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- Modified clone of Vespa II
STILL WORK IN PROGRESS
- New symbols in many languages
- Working to make it unicode (will update at least once a month)
This is a clone of Vespa IIA justov-like font. Made with DylanStruct fonts.
I actually fixed the glyphs to this font.
---VERSIONS LIST---
Version 1.0 - Initial release.
Version 1.1: New glyphs: Latin extended B, IPA extensions, Spacing modifier letters, Greek Pamphylian digamma, Extra cyrillic, Symbols. Fixes: Greek final sigma, phi and chi. PUA Added: Font specials and small numbers. (and Currency signs: Ruble sign.)
Version 1.2: New glyphs: Latin extended-B, IPA extensions, More cyrillic, Symbols. PUA: Font specials (with iota accents), Metelko.
Version 1.3: New glyphs: Cyrillic extended-B (Yn), PUA: Shidinn, symbols (Gear).
Version 1.4: Added PUA: Shidinn Extensions.
Version 1.5: New glyphs: Greek Mp & Nt, PUA: Fake greek.
Version 1.6: Added New english "Kwak" (PUA), Old english Insulars, and Added Latin capital letter alpha and Latin Half H (in Latin extended-C).
Version 1.7: Added Cherokee, Added Latin L with double bar, H, K, Z with descender and V with right hook (lowercase), Added AA, AO & AU. (Like Latin extended C-D). and Added Latin small letter Chi (in Latin extended-E).
Version 1.8: Added Leafonetix & Latin extended-G.
Version 1.9: Added Deseret, Caucasian albanian & PUA: Latin extended-H.
Version 2.0: Added Osage, PUA: Shilu, Three-Headed M, Triple-U.
Version 2.1: Added Elbasan & Lydian. (and Small Caps).
Version 2.2: Added Devanagari numbers, PUA: More unifon & Some unused hebrew was added.
Version 2.2.1: Added Tamil rupee sign, Unused greek.
Version 2.3: Added More symbols, Fixed the letters.
Version 2.3.1: Added 2 Unused armenian letters. and Added Capital Ligature Ech Yiwn.
Version 2.4: Added Old italic, PUA: Latin extended-I & Oldstyle numbers.
Version 2.5: Added Foamemes & Emoji.
Version 2.6 - Fixed the glyphs, Added Armenian Vo-Yiwn and Cyrillic extended-C.
Version 2.7 - Added chit'de.
Version 2.7.1 - Added kaktovik numbers.
Version 2.7.2 - Added font alternatives: lowercase A and G.
---MILESTONE OF GLYPHS---
2000: Checked
2500: Not checked
3000: Not checked
Thank you, Have a nice day!
Also rate good!
In the world of technology, fonts are a crucial part of creating a visual experience for users. From the earliest days of computing, fonts have played a significant role in shaping the way we interact with computers. Just like how handwriting can be a reflection of one's personality and style, fonts add a unique touch to the digital world. One of the most iconic fonts in the history of computing is the one used in old computers. This font, known as the Fixedsys font, was introduced in the 1980s and was the standard font for many operating systems, including DOS and Windows. Its simple yet blocky design gave off a retro, futuristic feel that was popular during that time. The Fixedsys font was also commonly used in early video games and software, making it a symbol of nostalgia for many technology enthusiasts. Despite its limitations, such as not having lowercase letters, the Fixedsys font had a significant impact on the evolution of typography in computing. It paved the way for other fonts to be created and used in modern computers, allowing for more creativity and expression in design. As technology continues to advance, it's essential to remember the humble beginnings of fonts and appreciate the role they play in our digital world, just like how the Fixedsys font will always have a special place in the hearts of old computer users.
**VERSIONS**
1.0 - Initial
**COMING SOON**
2.0 - Foamemes and shidinn
3.0 - Shidinn extensions
4.0 - Lycian and old italic
5.0 - More cadexian and Meyziko
6.0 - Unused Armenian and hebrew
7.0 - Chit'de and spantty
8.0 - Emoji
9.0 - Karmeli and Latin abkhaz
10.0 - Lowercase unifon and OBZ
This is a clone of 8-bit AnthonistructSee more:
https://fontstruct.com/fontstructions/show/1670692/yakz-1
https://fontstruct.com/fontstructions/show/2410668/yko-liki-sans
This is a clone of spacefurs condensedAN 8×8 PIXEL FONT.
THIS FONT CONTAINS THE LATIN, GREEK, CYRILLIC, ARABIC, AND HEBREW ALPHABETS.
