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Gr4ftY presents:
SCORN
“Does this font look trustworthy to you?”
This took a while to make but I’m very happy with how this turned out (even though this is far from finished!)
If you have any suggestions for improvements, please tell me in the comments and I will try them out if I can.
❤️fs
Inspired by the Logo of The band Scorpions first created back in 1975.
All other letters were built based on the letters in the original logo by me.
I found the original font of the logo, called "Lady Starlight" (you can check it out here:https://www.dafont.com/lady-starlight.font?text=SCORPIONS) quite boring and thus made this like a recreation. Hope you find it much more interesting.
HeavyComp entry number 1
Enjoy!
Open to comments and suggestions
Grulla's letters –built on a 2x3 square grid– have (tri)angular counters & square terminals. Counterspace=letterspace, letter /f/ is kerned onto "rounded" letters (fc,fd,fe,fo,fs). Diacritics support spanish (hello from Argentina!)
inspired by the letterforms of apoc revelations italic and nikita
This is a clone of fs ecnadwolsI found the original Spheretta-5,7 while looking for "dotty" fonts, to make sure that the font I'm doodling at the moment will look a little different from others on FontStruct. I liked Spheretta and as cloning was allowed by the creator I made some changes as Meek's many innovations enrich our creative thinking **smile** The original font was created in 2011 by arseniiv.
I smoothed the circle, worked into existing glyphs where I thought 'necessary' (nudges, ~re~moved some dots in glyphs or added dots to reduce some gaps).
Comparing parent and clone: changes are a smoother circle, a few symbols, the Lower Case for Basic Latin and most Latin1 positions, some operators/symbols are available with as well as without the UC circle. And that I have broken the 5x7 rule in some glyphs to improve their lines.
In the LC glyph style (no circle) you have: full stop, comma, all quotation marks on Basic Latin and Latin1, apostrophe, asterisk, plus, minus, solidus, colon, semicolon, percentage, less, more.
The low line is a blank circle; decorative dot arrangements inside a circle are on the tilde, left square bracket, grave accent.
The original (with a circle) can be found here: the "?" is on "{", the "!" on "}", the "-" on "reverse solidus, the "=" on "]"
I've added arseniiv's name and this parent-Fontstruction's year of creation on the first letter of the ""Even More Latin"" band, then added mine on the second letter on the same band. Feel free to add more glyphs (and your name and creation year, following ours), arseniiv allowed cloning so that we can add to his work. I follow his idea; and like him I, too, can't find enough time to continue working on Spheretta-5,7 for the next months. It would be great to see Spheretta-5,7 grow some more ...
This is a cloneBy popular demand, I'm very proud to present you this recreation/digitization of Maxim Zhukov's Meander (an experimental modular type design from 1972, which was used in cover artworks for Stereolab's Dots and Loops album and Miss Modular EP).
Now supports Cyrillic characters and includes other custom-made glyphs, like numerals and punctuation marks.
References: Type Journal: "Towards an open layout: A letter to Volodya Yefimov", "Искусство шрифта. Работы московских художников книги. 1959–1974" (The Lettering Art. Works by Moscow book designers 1959–1974), pg. 35
Three in a row: after one lycanthropic font, another to the zombies... the third is for the scifi... and FS!.
All cap bold serif
kerned : Russian, Latin Basic, More Latin
I can't even type cyrillic extended, there are too many letters in latin extended, I don't have greek keyboard either
I wish I could make everything, but I'm a human after all (or am I?), I decided that this is good enough
CLICK ON THE “PIXEL” BUTTON TO MAKE IT LOOK, LIKE, A BAJILLION TIMES BETTER.
INTENDED LANGUAGE SUPPORT
• ENGLISH
• MĀORI
• SLOVENIAN
• RUSSIAN
THINGS THAT FONTSTRUCT NEEDS
• A DITHERING TOOL
• AN ELLIPSE TOOL
• RECTANGULAR- AND ELLIPTICAL-OUTLINE TOOLS.
• A BUCKET FILL TOOL
• RULERS
• A SKEWABLE GRID
• A MASS KERNING FEATURE (OR EVEN AUTOMATIC KERNING, THAT’D BE NICE)
• SUPPORT FOR MULTIPLE FAMILIES WITHIN ONE FILE
• A TERMINAL FOR PROGRAMMING ALGORITHMS TO AUTOMATE REPETITIVE, PREDICTABLE ASPECTS, AND A WAY TO REFERENCE THE GRID SQUARES AS AN ARRAY OF SOME KIND
DON’T THINK THAT I’M SHOUTING ABOUT THIS. I JUST DON’T LIKE LOWER-CASE LETTERS!
This is a clone of Some fonts you just can’t FontStructTHE MOMENT YOU STEP INTO SPOOK MANSION, YOU REALIZE YOU DONE GOOFED UP. THE DOOR SLAMS SHUT BEHIND YOU AS SCARY PIANO MUSIC BEGINS TO WASH OVER YOU AND TERRIFYING KICK DRUM SOUNDS BEGIN TO PUMMEL YOU. WITHIN MOMENTS, YOU ARE DROWNING IN A SEA OF EERIE AMBIENCE. "WOE BETIDE THE FOOL WHO CONSPIRES TO TAKE MY RICHES!", SHOUTS A GHOSTLY VOICE SOMEWHERE BEHIND YOU. YOU TURN, BUT NOTHING'S THERE. BOO! LOL....................................................
I decided to make a design which incorporated the thinnest/lightest weight lines possible in FontStruct. This is the result; I'll add more if people like it.
These 1/32 lines cannot be accurately nudged, so a unique line has to be built for each vertical position where I want a line. These lines also cannot be centered on a place where two curves meet (such as the middle of B or R). This introduces some unintentional asymmetry to the design, but I like it, so I'll keep it.
There is also the problem that forming a diagonal line of the same line weight is nearly impossible. While angled 1/32 lines can be formed, their angles are all close to 0. No method exists for making a line which slants at 45 degrees while also being 1/32 weight. So, I had to make some thicker lines in certain areas. I don't think they detract from the design, but if you scrutinize this enough, you'll notice them.