AVANT-GARDE i10 (Regular) - Modular stencil type system
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Another revival of the works originally designed by great dutch graphic designer Jurriaan Schrofer
The original source for this fontStruction was the cover of 1963 paperback: "i10 de internationale avant-garde tussen de twee wereldoorlogen"
by Lehning, Arthur & Jurriaan Schrofer
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This is a optimized re-entry of my very first fontstruct entry. Which was in loving memory of "Jurriaan Schrofer". it was a attempt to re-create a alphabet from late great dutch graphic designer "Jurriaan Schrofer".
Unfortunatly the first entry that I published had some imperfections, and which for the most part were removed in this version.
No true uppercase glyph set for this style (yet), and the only small difference between the Uc and Lc strings is the dot above (i j).
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-- Down here you'll find a link to the 'tiled' style version for this family:
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I hope you like it,
Cheers
SUPER MA(RE-)O BROS.
A bitmap typeface family that recaps the classic fonts that were used for 1985 Nintendo Entertainment System game "Super Mario Bros."
-- It's a large piece that covers a bit of everything. And two seporate typefaces will be published the following days to accompany this one seemlessly.
both more less finished as well, but changes were made in this one that requires the other two to be fixed again in order to seemlessly work together before getting published, So stay tuned!
About this fist part:
It combines not just the two (title screen and ingame regular text)fonts used for this game, but also includes dingbats related to the game, and combines it all into one single typeface!
The sample will only display correctly at exact pixel size or double the value of this due to dither gradients that otherwise not show as a solid surfaces.
Basic and Extended Latin - letters seen at title screen
Superscripts and Subscripts - regular text font (only partial alphabet, as according to the unicode standard for this block)
Miscellaneous Symbols - miscellaneous dingbats related to the game such as emoji's and blocks to make seemless ornamental features like seen ingame
Halfwidth and Fullwidth Forms - regular text font but with full suport for both uppercase & lowercase, as well as numerals and basic punctuation.
Enjoy!
Drop shadow version for the STF_SUPER MA(RE-)O BROS. family.
This is a clone of STF_SUPER MA(RE-)O BROS.Outline version for STF_SUPER MA(RE-)O BROS. family.
This is a clone of STF_SUPER MA(RE-)O BROS.BLAUHAUS - Bold Bauhaus inspired geometric typeface.
I know there is tons of out there already, but I had to do one myself...
It's far from perfect, but it was made on a very tiny grid space, so a whole lot of space to occupy with bricks wasn't a luxury this one! (I'll demonstrate a example below)
Still I think it looks pretty rad so far!
This is a cloneReinventing
See more:
https://www.fontstruct.com/fontstructions/show/509878/naturally_blonde
https://www.fontstruct.com/fontstructions/show/1173883/runsmooth
https://www.fontstruct.com/fontstructions/show/1008699/curve_158
https://www.fontstruct.com/fontstructions/show/1041152/profondo
https://www.fontstruct.com/fontstructions/show/1590203/chisato-1
https://www.fontstruct.com/fontstructions/show/240288/groovyfu
https://www.fontstruct.com/fontstructions/show/1310974/umbrella-c
https://www.fontstruct.com/fontstructions/show/1312355/modernedsormr
2019 marks the 100th year of the existence of Bauhaus. In honour of this iconic art movement, I have designed my first Fontstruction based on the minimalist and structured design which embodied the movement from 1919 until the mid-1930s. In order to create this Bauhaus inspired font, I have kept to 5 different 'blocks', that create the form and a 5x7/6 size allowance to keep a uniform structure.
This is a cloneWhat better way to celebrate our bright future than pushing a whole creative medium forward? Introducing Brick Patching – a combinatoric approach to constructing hyper-tunable curved and angular modular forms.
Stay tuned to this space; *eventually I will describe this highly useful hack and fully document the technique.
Upgrade your gray matter cuz one day it may matter.
Unbroke 2 is an update on my earlier Unbroke. It is a san-serif headline display typeface inspired by the prensent and the absent; the broken and whole. It is minimalist heavily derivative of stencil typography.
This is a clone