A tech-like font inspired (one more time) by some glyphs from Insider Bold, a work by the prolific Dmitriy Sychiov.
Inspired heavily by dm Solidus (and several other fonts by demonics), and also by Modular Blackout Bold Condensed (now private, but you can see a sample here). More/less rounded alternates can be found in Latin Extended A. As always, suggestions and critiques are welcome. Thanks and enjoy!
(2017: This was another one that barely needed to be touched--the only edit I made was thinning the outer ring of the @ symbol from a full brick to half a brick wide. I'm getting toward the end of my collection of private but completely finished fonts though...)
By popular demand, I'm very proud to present you this recreation/digitization of Maxim Zhukov's Meander (an experimental modular type design from 1972, which was used in cover artworks for Stereolab's Dots and Loops album and Miss Modular EP).
Now supports Cyrillic characters and includes other custom-made glyphs, like numerals and punctuation marks.
References: Type Journal: "Towards an open layout: A letter to Volodya Yefimov", "Искусство шрифта. Работы московских художников книги. 1959–1974" (The Lettering Art. Works by Moscow book designers 1959–1974), pg. 35
V1.1: The More Latin is in progress.
*
Another doodle... Well, shall I continue this one?
I sort of designed myself into a corner with the uppercase, by not using the same grid size as the lowercase. But, this choice led to an interesting and unique look so I'll keep it.
Coincidently, this is my first font in 2024.
My first ever attempt on making a font with double vertical size and double horizontal brick size - KVN-Kahonde
Uppercase Height: 6 blocks
x-height: 4 blocks
Decender: 2 blocks
Time to make deh accents, hehehehe...
The numbers 6 and 9 have been modified to avoid confusion with the Cyrillic alphabet's letter Б.
THIS FONT IS NOT COMPLETED, NEED ADVICES FOR IMPROVEMENT!
It's been a while since I last revisited the works of "Jurriaan Schrofer".
So here is another one by the late great Dutch graphical designer.
======================================
Style variation in the SEMIOTICA type family.
A type family based on the lettering seen on the book cover of "Semiotica - Journal of the International Association for Semiotic Studies" published by Mouton. The letters and book cover were originally designed by "Jurriaan Schrofer".
As usual I completed the alphabet plus numerics and added numerous punctuations.
This is a clone of STF_JS-SEMIOTICA (INCISED)It's been a while since I last revisited the works of "Jurriaan Schrofer".
So here is another one by the late great Dutch graphical designer.
======================================
Style variation in the SEMIOTICA type family.
A type family based on the lettering seen on the book cover of "Semiotica - Journal of the International Association for Semiotic Studies" published by Mouton. The letters and book cover were originally designed by "Jurriaan Schrofer".
As usual I completed the alphabet plus numerics and added numerous punctuations.
This is a clone of STF_JS-SEMIOTICA (INCISED)It's been a while since I last revisited the works of "Jurriaan Schrofer".
So here is another one by the late great Dutch graphical designer.
======================================
Style variation in the SEMIOTICA type family.
A type family based on the lettering seen on the book cover of "Semiotica - Journal of the International Association for Semiotic Studies" published by Mouton. The letters and book cover were originally designed by "Jurriaan Schrofer".
As usual I completed the alphabet plus numerics and added numerous punctuations.
This is a clone of STF_JS-SEMIOTICA (INCISED)Style variation in the SEMIOTICA type family.
A type family based on the lettering seen on the book cover of "Semiotica - Journal of the International Association for Semiotic Studies" published by Mouton. The letters and book cover were originally designed by "Jurriaan Schrofer".
As usual I completed the alphabet plus numerics and added numerous punctuations.