330262
Published: 18th July, 2009
Last edited: 17th July, 2009
Created: 17th July, 2009
‘Schablonenschrift’ by Albers 1920s.
‘v’, ‘w’, ‘x’, ‘z’ are broken.
I would have made a different ‘s’.
120302
Published: 29th October, 2012
Last edited: 29th October, 2012
Created: 17th October, 2012
Inspired by the geometric mazes created by nuclear power circuits, this typeface has been designed so each character works not only in its conventional place but with the space around it also. The aim was to reduce complexity to achieve a unique effective typfeace.
6071385
Published: 1st March, 2008
Last edited: 16th June, 2009
Created: 1st March, 2008
A tender little geometric thing, inspired in equal parts by nature and the Bauhaus. Lowercase only for now.
A variation that reveals the bricks is also available.
29961838137
Published: 18th April, 2008
Last edited: 15th June, 2009
Created: 18th April, 2008
Much like MinimalBloc, Leaflet works better when the modular pieces are revealed.
286392
Published: 20th September, 2008
Last edited: 27th August, 2010
Created: 20th September, 2008
A basic Bauhaus inspired geometric font 2 units high by 2 wide.
50412
Published: 3rd July, 2014
Last edited: 3rd July, 2014
Created: 3rd July, 2014
Based upon a De Stijl design by Theo van Doesburg (1883–1931) from 1919.
This typeface seems to use a 5×5 pixel grid at first look, but letters ‘B’, ‘D’ and ‘V’ require 10×10 pixels. Doesburg made some choices that you don’t find in modern pixel fonts.
Only uppercase characters and digits, some variants at lowercase letter positions.
Please note that this has been fontstructed before, but in slightly different ways: http://fontstruct.com/fontstructions/show/architypixel_doesburg_5x5
http://fontstruct.com/fontstructions/show/architypixel_doesburg_25x25
http://fontstruct.com/fontstructions/show/276556
239174337
Published: 22nd July, 2009
Last edited: 23rd July, 2009
Created: 25th June, 2009
This is a Sessions flavored remix of Saberrider's wonderful Poff font.This is a clone of poff
190481
Published: 31st March, 2015
Last edited: 1st April, 2015
Created: 31st March, 2015
Font inspired on lettering seen in a 1961 book on graphic effects in construction drawings.
230494
Published: 20th February, 2011
Last edited: 20th February, 2011
Created: 20th February, 2011
unfinished Clone of Spacerock Firstline (originally by LexKominek)This is a clone
40521
Published: 10th September, 2015
Last edited: 10th September, 2015
Created: 19th August, 2015
...so, it kind of looks like bauhaus. Wow. Still working some things out.
661573
Published: 15th September, 2008
Last edited: 8th March, 2009
Created: 15th September, 2008
Do you think that pixel fonts are new?
1920's...the Bauhaus...these were really modern times....
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
65776221
Published: 26th October, 2009
Last edited: 4th November, 2009
Created: 1st October, 2009
For a full description see Sans Serious IThis is a clone
59476218
Published: 28th October, 2009
Last edited: 27th October, 2009
Created: 27th October, 2009
For a full description see Sans Serious IThis is a clone of Sans Serious I
3251628
Published: 30th October, 2009
Last edited: 2nd October, 2009
Created: 2nd October, 2009
For a full description see Sans Serious IThis is a clone of Sans Serious III
571649
Published: 9th June, 2010
Last edited: 9th June, 2010
Created: 9th June, 2010
Based on a design I created for a video game package many years ago, but with some improvements.This is a clone of Spacerock Biline
301645
Published: 23rd April, 2024
Last edited: 9th June, 2010
Created: 9th June, 2010
Based on a design I created for a video game package many years ago, but with some improvements.This is a clone of Spacerock Inline
311648
Published: 23rd April, 2024
Last edited: 9th June, 2010
Created: 9th June, 2010
Based on a design I created for a video game package many years ago, but with some improvements.This is a clone of Spacerock Biline
8336416
Published: 23rd April, 2024
Last edited: 9th June, 2010
Created: 9th June, 2010
Based on a design I created for a video game package many years ago, but with some improvements.