A FUTURISTIC LETTER “A”!!
MY FUNNY LETTER “K”!!
AN OVER-EXTENDED EM DASH!!
WEIRD UPSIDE-DOWN CYRILLIC LETTERS THAT NOBODY’S HEARD OF!!
IT’S ALL HERE IN MY NEW FONT — ALDRON.
I THOUGHT THAT THIS FONT NEEDED MORE ATTENTION THAN THE ONE THAT I CLONED IT FROM, WHICH WAS MADE IN A COUPLE OF HOURS. AS WELL AS ADDING THE LATIN AND GREEK ALPHABETS, I MADE A FEW ADDITIONS AND ADJUSTMENTS TO THE CYRILLIC LETTERS AS WELL AS SPACING. AND UNLIKE ITS PREDECESSOR, THIS ONE IS KERNED.
IT WAS QUITE A DIFFERENT EXPERIENCE, ACTUALLY, ADAPTING A CYRILLIC FONT FOR LATIN INSTEAD OF VICE VERSA.
INTENDED LANGUAGE SUPPORT
• БЕЛАРУСКАЯ МОВА — BELARUSIAN
• БЪЛГАРСКИ — BULGARIAN
• HRVATSKI — CROATIAN
• ČEŠTINA — CZECH
• DEUTSCH — GERMAN
• ΕΛΛΗΝΙΚΆ — GREEK
• ITALIANO — ITALIAN
• QAZAQSHA, ҚАЗАҚША — LATIN AND CYRILLIC KAZAKH
• МАКЕДОНСКИ — MACEDONIAN
• TE REO MĀORI
• ROMÂNĂ — ROMANIAN
• РУССКИЙ — RUSSIAN
• SRPSKI, СРПСКИ — LATIN AND CYRILLIC SERBIAN
• SLOVENČINA — SLOVAK
• SLOVENŠČINA — SLOVENIAN
• УКРАЇНСЬКА — UKRAINIAN
AVAILABLE CHARACTERS (★✰*ALL KERNED YAY!!!!!✰*✪)
LATIN: ABCDEFGHIJKLMNOPQRSTUVWXYZ ĀÁÂÄĂĆČĈĎĐǄĒÉÈǴĜĤĪÍÎĴĹĽǇŃŇǊŌÓÒÔÖŔŘŚŠŜȘẞŤȚŪÚÜŬŮÝŹŽ
GREEK: ΑΒΓΔΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨΩ ΆΈΉΊΪΌΎΫΏ
CYRILLIC: АБВГДЕЁЖЗИЙКЛМНОПРСТУФХЦЧШЩЪЫЬЭЮЯ ӘЀЃҐҒЂЄЅЍІЇЈЌҚЉҢЊӨЋЎҮҰҺЏ
THE NUMBERBET: 0123456789
PUNCTUATION: ()!?.…:;,„“”‘’-—«»*• AND OF COURSE, SPACE
MADE THIS WHILE WATCHING DR. DOLITTLE II ON T.V.. I WAS INSPIRED BY THE ELUSIVE FONT THAT I SEE EVERYWHERE IN VIDEOS OF RUSSIA AND BELARUS.
THIS IS MY THIRD AND FINAL ENTRY TO THE COMPETITION. MY LAST ENTRY WAS GOING TO BE SOMETHING ELSE, BUT THAT GOT TAKEN DOWN FOR RICKROLL-RELATED REASONS.
The ideal font to use in a bus, for example. I hope you like it and let me know your thinkings about Square LED's by rating it and commenting.
THIS IS MY SECOND ENTRY INTO THE FUTURECOMP.
WHAT COULD BE MORE FUTURISTIC THAN A BUNCH OF JAPANESE CHARACTERS?
THIS IS MY FIRST JAPANESE FONT, SO I’VE PROBABLY GOT IT ALL WRONG.
HERE’S MY VISION FOR THE FUTURE: EVERYBODY USING THE CYRILLIC ALPHABET! NAH, JUST KIDDING. IT WORKS WELL FOR RUSSIAN, BUT IT WOULD BE TERRIBLE FOR ENGLISH.
Modified clone that provides a style variation to the previously published Jurriaan Schrofer font revival I did, called "STF_SATER (Isometric)".
The earlier version I did was in fact amongst my very first font designs ever, and at this stage I still had about zero real typographic background knowledge.
Due to this I simply went out copying the exact lettering 1:1 as was seen in the source that I used. Not realizing that the angle of projection applied to the lettering in the original would render my font next to useless.
So I ended up with cool looking isometric letterforms that were heavily handicapped in a full font.
This time I overhauled the original and got rid of its isometric nature and simply just making it a regular, fully upright style.
Now with this addition it finally becomes a truly functional font at last.
I hope you like it !This is a clone of STF_SATER (Isometric)
The EDI Comeng font is based off the image samples of destination indicators seen on Metro Melbourne's EDI Comengs. It features uppercase letters, lowercase letters, numerals, punctuation marks, accented letters, German-specific letters, some mathematics symbols, Croatian and Slovenian-specific letters and Turkish-specific letters.
A righteous, chunky font that was totally inspired by the 80's and all those righteous arcarde games! Make your designs most triumphant with Arcade.
Heavy font for heavy work.
Made for Obscure Process, a zine about weird digital art techniques.
This was a simple idea started from S and T. Most of the glyphs have two verticle strokes that are 4-bricke-wide and a 1-brick-wide area in the middle of the character. except I, L, S and T (actually a lot more). They are a bit different. Especially S, T and L. The whole characters are only 8 bricks wide. As I mentioned above, It's because the whole font started from these characters.
Straka the name came from last name of a person. The S and T reminds me of this person's last name. I like this last name although I don't even know him.
About the Latin extension, I have made only the glyphs that require no new design, just diacritics and already made letters. So I can pretend like hard-working on fonts but copy paste in reality. :P
Also, I made Arabic glyphs. Only isolated forms. Which I suppose won't be a comfortable experience to Arabic users. It's like every letter has crazy swashes but every letters are lightyears away from each other.(or is it?)
Credit me bcuz it took days and I gave it all to you for free. Unthankful hairless ape. :p
has it gone 2 far? hope it didn't hurt you.
Decided to make an account here and give this font maker a shot...
Now supports Greek and CyrilicThis is a clone
Fett commands attention with its lavish uppercase letters. I had focused on creating an geometrical inverted slab serif incorporating features of Glyphic serifs. The distinguishing feature of Gylphic typefaces are the triangular shaped serif design, or a flaring of the character strokes where they terminate. Although Fett is not classified under either of those groups, I don’t think I wish it could be either- it shouldn’t be. Fett is meant to be very playful and tasteful. I named this font after its thick, fat stroke weight. Fett translates to “fat” in 3 different languages- German, Swedish, and Norwegian.
(Version 1.0) I came up with the idea when testing stuff in the editor. Currently only uppercase. Tell me about anything that I should improve!