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MODERN TYPEWRITER - Typewriter style Slab-Serif
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The idea was do a simple, clean and solid looking design that mimics the looks of a classic typewriter style typeface used for form fill writing style.
The rectangular shaped concept was carefully chosen to provide this nice mechanical looking forms, and to further enhance the technical style concept of this design.
Friends, I'm asking for help! Which "R" do you prefer? The one with the straight, or curved leg? I'm split, because personally I much prefer the straight leg, but curved seems more consistent with the rest.
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The term "sidereal" (/saɪˈdɪəriəl/) refers to a measurement of time based on the position of stars.
Industrial, geometric, display, extended, modern, uniform weight. Based on a 2-brick tall grid. Inspired by Microgramma/Eurostile and the Terminator logotype.
"Prototype" means that this is not the final verison. In this case, FontStruct has been used as a fantastic preliminary design tool. But due to its limitations, the font will have to be reworked. Not by much - only the ⅝ roundings will be made circular in a traditional font editor, I'll be introducing optical improvements, and real kerning will also be implemented.
FontStruct's kerning tool is extremely rudimentary (understandable), and honestly, because of that, I left the kerning in a really messy state, it's kind of beyond repair at this point, as I don't really know what's what anymore. Oh, and also - due to limitations of the nudge tool, the ampersant (&) is offset to the right by half a brick, I tried to fix it with kerning as well, and it kinda works, but that will be fixed in the final version, outside FontStruct.
This is a cloneLogical evolution of zolid02, less experimental and more readable, complete and compact.
This is a clone of zolid02 eYe/FSBLAYDES - A modern geometric Blackletter style
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Playing around with some more experimental geometric forms for a Blackletter-ish font. It doesn't really involve or honors any actual calligraphic traditions. The font is actually just a simple geometric sans that was modified to sort of faking the looks and style of a Blackletter.
I tried replicating various elements that are traditionally seen in a Blackletter, such as: angular-styled segments such as strokes, transitions, tapered endings or serifs with a different approach. I used a set of circular shapes and variations to these in order to achieve a similar effect.
The end result sits somewhere between this obesed airport Grotesk, a contemporary Blackletter and the work of a bladesmith.
It has some very sharp and pointy tips, and for some reason this often very 'sword-like' forms.
SPARSENESS is a minimalistic type design with a modern appearance.
It's main purpose was the aim to perform well even at a small point-size. Therefore the letterforms carefully keep plenty of open space in order to remain legible even at small point-size.
- For the best fontstruct preview set pixel resolution value to 13.
Enjoy!
Fleurella - Simple modern yet elegant sans-serif typeface design.
WIP (See discription in the comment sections sample image posted bellow.
What I forgot to mention is that the big decorated "fleurella" monogram is in fact an experimental different weight that might become a new font.
All the decorative ornamental parts (animals, plants) are located in the "The Private Use Area (PUA)"
Accessing them on Windows is easiest using Character Map
- Start Menu, type ‘character map’ and select the relevant app
Cheers
This is a cloneAfter so many years, thanks to the amazing nudge feature it's been finally possible for me to recreate Mionta, my 2010 SportsComp entry, the way it should be. No awkward faux-Bézier this time around! It was very fun and a bit challenging to arrange all the bricks together so that they form 16 times smaller versions of the original characters. I did alter some letters and characters however. The ampersand was especially ugly in the original version. I also changed the look of the period (as well as the dots in colon and semicolon respectively). The positioning of left and right quotation marks was my conscious choice, it's a bit more aesthetically appealing to me that way. Double quotation marks are also sort of more ornamental and can serve a purely decorative purpose (this is also why "<" and ">" look the way they look - similar idea). And the percent sign, I love it so much that I think I'm going to marry it. Due to FontStruct's limitations, diagonal lines in K and N couldn't be preserved. Also, tracking isn't as tight, because we can't go below -1, but I think it's a good thing in this case. Just like before - make sure to try out fake italics! More fonts to come in very near future. Changelog: - minor corrections - & was still a little bit off - bar in lowercase t is now a bit raised ^and that renders the sample picture outdated, fantastic.
This is a clone of MiontaBODINI BALWAUM (Regular) — Didone-style 18th century modern serif
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Dobini Balwaum (Regular) is a Didone, or modern, serif typefaces, inspired by the works of Bodoni, Didot and Walbaum.
This is the solid (or regular) style for the Dobini Balwaum typeface.
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In an attempt at getting that typical sophisticated look, the letters have been provided with a stylish mixture of various different designed Serif attributes.
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═════] Type elements ]
Serifs
• Foot—abrupt (unbracketed) bilateral hairline
• Spur—adnate (wedged) unilateral reflexive
Terminals
• ball/beak/barb/flag/ear/finial/tail terminals & spurs
Apex
• pointed cup
═════] Glyph alternate forms ]
Letters:
• a & g—double- & single-storey"a" and loop-tail & fish-hook"g" sets
• K k & R—curved & straight legged letter alternate sets
• u & w—unilateral reflexive & bilateral hairline alternate spur sets
• x—alternate asymmetrical lowercase letter
• J & j—narrower glyphs alternates
• t (2x)—stylistic alternates
• s—alternate form with slight wider top section
═════] Text figures ]
• (default)Old Style—(non-lining)
• (alt 1) Modern—(lining)
• (alt 2) "Didot" Old Style—(non-lining)
═════] Optical corrections ]
• top/bottom curve overshoot
• tapered transitions for shoulders & arc of stems
• stroke-weight compensation for horizontals
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I hope you like it so far,
Cheers
This is a clone of STF_DOBINI BALWAUM (Inline)Dot-line thin font. Inspired by Stag Dot.
Modern geometric serif(slab?) font.
See more: https://www.fontstruct.com/fontstructions/show/1675889/prototype-2-0-1
https://fontstruct.com/fontstructions/show/749833/fs_dot_serif
STF_SKYR SLAB - A modern slab serif design.
First of all, Hi everyone,
I hope you all doing great...
Seems that for now I have found my way back here, after being away from Fontstruct for nearly 2 years.
I got to admit that I experienced some ring rust at first. lol
Anyway, here is my latest fontstruction, the first one in 2 years.
So far the main design concept and the basic minimum glyph set is about completed, and I am pretty pleased with the result up untill this point.
More technical details on the design and concept as well as demo gfx can be found down in the comment section.
I hope you like it too so far
Cheers