lowercase letters are almost all alternates
()=down ribbon
<>=up ribbon
[]=up dialouge box
{}=down dialouge box
|=stop
see also ABBA Single by enzo bicudo pepi
Fixed j, x, and 7. Original j at lc j, original x at lc x, original 7 at ^, and all other alts in the same positions of the original ABBA except alt a, g, n, and u which were not in the original ABBA and are in lc a, lc g, uc n, and lc u respectively, and alt 1 which was moved from ! to ` because of the punctuation.
All Greek alts are their lc’s except alt υ 2, which is in lc ψ.
Cyrillic alts:
Alt а: lc а
Alt д: lc д
Alt д 2: lc е
Alt д 3: lc ж
Alt ж: lc з
Alt л: lc л
Alt л 2: lc м
Alt л 3: lc н
Alt ф: lc ф
Alt х: lc х
( and ) are normal ends.
[ and ] are ribbon ends.
{ and } are turned ribbon ends.
« and » are diamond ends.
< is the border for thin letters, numbers and punctuation.
> is the border for thick letters, numbers and punctuation.
~ is the border for alt 1.
@ is the border for φ, alt φ, ж, ф, ш, щ, ы, ю, alt ф, and ש.
* is the border for ъ, ד ,ב, and ת.
/ is the border for д, alt д and alt д 2.
% is the border for ς, ц, ך, and ף.
& is the border for щ.
_ is the border for ç and ץ.
\ is the border for $.
• is the border for ן.
± is the border for ל.
alt £: ¤.
alt ß: uc ß.
the digitalio logo is on §.
digitalio commented i’m so delighted ^∇^
See also ABBA (https://fontstruct.com/fontstructions/show/2330835/abba-20) by digitalio for the original ABBA and the key for the original ABBA alts.
(why can't i do links ;_;)
(it’s still not working ╥_╥)
See more:
https://www.fontstruct.com/fontstructions/show/356190/tyger
https://www.fontstruct.com/fontstructions/show/976231/jovian_4
https://www.fontstruct.com/fontstructions/show/333348/mika_25
https://www.fontstruct.com/fontstructions/show/1311109/mogwa-sans-c
https://www.fontstruct.com/fontstructions/show/150211/science_fiction
https://www.fontstruct.com/fontstructions/show/1552184/aenvidere
https://www.fontstruct.com/fontstructions/show/456444/fs_zapotek
I finally made a folded-/ribbon-style design. This one contains a number of experimental techniques. Most notably, the swept parts of glyphs are allowed to extend beyond the letterwidths and sometimes even the baselines. This enhances the sense of movement, creates some interesting linkages, and reduces the need for kerning.
All of these shapes can be constructed with paper or ribbon, although lots of clever folding tricks, doubling, and pinning down/securing with glue would be required.
Alternate tilde on "±".
My new typeface 'Coup de ruban' represents the beauty of human movement through interpretive dance. I decided to name my elegant font 'ribbon stroke', but in French, as French is seen as a beautiful language. The thin, curved flourishes follow the movements of the dancer Megan Batoon's hands and feet when dancing to her own choreography. The thick strokes represent ballerina ribbon which ground the flourishes to create a bold, yet elegant display font. -Sam