CHANGELOG
• 2018:02:10 — FIRST RELEASE WITH SIX HUNDRED AND NINETY-FIVE CHARACTERS.
This is a clone of PARALLAX-SYSTEM-FONT-1This is my font that was glyphs
This is a clone of Electric dataAN UPDATED VERSION OF MY ASTRO-DYNAMICS FONT WITH A LOT MORE CHARACTERS.
This is a clone of ASTRO-DYNAMICS-ULTRA-COMPRESSEDThis was a simple idea started from S and T. Most of the glyphs have two verticle strokes that are 4-bricke-wide and a 1-brick-wide area in the middle of the character. except I, L, S and T (actually a lot more). They are a bit different. Especially S, T and L. The whole characters are only 8 bricks wide. As I mentioned above, It's because the whole font started from these characters.
Straka the name came from last name of a person. The S and T reminds me of this person's last name. I like this last name although I don't even know him.
About the Latin extension, I have made only the glyphs that require no new design, just diacritics and already made letters. So I can pretend like hard-working on fonts but copy paste in reality. :P
Also, I made Arabic glyphs. Only isolated forms. Which I suppose won't be a comfortable experience to Arabic users. It's like every letter has crazy swashes but every letters are lightyears away from each other.(or is it?)
Credit me bcuz it took days and I gave it all to you for free. Unthankful hairless ape. :p
has it gone 2 far? hope it didn't hurt you.
The year is 2020. Oni is still making futuristic-y fonts. I was told there'd be flying cars. The future lied to me.
Contains support for:
All modern European Latin langauges (Full Latin-A character set), Cyrillic languages (Russian/Serbo-Croat/Bulgarian/Macedoian/Ukranian/Belarussian), Greek
EPOCH - Modern light-weight geometric display sans
───── 「 MEASURES 」
(in grid units)
X-Height: 1
Cap-Height: 2
Descent: 1
Optical Corrections: None
Stroke: 1/8 th
4-Em / 0.125 : 1-Stroke (0.125 ≍ 1/8 th)
― No filters used.
───── 「 SUMMARY 」
This is yet another deep dive into the very small and tiny quantum realm of FontStruct's small grid and light-weight stokes.
Unlike some of my previous endeavours into this dark corner of the FS-editor, which could have dizzying complexity in forms, this project for once didn't stress the sh....*t out of me by stretching the limits for my capabilities beyond what is still comfortable this time. Nor did it drain every last frigging bit of my knowledge or clever creative insight to pull it off.
On the contrary,
For once it remained largely a pretty straight forward and easy project in terms of forms and geometry. The absence for most of the 'bar-raising' features such as diagonal forms, rounded, transitions or stroke modulation made this 'FontStruction' that much more easy.
And when metaphorically breaking it down to the bare naked form and necessities, this design mainly consist of FS's (default)-brick set, resized modifications of those, combined with a set of stacked composites.
There a still a number of things I'd rather seen differently, and will see later attempts at making improvement, but taken in a broad perspective most of the included material so far look pretty fine to me already. And to point out one of the things that is still bugging actually are the 'accented' letters.
Some glyphs have odd values for their 'character'-width, and this makes it impossible to achieve 'grid to em-square'-bounding box allignement in FS's editor. So accents in these asymmetrical values look slightly ofset.
― "Changing character widths to nearest even value is simply far too destructive to the stylish characteristics of the fonts appearance"
───── 「 ABOUT THE FONT 」
In the end it became a pretty cool looking light-weight geometric modernist sans-serif style that at the same time has strong hints of Art-Deco-style lettering as well.
And apart from the minor things it fell short with, I think there is a lot about its overall character-set design and forms that is looking pretty darn rad actually if you ask me.
Content-wise the font is a single case design in a 'all-caps' or Majuscule style. The (Lc)-string was kept empty for deliberately for the technical reason of preserving all the (default)-blank metrics data for any further design updates.
───── 「 WHATS INSIDE 」
A little bit of everything...
■ Body text formatting:
□ Basic-Latin based character set with accented letters & numerals
□ Most punctuation marks
□ Numerous symbols
■ Decorative formatting
□ Pictorial attributes
□ Repeating patterns
───── 「 THE END 」
Let me know what you think so far,
Cheers
This one feels like it's been a long time coming. Surprised it only took me two and a half months to get all done, and half of that was it being on the backburner. A good, solid font with a futuristic slant to it. All Latin languages present and correct, as ever.