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BODINI BALWAUM (Regular) — Didone-style 18th century modern serif
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Dobini Balwaum (Regular) is a Didone, or modern, serif typefaces, inspired by the works of Bodoni, Didot and Walbaum.
This is the solid (or regular) style for the Dobini Balwaum typeface.
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In an attempt at getting that typical sophisticated look, the letters have been provided with a stylish mixture of various different designed Serif attributes.
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═════] Type elements ]
Serifs
• Foot—abrupt (unbracketed) bilateral hairline
• Spur—adnate (wedged) unilateral reflexive
Terminals
• ball/beak/barb/flag/ear/finial/tail terminals & spurs
Apex
• pointed cup
═════] Glyph alternate forms ]
Letters:
• a & g—double- & single-storey"a" and loop-tail & fish-hook"g" sets
• K k & R—curved & straight legged letter alternate sets
• u & w—unilateral reflexive & bilateral hairline alternate spur sets
• x—alternate asymmetrical lowercase letter
• J & j—narrower glyphs alternates
• t (2x)—stylistic alternates
• s—alternate form with slight wider top section
═════] Text figures ]
• (default)Old Style—(non-lining)
• (alt 1) Modern—(lining)
• (alt 2) "Didot" Old Style—(non-lining)
═════] Optical corrections ]
• top/bottom curve overshoot
• tapered transitions for shoulders & arc of stems
• stroke-weight compensation for horizontals
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I hope you like it so far,
Cheers
This is a clone of STF_DOBINI BALWAUM (Inline)Logical evolution of zolid02, less experimental and more readable, complete and compact.
This is a clone of zolid02 eYe/FSEPOCH - Modern light-weight geometric display sans
───── 「 MEASURES 」
(in grid units)
X-Height: 1
Cap-Height: 2
Descent: 1
Optical Corrections: None
Stroke: 1/8 th
4-Em / 0.125 : 1-Stroke (0.125 ≍ 1/8 th)
― No filters used.
───── 「 SUMMARY 」
This is yet another deep dive into the very small and tiny quantum realm of FontStruct's small grid and light-weight stokes.
Unlike some of my previous endeavours into this dark corner of the FS-editor, which could have dizzying complexity in forms, this project for once didn't stress the sh....*t out of me by stretching the limits for my capabilities beyond what is still comfortable this time. Nor did it drain every last frigging bit of my knowledge or clever creative insight to pull it off.
On the contrary,
For once it remained largely a pretty straight forward and easy project in terms of forms and geometry. The absence for most of the 'bar-raising' features such as diagonal forms, rounded, transitions or stroke modulation made this 'FontStruction' that much more easy.
And when metaphorically breaking it down to the bare naked form and necessities, this design mainly consist of FS's (default)-brick set, resized modifications of those, combined with a set of stacked composites.
There a still a number of things I'd rather seen differently, and will see later attempts at making improvement, but taken in a broad perspective most of the included material so far look pretty fine to me already. And to point out one of the things that is still bugging actually are the 'accented' letters.
Some glyphs have odd values for their 'character'-width, and this makes it impossible to achieve 'grid to em-square'-bounding box allignement in FS's editor. So accents in these asymmetrical values look slightly ofset.
― "Changing character widths to nearest even value is simply far too destructive to the stylish characteristics of the fonts appearance"
───── 「 ABOUT THE FONT 」
In the end it became a pretty cool looking light-weight geometric modernist sans-serif style that at the same time has strong hints of Art-Deco-style lettering as well.
And apart from the minor things it fell short with, I think there is a lot about its overall character-set design and forms that is looking pretty darn rad actually if you ask me.
Content-wise the font is a single case design in a 'all-caps' or Majuscule style. The (Lc)-string was kept empty for deliberately for the technical reason of preserving all the (default)-blank metrics data for any further design updates.
───── 「 WHATS INSIDE 」
A little bit of everything...
■ Body text formatting:
□ Basic-Latin based character set with accented letters & numerals
□ Most punctuation marks
□ Numerous symbols
■ Decorative formatting
□ Pictorial attributes
□ Repeating patterns
───── 「 THE END 」
Let me know what you think so far,
Cheers
Angas is a cool, bold and thick lettered display font. It will look stunning on any poster, flyer or print.
Use this font for your futuristic designs and explore its endless possibilities.
Unicase font inspired by Block02, the only FS published by the interesting Mexican type designer Manolo Guerrero from BlueTypo. I've put some "soft" alternatives -a, e, f, i, m, n, q, w- in the lowercase (I've taken also more creative freedom than the original font, which used a limited set of bricks). Enjoy.
Такой агрессивный футуристический стиль стал считаться геймерским. И теперь представьте, что он ещё и светится!
Such an aggressive futuristic style has become considered gaming style. And now imagine that it also glows!
Perhaps this is the limit of my capabilities.
See more:
https://fontstruct.com/fontstructions/show/155561/fs_penmanship
https://fontstruct.com/fontstructions/show/1501135/lazzaro-1
https://fontstruct.com/fontstructions/show/1598518/cryostasis-vempire
https://fontstruct.com/fontstructions/show/1747945/stepforward-1
https://fontstruct.com/fontstructions/show/1735833/logic-16
https://fontstruct.com/fontstructions/show/408191/telamon
https://fontstruct.com/fontstructions/show/477501/largo
https://www.fontstruct.com/fontstructions/show/1334057/bb-corners
See more:
https://www.fontstruct.com/fontstructions/show/641800/katana_7
https://fontstruct.com/fontstructions/show/1676107/zircus-eye-fs-1
This is a clone of Soul Ninja CSee more:
https://www.fontstruct.com/fontstructions/show/1677460/garry-3
https://www.fontstruct.com/fontstructions/show/1633313/detour-3
https://www.fontstruct.com/fontstructions/show/1742956/transom-hoog-1
https://fontstruct.com/fontstructions/show/853542/at_liena
My first font made in FontStruct. A more sharp and trippy option for the original cloned ztripping font (credits to "elmoyenique"). Good for poster creation, lettering and general typographic experimentation. Modern and Old Fashioned at the same time. Hope yall enjoy!
This is a clone of ztripping eYe/FSMoto Verse is a bold, thick lettered and futuristic display font. It works incredibly well on logos, branding or pretty much anything that requires a modern vibe.
This is a clone of Auto TechnoMODERN TYPEWRITER - Typewriter style Slab-Serif
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The idea was do a simple, clean and solid looking design that mimics the looks of a classic typewriter style typeface used for form fill writing style.
The rectangular shaped concept was carefully chosen to provide this nice mechanical looking forms, and to further enhance the technical style concept of this design.
What better way to celebrate our bright future than pushing a whole creative medium forward? Introducing Brick Patching – a combinatoric approach to constructing hyper-tunable curved and angular modular forms.
Stay tuned to this space; *eventually I will describe this highly useful hack and fully document the technique.
Upgrade your gray matter cuz one day it may matter.