See more:
https://fontstruct.com/fontstructions/show/1539352/octagony-1
https://fontstruct.com/fontstructions/show/1748910/tlof-final-cut
https://fontstruct.com/fontstructions/show/1972027/beeg-chonk
https://fontstruct.com/fontstructions/show/2063422/revolta-1
db Como
https://fontstruct.com/fontstructions/show/1592465/computer-says-no-1-32
https://fontstruct.com/fontstructions/show/1544279/digitalis-6-4
https://fontstruct.com/fontstructions/show/1592397/amyn-1
INNERCITY — Geometric future retro display grotesque
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Geometric unicase display sans with a stylistic filled counter-like (Uc) set and monolinear 'bare-boned' geometric grotesque (Lc) set.
— Full alphanumeric dual-variant font !!
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Elmoyenique's "zenzura" (a very stylish work in it's own right, make sure to check that one as well) anyway,
His 'zenzura' font kind of struck me with a healthy fresh dose of motivation. In the past I've explored somewhat similar style designs, but none of those ever really got consolidated into the extensive and complete work Elmo delivered with his stunning zenzura.
So I decided to dig up one of my older such projects and see if this new motivational boost could turn 'half'-a-font into a complete piece.
Long story short, this update is the result of that venture.
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Where previously this project came in just one style (filled counters), with no additional glyph alternates. Basically a complete absense of the lowercase-string all together, and only very limited complementary set of symbols and punctuation marks were present. Neither did the previous version had a great deal of refinement in terms of metrics / kerning and overall horizontal distribution of type-set material. So, it was nothing more than a plain doodle of the idea I had back then, that had to be preserved for a later stage.
But being drawn into more recent projects at the time I eventually ren dry on motivation to fully finalize this I ended up publishing it in its rough state.
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ABOUT THE UPDATE:
The'bare-boned' lowercase is a somewhat futuristic geometric looking form, whereas the filled uppercase set has a strong retro vibe.
Combined in 'mixed-case' it can make a cool optional decorative style capitalization for your text. Used in isolation the two styles (Uc, Lc) both could be used as two seporate fonts, allowing stylistic text hierarchy.
In addition to the stylish retro-like, and partially filled forms I included a glyph-alternative set that strips the letterforms down to their monolinear core-geometric essence.
The design of this set is characterized by the spacious, sharp and clear appearance, that looks slightly futuristic but fashionable still.
With this new addition being the more legible and clean form of the two style sets, I placed this variation into the lowercase-string, making this the default-style for the font.
For the numerals, symbols and punctuations, I tried to remain committed to the stylish filled nature of the uppercase set.
A full alternative monolinear and 'bare-boned' numeral counterpart is located in the 'Full Width' Unicode block. Two extra weight variations for the brackets are also included for a more precise personal preference..
— And so it finally could respectably considered being a full font after all.
Thats all folks.. Enjoy !
cheers
This is a cloneWIP
See more:
https://www.fontstruct.com/fontstructions/show/1549017/warner-brazils
https://www.fontstruct.com/fontstructions/show/1326545/elion-italic
https://www.fontstruct.com/fontstructions/show/987287/fs_gfo_3
https://www.fontstruct.com/fontstructors/1104892/sychoff/favorites?tagId=9&tag=Pixel&tagType=fave
https://www.fontstruct.com/fontstructions/show/32758/leiria_bold
https://www.fontstruct.com/fontstructions/show/209183/raphigraphy
Monospace, single-case display font based on simple geometric rules. Starting with a square, alphanumeric characters are created only by rounding corners, adding a center hole, or adding vertical or horizontal slots, with few exceptions.
Expanded from a logotype designed for a portfolio piece- interesting for titles, headings, and other decorative use but too stylized to be legible in larger blocks (try it out though!)
Alternate glyphs are included in the "uppercase" set.
WIP. N and v looks OK?
See more:
https://fontstruct.com/fontstructions/show/1025307/geostyl_1
https://fontstruct.com/fontstructors/1104892/sychoff/favorites?tagId=134&tag=Cyber&tagType=fave&filters=all
https://fontstruct.com/fontstructions/show/1544279/digitalis-6-4
https://www.fontsquirrel.com/fonts/bender
https://fontstruct.com/fontstructions/show/1748910/tlof-final-cut
https://fontstruct.com/fontstructions/show/1501135/lazzaro-1
https://fontstruct.com/fontstructions/show/1933557/albion-4
https://fontstruct.com/fontstructions/show/1025307/geostyl_1
https://fontstruct.com/fontstructions/show/1144257/hexagonia_1
This is a clone of OctastructInspired by the shapes of G1 Decoreus. Vertical serifs only (not sure if that makes sense, but seems to work)
Inspired by Special Broadcasting Service’s Mercator Logo.
A new font name as the "Mercator" (named as the shapes look like a mercator globe in 2D) was launched in December 2021 instead of March 1993. It features five blue curved splices with the letters SBS in white. The five splices represent the five continents of the world and the sat on a 23.5° angle which depicts the natural tilt of the Earth's axis. The ID's usually show the Mercator logo without the letters SBS between 1995 and 2003.
WIP
This is a clone of sitelen konThis is one of those fonts where you put yourself to work to unload the mind of other more complicated and that give headaches. It was born for a notice that encouraged to participate in the last FutureComp and now it is finished. And I like it. I must admit that it has returned me to pleasant sensations of time ago, when all was simpler.
See more: https://fontstruct.com/fontstructions/show/1251300/atomised
https://fontstruct.com/fontstructions/show/457818/ubangi
https://fontstruct.com/fontstructions/show/661381/easytosee
https://www.fontstruct.com/fontstructions/show/1660324/cyrano-backup-4-1
This is a clone of zoftly70 eYe/FSA script for the Larimin language by Olga Laedel
(neither the language nor the script belong to me)
h is /ʍ/, q j are /ʃ ʒ/, 8 9 are /θ ð/ since the language is base 8
' is umlaut, ` is nasalisation, ~ is both
. is end of sentence, "," is octal comma, : is end of paragraph, - is hyphenation sign
See more:
https://fontstruct.com/fontstructions/show/264790/paper_clips
https://fontstruct.com/fontstructions/show/754781/anthologic
https://fontstruct.com/fontstructions/show/332122/sentinel_3
https://fontstruct.com/fontstructions/show/1747945/stepforward-1
https://fontstruct.com/fontstructions/show/795996/chibby
https://fontstruct.com/fontstructions/show/1687576/caramba-1
https://fontstruct.com/fontstructions/show/1404093/blopp-1
https://www.fontstruct.com/fontstructions/show/666067/quinquepuncta
https://fontstruct.com/fontstructions/show/92583/frieda
I made a font inspired by art-deco, which I really love. To more universal capital letters, more decorative lowercase have been made, which can be varied by additional alternative characters (o e i).
https://fontstruct.com/fontstructions/show/239418/volume_metric_lo
This is a clone of TLoF NatureSee more:
https://fontstruct.com/fontstructions/show/383322/zaratustra_ooooo
https://www.fontstruct.com/fontstructions/show/1562369/candylander-plain
https://www.fontstruct.com/fontstructions/show/851715/dolphin_sans_3
https://www.fontstruct.com/fontstructions/show/1331355/circuit-thin-1
This is a clone of Ouya