30412
Published: 3rd July, 2014
Last edited: 3rd July, 2014
Created: 3rd July, 2014
Based upon a De Stijl design by Theo van Doesburg (1883–1931) from 1919.
This typeface seems to use a 5×5 pixel grid at first look, but letters ‘B’, ‘D’ and ‘V’ require 10×10 pixels. Doesburg made some choices that you don’t find in modern pixel fonts.
Only uppercase characters and digits, some variants at lowercase letter positions.
Please note that this has been fontstructed before, but in slightly different ways: http://fontstruct.com/fontstructions/show/architypixel_doesburg_5x5
http://fontstruct.com/fontstructions/show/architypixel_doesburg_25x25
http://fontstruct.com/fontstructions/show/276556
20152124
Published: 23rd July, 2013
Last edited: 25th July, 2013
Created: 23rd July, 2013
The slab brother of Hieronimus, more decorative and with ascenders and descenders.This is a clone of Hieronimus
165983
Published: 18th June, 2013
Last edited: 19th June, 2013
Created: 14th June, 2013
I first thought about this font when doing the lowercase of Blackfoot. A couple weeks later, it gets its own font!
2312828
Published: 11th June, 2013
Last edited: 11th June, 2013
Created: 11th June, 2013
My own version of the font Hausbau http://www.myfonts.com/fonts/facetype/hausbau/
2431783
Published: 17th May, 2013
Last edited: 17th May, 2013
Created: 17th May, 2013
Blackfoot is a fusion of Art Deco and Bauhaus. Boldly type with Blackfoot!
Blackfoot est une fusion de l'Art déco et Bauhaus. Entrez hardiment avec Blackfoot!
Blackfoot ist eine Fusion von Art Deco und Bauhaus. Mutig mit Blackfoot geben!
Blackfoot es una fusión de Art Deco y Bauhaus. Valentía escribir con Blackfoot!
120302
Published: 29th October, 2012
Last edited: 29th October, 2012
Created: 17th October, 2012
Inspired by the geometric mazes created by nuclear power circuits, this typeface has been designed so each character works not only in its conventional place but with the space around it also. The aim was to reduce complexity to achieve a unique effective typfeace.
235853
Published: 27th October, 2012
Last edited: 20th April, 2013
Created: 27th October, 2012
FontStruction based off one of the concept FontStruct Logos.
803500
Published: 29th March, 2010
Last edited: 14th December, 2009
Created: 27th May, 2009
geometric sans-serif based loosely on a bauhaus poster by Fritz Schleifer
2641628
Published: 30th October, 2009
Last edited: 2nd October, 2009
Created: 2nd October, 2009
For a full description see Sans Serious IThis is a clone of Sans Serious III
43976218
Published: 28th October, 2009
Last edited: 27th October, 2009
Created: 27th October, 2009
For a full description see Sans Serious IThis is a clone of Sans Serious I
52376220
Published: 26th October, 2009
Last edited: 4th November, 2009
Created: 1st October, 2009
For a full description see Sans Serious IThis is a clone
934126249
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
281962
Published: 31st July, 2009
Last edited: 31st July, 2009
Created: 29th July, 2009
What can I say? Just another very simple, edgy typeface...A mix of Bauhaus and 80s-style. Hope you like it. Check out the example.
186174329
Published: 22nd July, 2009
Last edited: 23rd July, 2009
Created: 25th June, 2009
This is a Sessions flavored remix of Saberrider's wonderful Poff font.This is a clone of poff
533933
Published: 12th February, 2009
Last edited: 20th February, 2009
Created: 1st February, 2009
Plain & simple, just trying out the new bricks...Take a look at the example, hope you like it. More characters will be added soon.
246392
Published: 20th September, 2008
Last edited: 27th August, 2010
Created: 20th September, 2008
A basic Bauhaus inspired geometric font 2 units high by 2 wide.
731982
Published: 9th June, 2008
Last edited: 19th June, 2008
Created: 9th June, 2008
Based on the title of De Stijl magazine, from the art movement of the same name.