this is good enough

My first font made in FontStruct. A more sharp and trippy option for the original cloned ztripping font (credits to "elmoyenique"). Good for poster creation, lettering and general typographic experimentation. Modern and Old Fashioned at the same time. Hope yall enjoy!

See more:

https://www.fontstruct.com/fontstructions/show/205890/cubeology

https://www.fontstruct.com/fontstructors/1104892/sychoff/favorites?tagId=19&tag=3d&tagType=fave

Small caps version for "zendera eYe/FS", making the set grow, but this also works as a font by itself. Some kerning jobs are still in progress, I'm sorry.

Including cyrillic (to native cyrillic users about my glyphs: help & comments are welcomed, please). Some kerning is in process.

An outline version of Blueback, with slightly different proportions, x-height: 2⅛ bricks.

this font was created for the logo of my discord server, "DOLPHIN." it was actually my first fontstruction, but has undergone some revisions and is now being released publically. it is heavily inspired by the font "FUTU" by emil bertell.

For the fireworks look: type UP letter followed by LC letter which is the fireworks overlay (to get the sparkles standing out, if desired, use a graphics program, type UC in colour 1 then LC in a different colour or two or colour individual stars etc ). The only difference is arranged for LC "ß" which is pure black --- for the sparkling overlay  type LC ß followed by UC ß. Symbols, punctuation etc are plain.

see more: https://www.fontstruct.com/fontstructions/show/239643/archityped

https://www.fontstruct.com/fontstructions/show/476462/autologo

https://www.fontstruct.com/fontstructions/show/1700886/hghghghgh-2-2

CLICK ON THE “PIXEL” BUTTON TO MAKE IT LOOK, LIKE, A BAJILLION TIMES BETTER.

INTENDED LANGUAGE SUPPORT

• ENGLISH

• MĀORI

• SLOVENIAN

• RUSSIAN

THINGS THAT FONTSTRUCT NEEDS

• A DITHERING TOOL

• AN ELLIPSE TOOL

• RECTANGULAR-  AND ELLIPTICAL-OUTLINE TOOLS.

• A BUCKET FILL TOOL

• RULERS

• A SKEWABLE GRID

• A MASS KERNING FEATURE (OR EVEN AUTOMATIC KERNING, THAT’D BE NICE)

• SUPPORT FOR MULTIPLE FAMILIES WITHIN ONE FILE

• A TERMINAL FOR PROGRAMMING ALGORITHMS TO AUTOMATE REPETITIVE, PREDICTABLE ASPECTS, AND A WAY TO REFERENCE THE GRID SQUARES AS AN ARRAY OF SOME KIND

DON’T THINK THAT I’M SHOUTING ABOUT THIS. I JUST DON’T LIKE LOWER-CASE LETTERS!

A font mostly inspired by 70s techno fonts. 

I was inspired by an underwater vechicle with the color of rgb(255, 255, 0)

Update 1.1 - Different 0

a lightly rounded art deco font inspired by the classics, with a new angular twist on some of the glyphs, please enjoy

This font was originally inspired by the word "Unstable", from that word I began to look at multiple unstable characters. I chose to then focus on the new Joker film and the new character Joaquin Phoenix had created. The font used for the Joker advertisment was really impressive however I felt as though it didn't really do his character justice. This font was a way for me to better illustrate The Joker's new character.

This font was created around the theme of 'elegant'. I chose to focus on the elegance of flowing fabric and drapery, so designed these letters inspired by classical depictions of fabric in paintings and marble sculptures.

Version 0.5

*

Doodle doodle DOODLE!

The flaws which were previously evident in the counter shapes have been corrected. This design is now suitable for use at any legible size.

Constructed on the bones of fs Minimal.

(https://fontstruct.com/fontstructions/show/104974/fs_minimal)

Small-grid doodle which creates new combinatorial forms.

I considered this design rather rough and unappealing until I gave it negative spacing. This caused the forms to merge together in unpredictable and interesting ways. The lesson here is that sometimes the metrics, not the aesthetics, are what "save" a design.

an art deco font designed on a 4 x 4 scale grid utilizing the thinnest glyphs and nudging