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Rogue is a semi-upright slab-serif font. My first ever project to use ×2 Brick size filter.
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This originally started out as an attempt to recreate Anonoma Less Characters. But then, things took a turn and Rogue was born.
The reason I made the font "Semi-upright" was because bold upright serifs (at least to me) tend to look cool and stylish. Though, I still wanted to keep the sense of roman serif in the font. So the a, g and u are roman. The style of v, w, x, y, z in most italic serifs look too obscure and grotesque for my design, so those are all roman with y being the only exception. Basically, a mix between upright and roman.
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I have plans to expand the project into supporting Greek and Cyrillic as well as provide alternative glyphs for the font.
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Of course, the font has imperfections here and there. Comments for improvements or feedbacks are all welcome.
That's all I had to say.
This is a cloneMoto Verse is a bold, thick lettered and futuristic display font. It works incredibly well on logos, branding or pretty much anything that requires a modern vibe.
This is a clone of Auto TechnoALIEN WORMHOLE (BOLD) - Monolinear Sci-Fi-inspired 'worm' typeface.
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This is a 'Bold' style version to the "ALIEN WORMHOLE" type family.
This version has a ton of extra character compared to the 'Light' version.
For now only the two 'Basic Latin' sets, some symbols and a small number of puctuation marks match. And it remains to be seen if I can translate back to the Light version all those extra's that were put into this Bold version.
I mentioned 'type family' earlier, but in reality there isn't a whole lot of family just yet. Since the two for now hardly correlate truly.
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Here is a link to the 'Light' version
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Stay tuned for future updates.
Cheers
Extended set based on an early preview of the rumored original Adidas World Cup Qatar 2022 font.
More information: https://www.footyheadlines.com/2021/12/adidas-2022-world-cup-kit-font-leaked.html
[Font might change a bit over time to give some characters a more fitting style.]
Only free for non-commercial use! If you wish to obtain a commercial license for one of my fonts, please contact me.
AdiCup Q 2022 font Copyright © Caveras
NOBUNTU (Pro) -Contemporary humanist sans style typeface.
Updated version of my previously published NOBUNTU font. This version includes much more characters, symbols, many ligatures, as well as language support for most Latin languages.
It is a medium weight, contemporary geometric gothic humanist sans-serif style design with rounded corners and smooth curves. All curves have a slight top & bottom overshoot. The basic Latin string, numerals and punctuation are fully kerned as well as the majority of important characters in the extended Latin string. But some still need a slight adjustment.
The basic idea was inspired by the gentle round corners seen in the Ubuntu and other similar fonts. (But don't make any mistakes, it is most definetly a different font) ;)
So far I am very pleased with the clean and legible result.
Enjoy!
This is a cloneWith the increased boldness, this design loses its decolike look in favor of a slightly more sci-fi one.
A lot of broken glyphs had to be fixed for this... I think I got 'em all...
This is a clone of BadwolfThe RomByte font when displayed on a matrix display in real life.
Comes with the feature that when you look far away / when the font is small, you don't notice the small gaps. However, when you up look closely, you can spot the tiny gaps between the pixels.
Can be used as a grey-colored version of RomByte if displayed correctly.
This is a clone of RomByteCopyright 2019 & 2020 Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work) of Symbiotic Design (https://SymbioticDesign.com).
Created according to specific Design Rules (see the comments on the Fonstruct font development archive page).
This is the commercial version of Diamond t Blackletter (the Pro version). Credit for my original work IS also greatly appreciated, though not required.
Style: Gothic.
Classified: Block.
Type: Blackletter.
Weight: Bold.
Web font: Yes.
Commercial use: Yes!
Derivatives: No.
Redistribution: Nope.
P.S.:
Font-Journal:
https://www.Font-Journal.com
My best web hosting solution:
https://HDWebHosting.com
Blog (under development):
https://Worthful.com
PayPal donations (to encourage my continued design efforts):
https://paypal.me/sitedesigner
Copyright 2019 & 2020 Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work) of Symbiotic Design (https://SymbioticDesign.com).
Created according to specific Design Rules (see the comments on the Fonstruct font development archive page).
This is the wide (extended) commercial version of Diamond t Blackletter (another Pro version, just wider). Credit for my original work IS greatly appreciated, though not required.
Style: Gothic.
Classified: Block.
Type: Blackletter.
Weight: Bold.
Web font: Yes.
Commercial use: Yes!
Derivatives: No.
Redistribution: Nope.
P.S.:
Font-Journal:
https://www.Font-Journal.com
My best web hosting solution:
https://HDWebHosting.com
Blog (under development):
https://Worthful.com
PayPal donations (to encourage my continued design efforts):
https://paypal.me/sitedesigner
Welcome to the Future...
Dramatics aside, QUANTUM is a visual display typeface designed to convey one cyberpunk future out of many.
It is intended to be built as a monospaced font (however, spacing errors occurred, and it is a faux-monospace as a result), made on a 9x10 pixel grid out of a personal fascination with the vision of the cyberpunk future according to the 90s and a desire to capture the "spirit" of the original Sony PlayStation. One of the leading sources of inspiration is the work by The Designers Republic (tDR).
This typeface not only features Latin characters, but also Cyrillic, Greek, and even a few Coptic characters for good measure (in hopes of easing in the old world into the future)
Primary text font used in the menus of Ericsson and early Sony Ericsson phones. Recreated from display pictures of the Ericsson A2618s.
Includes ASCII, Latin-1 Supplement, basic Cyrillic and Greek alphabets, and a few miscellaneous characters, more may be added later. Some glyphs are shown as squares because they are missing on the phone itself.
Note that on some Ericsson phones, the display's pixel aspect ratio is taller than a square, so the font looks taller. This recreation uses a 1:1 pixel aspect ratio.