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Please enjoy a private clone to see how I dealt with contrast, curves, bracketing, variable letter width and the difficult-to-achieve emboldening of the capitals’ vertical strokes within a minimal fontstruct matrix (and If you like what you see, please download for personal usage and vote kindly! :)
Intaglio’s amazing recent work makes similar strides (see the excellent rounds, for example), offering a solution before me to several of these long-standing impasses of the medium.
More characters to come... :)
This is a cloneNarrow and heavy, ultra bold Piano key designs once required fractional brick scaling to generate their distinctive slit-like counter forms while working with maximum curves. Composite stacks provide a more elegant and versatile solution to this old problem. In this way, they can be seen as an important milestone on the road toward individually scalable bricks...
Letterspacing is kept tight in this fontstruction, but still needs a great deal of manual kerning especially around all the character lacking serifs on one or both sides.
72+ initial downloads done during testing and troubleshooting. More characters to come. Enjoy, and please vote kindly. : )
This is a cloneSee more:
https://www.fontstruct.com/fontstructions/show/641800/katana_7
https://fontstruct.com/fontstructions/show/1676107/zircus-eye-fs-1
This is a clone of Soul Ninja CA typeface inspired from Indonesian food called "gado-gado"(salad with peanut sauce). Its texture is soft because of peanut sauce. Rice cakes and potatoes add some blocks texture. So, i made this blocky and soft typeface.
this typographi was inspired by Indonesian food "gado-gado" in Surabaya whit of presenting a very fast. this typographi is designed so simple and a bit of tinkering whit gradations.
sorry if the language is messy. :D
After so many years, thanks to the amazing nudge feature it's been finally possible for me to recreate Mionta, my 2010 SportsComp entry, the way it should be. No awkward faux-Bézier this time around! It was very fun and a bit challenging to arrange all the bricks together so that they form 16 times smaller versions of the original characters. I did alter some letters and characters however. The ampersand was especially ugly in the original version. I also changed the look of the period (as well as the dots in colon and semicolon respectively). The positioning of left and right quotation marks was my conscious choice, it's a bit more aesthetically appealing to me that way. Double quotation marks are also sort of more ornamental and can serve a purely decorative purpose (this is also why "<" and ">" look the way they look - similar idea). And the percent sign, I love it so much that I think I'm going to marry it. Due to FontStruct's limitations, diagonal lines in K and N couldn't be preserved. Also, tracking isn't as tight, because we can't go below -1, but I think it's a good thing in this case. Just like before - make sure to try out fake italics! More fonts to come in very near future. Changelog: - minor corrections - & was still a little bit off - bar in lowercase t is now a bit raised ^and that renders the sample picture outdated, fantastic.
This is a clone of Mionta