What better way to celebrate our bright future than pushing a whole creative medium forward? Introducing Brick Patching – a combinatoric approach to constructing hyper-tunable curved and angular modular forms.

Stay tuned to this space; *eventually I will describe this highly useful hack and fully document the technique.

Upgrade your gray matter cuz one day it may matter.

When Bauhaus met Art Deco

Quite different from Archaus, but can be considered as from the same series.

Spacing got much better ;)

Additional lines give this a certain retro-deco feel.

Thanks!

The next step from Starast Maxi.

STF GROOTESK Pro ― Contemporary geometric grotesque
═════════════════════════
A clean and geometric grotesque sans-serif typeface that is equipped with tons of extended professional editorial typographic features,

such as:
Multilingual support in 3 script writing systems for 113 languages, glyph alternative forms, stylistic ligatures, accents and punctuation marks, symbols, technical, ordinal, pictographs, additional dingbats.
15164 stored kerning-pair and many other professional features!
━━━━━━━━━━━━━━━━━━━━━━

[ TECHNICAL ]
■  Metrics(in square grid units)

5.0-Em / 0.5-Stroke
2.0 : 2.0-Brick Size Filter

Em-Square:           5.0
Cap-Height:          3.25
X-Height:              2.0
Ascent:                  0.875
Descent:                1.0
Overshoots:    2 × 0.0625   Top/Bottom  - (uppercase only)
━━━━━━━━━━━━━━━━━━━━━━

■  [ ADDITIONAL EXTRA IMPORTANT RELEASE NOTES ]

Previously published as a (non-Pro)-version with the same name.

But when that version eventually corrupted, it rendered it useless.

And after several repair attempts the innitial isolated "FS-editor" native
brick corruption eventually was fixed! But from this point onward all theFontStruct-generated-*.TTF-files downloaded from this particular FontStruction delivered a broken TrueType-font file, that upon its installation process resulted in having a error. Leaving me, or anyone for that matter who had downloaded it, unable to get it or its updates installed.

So after unsuccesfull struggling for a while I noticed that the cloned version didn't generate a broken *.TTF-file. So I decided to terminated the original FontStruction and delete it.

━━━━━━━━━━━━━━━━━━━━━━

■  [ DESIGN INFORMATION ]

The main inspiration came from those early to mid-20th century geometric grotesques, and visual environment of that era.
Although the characters were mostly geometrically constructed, and remain as close as possible to basic geometry, "STF GROOTESK Pro" includes a blend of stylish hints of hand-crafted lettering influences and intentional irregularities in order to tribute those classical geometric designs.

For extra additional emphasis the design tries to take advantage of a rather unusual vertical Uc>Lc proportion, with ascender parts of the 'Lc' characters sitting well bellow the cap-height, making the 'Uc' appear strikingly taller in comparison. Essentially providing  the uppercase with a more "Condensed" feel. Some of the other characteristics of the design are it's sturdy and stylish yet clean presence, with little to no contrast, and it comes in bold style only. But to compensate for the lack of extra weight versions there was some serious time invested into additional testing and optimizing the entire typeface. So it is super well mastered and therefor extremely versatile.

That being said..

Looks can be deceptive at quick first glance, and this indeed might appear as being a very basic looking design. Even though this in fact is far from being just that other basic looking display sans, nor your next boring geometric grotesque!

From a FontStructor-perspective point-of-view I recommend to take a more ‘close-up’ view of the design's finer details. This creates a better understanding and greater appreciation for the extreme level of complexity that is present in both form and function.
Zooming-in on some of the letters would reveal the font's subtle, yet nuanced diversity of that 'previously' hidden underlying personal characteristics that usually remain invisible in text format at smaller point size. Now suddenly just its overall care for finer detail and overall quality within every bit of the design, the tons of custom shaping, stroke transitions and additional smoothing will gradually emerge as zoom levels get ever deeper. At its deepest level it will even shed some light on the surgical stuff that mostly works invisibly and without the awareness of its reader.

A display typeface at it's core, still it performs equally great in very small body-print text or web design application, as it does too in larger format for headings, ads or branding.
Thus providing, this very function efficient and reliable work-horse,

a truly genuine "one style fits all" typeface powerhouse.

And there its no question whether this could hand out "a 'one-punch' K.O." of a Headliner, thats obvious. But this unyielding bumpy behemoth just as well takes u for the long run, effortlessly telling you fascinating stories.

Especially well cared for optimized rendering on a computer display device, and deliver simple yet versatile seemless digital typeset material.

━━━━━━━━━━━━━━━━━━━━━━

■  [ SPECIAL NOTE ]
A big thanks and 50% of the design credits for the lowercase 's' go out to elmoyenique
━━━━━━━━━━━━━━━━━━━━━━

■  [ "Pro" VERSION EXTRA'S ]
The new "Pro" version update for GROOTESK utilizes several TrueType smart-font features and control characters to map two or more glyphs for combining glyph composition.

BLAUHAUS - Bold Bauhaus inspired geometric typeface.

I know there is tons of out there already, but I had to do one myself...

It's far from perfect, but it was made on a very tiny grid space, so a whole lot of space to occupy with bricks wasn't a luxury this one!  (I'll demonstrate a example below)

Still I think it looks pretty rad so far!

Berlin, Moscow, Paris in the 1920s... Bauhaus, Konstruktivizm, Art Deco... Effervescent people! This font is for Stefan, the cameraman in the picture, and for all the people who together built the world. Alternative M and N in the { and } glyphs. See also zergei and zandrine.

SUPER MA(RE-)O BROS.

A bitmap typeface family that recaps the classic fonts that were used for 1985 Nintendo Entertainment System game "Super Mario Bros."

-- It's a large piece that covers a bit of everything. And two seporate typefaces will be published the following days to accompany this one seemlessly.

both more less finished as well, but changes were made in this one that requires the other two to be fixed again in order to seemlessly work together before getting published, So stay tuned!

About this fist part:

It combines not just the two (title screen and ingame regular text)fonts used for this game, but also includes dingbats related to the game, and combines it all into one single typeface!

The sample will only display correctly at exact pixel size or double the value of this due to dither gradients that otherwise not show as a solid surfaces.

Basic and Extended Latin - letters seen at title screen

Superscripts and Subscripts -  regular text font (only partial alphabet, as according to the unicode standard for this block)

 Miscellaneous Symbols - miscellaneous dingbats related to the game such as emoji's and blocks to make seemless ornamental features like seen ingame

Halfwidth and Fullwidth Forms - regular text font but with full suport for both uppercase & lowercase, as well as numerals and basic punctuation.

Enjoy!

The design was inspired by Josef Albers Kombinationschrift alphabet. A modular typeface built using a limited number of basic shapes. Need a condensed stencil typeface? Look no further! Little Tittle was created for those tight spaces. A condensed set width paired with short ascending and descending strokes allows for tight spacing vertically as well. Little Tittle is exclusively lowercase; however, it does have a stencil and solid version so you can mix and match styles for more typographic variety.