The italic version of the famed 86-year-old typeface.
86 Years of Great Typography - 9B (Since 1936)
This is a clone of Ambeth (document)Long long ago, I created this bitmap font for use on my Handspring Visor so I could cram a huge amount of text on the screen without disrupting vertical metrics. It's still pretty good at that! This could also adapt well to pixel-art games. As always, I'll happily add more characters on request!
Based on Damien Guard's Amstrad PCW font but redrawn with narrow, rectangular pixels to look more like the PCW's display. (No doubt there's some clever thing you can do to redraw them automatically, but that's too advanced for me, and I did them all by hand!)
BTW I'm still not happy with the accented letters. IIRC the PCW reduced the size of the letters on screen to fit the accents in their 8x8 grid. I might try doing a version like that at some point.
This is a clone of Amstrad PCWNarrowed version of Bytogryph code. More suitable for coding.
This is a clone of Bytogryph CodeA legible condensed font, with kerning and shoulder joints.
For alternative letters, See the alternative version here.
Another attempt to make a readable font narrower than Arial Narrow. I am basing the letters on ovals now, to try to make them easier for my eyes to deal with at small sizes. Works well at size 9. Arial Narrow is still better than this at size 8.
This is a clone of UrialDerived from Chisato by Zephram.
Copyright 2019 Zephram & Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work) of Symbiotic Design (https://www.SymbioticDesign.com).
Although Zephram's work is no longer apparent here, it exists in the underlying compressed letter forms and shapes of most of the characters that inspired me to give it a twist and make it monspaced with tapered ends.
Donations are super-appreciated. Credit for my contribution to this work IS also greatly appreciated.
Type: Monospaced Sans.
I guess I would classify this one as: Casual, Condensed.
Weight: Regular.
Web font: Yes.
Commercial use: Yes!
Derivatives: You betcha.
Redistribution: Anywhere.
P.S.:
Font-Journal (Freeware fonts for designers):
https://www.Font-Journal.com
Heavy Duty Web Hosting (Genuine cloud web hosting solution):
https://HDWebHosting.com
Domain Name registration:
https://www.DomainHostmaster.com (Wild West Domain Registry)
https://www.Domainance.com (Directi's 'Public Domain Registry')
Fonts and graphics blog:
https://Worthful.com
PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner
Oh yeah, I design logos, websites, graphics, ads, marketing campaigns, PCs, and just about anything, really. -DP
This is a clone of ChisatoA squared-off Chisato Pixel. This loses a bit of style, but has much simpler geometry and is much easier to read. A few glyphs are identical as well, so this is now a Mixed Case design.
Despite its seeming simplicity, I enjoy this design very much. I've added it to ESOSVM under the name "ChiP".
This is a clone of Chisato PixelAcrophobia with ratios changed so it isn't quite as tall. There is now line width variation which slightly enhances the "engraved" look this design has.
Unlike its predecessor, this one works well as a pixel font!
This is a clone of AcrophobiaA font made to the height of the visible field when the FontStructor is zoomed all the way out on my screen. I've always wanted to make something that vaguely pushed one of FS' limits - in this case, the height of the field which I can observe without scrolling.
Well, I could've made this even taller, but I wanted it to be somewhat useable at least. :D
This was originally a pixel design, but then I changed my mind and converted it to high-res. That gave it a more architectural look.
A medium-res pixel font I designed in 2017 for printing the text of "The Story of Book" (TSoB), a tale which began life as an imaginary joke story and then was actually committed to paper.
TSoB is woven from my and my friends' whims, flights of fancy, in-jokes, and intentional idiocy, as well as contributions from several AIs. The resulting story changes tone, style, mood, and context at seeming random, and is subversive toward its media and reader beyond insufferability. All this was done just to make Trap Farmer Brer Brah slightly more interesting to the very few people who will ever bother to get and read The Story of Book in-game. So this font is based on an Easter egg.