Published: 3rd July, 2014
Last edited: 3rd July, 2014
Created: 3rd July, 2014
Based upon a De Stijl design by Theo van Doesburg (1883–1931) from 1919.
This typeface seems to use a 5×5 pixel grid at first look, but letters ‘B’, ‘D’ and ‘V’ require 10×10 pixels. Doesburg made some choices that you don’t find in modern pixel fonts.
Only uppercase characters and digits, some variants at lowercase letter positions.
Please note that this has been fontstructed before, but in slightly different ways: http://fontstruct.com/fontstructions/show/architypixel_doesburg_5x5
Published: 23rd July, 2013
Last edited: 25th July, 2013
Created: 23rd July, 2013
The slab brother of Hieronimus, more decorative and with ascenders and descenders.This is a clone of Hieronimus
Published: 18th June, 2013
Last edited: 19th June, 2013
Created: 14th June, 2013
I first thought about this font when doing the lowercase of Blackfoot. A couple weeks later, it gets its own font!
Published: 17th May, 2013
Last edited: 17th May, 2013
Created: 17th May, 2013
Blackfoot is a fusion of Art Deco and Bauhaus. Boldly type with Blackfoot!
Blackfoot est une fusion de l'Art déco et Bauhaus. Entrez hardiment avec Blackfoot!
Blackfoot ist eine Fusion von Art Deco und Bauhaus. Mutig mit Blackfoot geben!
Blackfoot es una fusión de Art Deco y Bauhaus. Valentía escribir con Blackfoot!
Published: 29th October, 2012
Last edited: 29th October, 2012
Created: 17th October, 2012
Inspired by the geometric mazes created by nuclear power circuits, this typeface has been designed so each character works not only in its conventional place but with the space around it also. The aim was to reduce complexity to achieve a unique effective typfeace.
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
Published: 31st July, 2009
Last edited: 31st July, 2009
Created: 29th July, 2009
What can I say? Just another very simple, edgy typeface...A mix of Bauhaus and 80s-style. Hope you like it. Check out the example.
Published: 12th February, 2009
Last edited: 20th February, 2009
Created: 1st February, 2009
Plain & simple, just trying out the new bricks...Take a look at the example, hope you like it. More characters will be added soon.