Based on the Docking Bay numbers at the Mos Eisley Spaceport
- Numerals: 0-9
- Aurebesh Letters: A-Z, Ð
- Aurebesh Punctuation: . , ! + - $ &
- Latin Letters: a-b
ALTERNATIVES CAN BE FOUND IN THE LOWER CASE TO CHANGE THE NOISE DISTRIBUTION.
I WASN’T REALLY THINKING ABOUT THE CYRILLIC ALPHABET WHEN I DESIGNED IT, SO THE LETTERS: “А” AND “Л” AND “Н” AND “П” ARE THE SAME.
another display logotype. this one is a recreation of the logotype used in the logo for "Triakis" from WipEout.
also, out of curiousity, I am asking fellow fontstructors to leave a comment saying how much time they spend designing typefaces. I feel like I'm cranking these out and should probably spend more time fine-tuning.
also want to thank everyone for their constructive comments & compliments. it is very encouraging to see such talented designers leaving nice comments.
ultra grooves. these letters connect to each-other. you can use the '-' to connect letters from the top, and '_' to connect letters from the bottom. not all letters will connect, so try experimenting with the upper/lower cases to see which alts will connect to each other. i did my best to come up with as many combinations as possible, but if i missed any that you think could work, please let me know.
A unique experimental font, made to look like a furnace of some sort. Only composed of uppercase letters.
An outline version of Blueback, with slightly different proportions, x-height: 2⅛ bricks.
INTENDED LANGUAGE SUPPORT
• SERBIAN (CYRILLIC AND LATIN)
• TE REO MĀORI
while this was made for a logo, it is much more experimental and sci-fi than the others. it feels like an evolution of my previous font "pearl."
inspired by the logo for auricom from the wipeout games. used for a company logo. also my first time messing around with the connect bricks. not too ambitious, but makes for good displays and still interesting i think.
this font was created for the logo of my discord server, "DOLPHIN." it was actually my first fontstruction, but has undergone some revisions and is now being released publically. it is heavily inspired by the font "FUTU" by emil bertell.
based on the logo for the ELDORADO MOTOR CORP. also my first time experimenting with FILTERS and COMPOSITES. not as abstract as my usual typefaces, but probably has more utility.
the lower-case variations of the letters B, M, P, R, & W are more based on the original EMC logo, while the upper-case variations are my prefered characters. felt wrong not to have them as options.
this is also my first font to contain numbers and a large set of special characters.
AFTER I MADE PELAGIC OCTOPUS, I THOUGHT THAT I’D HAD ENOUGH OF KERNING AND I’D NEVER DO IT AGAIN. WELL,…
based on the logo for the KIA SOUL. not my most ambitious font, as it was made for utility instead of experimentation (I am using it for a personal project), but I think it still has a lot of character. it has two 'L' characters...one looks more like the L in the KIA SOUL logo while the other is more similar to a lowercase 'L.' this font also has an '&' character.
thanks for all the comments on my previous typefaces! happy new years :)
WiP/ kerning in progress
USE THE FULL-STOP FOR THE TERMINAL UNDERLINE.
“MOTU” IS A MĀORI WORD MEANING “ISLAND” OR “SEPERATE”.
THIS WAS MADE WITH FONTSTRUXIUS.
CLICK ON THE “PIXEL” BUTTON TO MAKE IT LOOK, LIKE, A BAJILLION TIMES BETTER.
INTENDED LANGUAGE SUPPORT
THINGS THAT FONTSTRUCT NEEDS
• A DITHERING TOOL
• AN ELLIPSE TOOL
• RECTANGULAR- AND ELLIPTICAL-OUTLINE TOOLS.
• A BUCKET FILL TOOL
• A SKEWABLE GRID
• A MASS KERNING FEATURE (OR EVEN AUTOMATIC KERNING, THAT’D BE NICE)
• SUPPORT FOR MULTIPLE FAMILIES WITHIN ONE FILE
• A TERMINAL FOR PROGRAMMING ALGORITHMS TO AUTOMATE REPETITIVE, PREDICTABLE ASPECTS, AND A WAY TO REFERENCE THE GRID SQUARES AS AN ARRAY OF SOME KIND
DON’T THINK THAT I’M SHOUTING ABOUT THIS. I JUST DON’T LIKE LOWER-CASE LETTERS!This is a clone of Some fonts you just can’t FontStruct