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THE MILLENNIUM NEVER ENDS WITH THIS FONT!
Yep! That's right, Y2K is not that bad with this font! It's a celebration of the era that started a whole new generation of early internet goop!
This whole font are free to use, cause it's my first font to use for this site. Feel free to modify, share or fix it. But CREDIT THE AUTHOR, PLEASE! Thank You!
Made with the help of
STF_FAUX BEZIER ROTUNDS by Sed4tives
WIP.
See more:
https://fontstruct.com/fontstructions/show/1503856/cryostasis-1
https://fontstruct.com/fontstructions/show/1701885/aurora-17
https://fontstruct.com/fontstructions/show/2231342/zakhara-eye-fs-2
We're getting there, and this kid decided to remove something after I put it back on there. It was the Uppercase I glyph!
This is a clone of Nickelodeon Font"Slaughter Serif" aims to bring a thick, cutting-edge style mixed with hand drawn elements to type. Yet legible, it is to be used for display type considering the small but profound details. This is my first font, so any feedback would be greatly appreciated. Thanks for looking <3
Cloned from Aidenfont's "Amogphabet" who seemed to have been inspired by the shapes of "Amogus"; I kept Aidanfont's name for my extended clone and added the "_A_" at the end (to indicate that this is the 1st extended clone of "Amogphabet" should other Fonstructors wish to extend further).
The original "s" is on LC, a different "S" is on the UC.
In this clone I adjusted word and letter spacing, added numerals, a few useful punctuation marks (even on 'More Latin'), all 'more Latin' letters and some on Latin1.
Creating the @ seemed an ideal project, the basic shape of the "A" invites the change. I designed 3 different versions of "@" but didn't find a shape that would flow with surrounding glyphs.
This is a clone of AmogphabetBOUWHUIS - 'Bauhaus'-modernism inspired minimalist geometric sans
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I am in a Bauhaus-vibe last couple of day..
So here is yet another venture into the modernist minimalism aesthetics of the previous century.
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This Font losely draws on the basic concept for the 'Universal Type' that was originally designed by Bauhaus student Herbert Bayer.
It's basically a hugely inspired tribute to Herbert Bayer's several forms of ―'Universal'.
But I want to be clear on the fact that this isn't a revival of the original alphabet or anything along those lines for that matter.
Instead it is a intermingling personal interpretation of his multiple works and ideas. Attempting to merge this recollection of Bayer's rational 'functionalist'-approach towards combining aesthetics and function, as by which he is answering to the 'Bauhaus'-philosophy and the 'Form follows function'― design principle.
But besides being a 'inspired' recollection, still the main focus for this FontStruction was to come up with this personalized and stylistic derivative version that pays homage to various of his original work. Unifying the various characteristic Bayer idea's-n-bits within my personal visual representation of the general concept into a new piece.
For it's primary style-concept I envisioned BOUWHUIS being something fresh and somewhat different from the gross majority of similar inspired works out there. This led to the decision for going with a more contemporary and modernized (― as oposed to modernist) style lettering.
In addition to that I pursued a much more vibrant and nuanced typographers sensitivity towards letterform calligraphy and decorative features.
Strong geometric core elements of the font make up for a expressive simplistic structural basic form and it has 'zero' stroke modulation for thickness.
It's regular weight combined with that predominant circular and square-based geometry of the letterforms result in this 'open', and overall ventilated characteristic of the design.
The typical crude appearance that usually comes with a strong geometric sans like this was compensated for in BOUWHUIS by the design's subtle deviations in form and the various decorative calligraphic letter-components.
Something that completely denied Bayer's principle in approach to modern typography and to create an "idealist typeface" was; The reintroduction of it's uppercase letters.
Part of Bayer's rationale was to simplify typesetting, strip all that he felt was unnecessary or the typeface had no need for in order to function, till there was not much more left than just the nearly bare-naked form.
It seems that unintentionally some innuendo of Art-Deco―flavoured hints also found their way into parts of this design.... ―Hmmmz
― but I think I like them, so no worries on behalf of that
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As a little bonus topping it all off there is also a super tiny experimental lowercase caracter-set (X-Height=1 grid unit)
Located in the Unicode block for "Halfwidth and fullwidth forms"
I hope y'all like it so far, more will follow soon.
Cheers
sick fucking angular font i made im so tired of making this but its done so yeah also the ampercand used to look fucked but Bryndan W. Meyerholt (BWM) helped and reworked it so thanks to him please say some nice or download please
van nelle
ゔぁん ねるるえ
ван нэллэ
Gr4ftY presents:
SCORN
“Does this font look trustworthy to you?”
This took a while to make but I’m very happy with how this turned out (even though this is far from finished!)
If you have any suggestions for improvements, please tell me in the comments and I will try them out if I can.
❤️fs
Strictly 8x16/8x8 monospaced arcade-style font inspired by Old Church Slavonic manuscripts and Cyrillic vyaz majuscules. Designed for all-lowercase body text with occasional all-caps headers, as in historical manuscripts- but works well with mixed caps.
500+ glyphs, including extensive support for accented Latin letters, world currency symbols, and custom Roman numerals, along with assorted dingbats and multiocular O scribal glyphs used in Old Church Slavonic in text referencing eyes.
Support for majuscule punctuation, more non-Latin scripts, and more extended Latin & dingbats possibly upcoming.
If you know any of the non-Latin scripts included, please let me know of any gaps/accuracy or legibility issues!
Changelog:
1.3.0 - Now with (basic) Greek support!
1.3.1 - Finished punctuation, archaic, & diacritical Greek glyphs
1.4.0 - Russian/Ukranian Cyrillic support + small dingbat additions
1.4.1 - Most Early Cyrillic glyphs added
1.4.2 - Old Church Slavonic support should be finished
Armenian support in progress...
To-do:
Bulgarian/Macedonian/etc. Cyrillic support
Armenian, Georgian, Coptic support
African, Cherokee, and Canadian Aboriginal script support
Hebrew support