Published: 25th November, 2009
Last edited: 23rd April, 2015
Created: 17th October, 2009
A monospaced pixel font with over 8000 glyphs! 7 pixels wide, 12 pixels tall. Some characters may be wider than 7 pixels to make them connect with other characters.
Published: 13th May, 2010
Last edited: 13th May, 2010
Created: 12th April, 2010
Ultra heavy slab serif uppercase only face, subtly celebrating the 4x1 diagonals of fontstruct 2.0...
I hope some people will find more stylish uses for this than on college shirts/jumpers. It actually wasn't intended to have that standard college slab serif look, and I desperately believe that there's still a nuance of difference, but that might be an illusion.
I btw just copied the uppercase letters on lowercase slots to make it more convenient. So don't be too impressed by the character count.;)
Published: 1st July, 2009
Last edited: 19th May, 2011
Created: 30th June, 2009
This is a preview of my latest work: a slab serif with a contemporary touch. I wanted to experiment with Fontstruct, and see if it was possible to create a conventional font that did not look inferior compared to the ones advertised by Fontshop at the bottom of the page.This is a clone
Published: 12th November, 2008
Last edited: 3rd August, 2014
Created: 14th October, 2008
I've added a side shadow to Prometheus Regular. The inspiration was a typeface from the French type foundry Peignot. Identified as "No. 1229" in their Lettres Fantaises of 1896, it sports a very fine side shadow, which I've attempted to re-create here. (I found the "No. 1229" sample on Hoefler & Frere-Jones' blog - fifth image from the top.)This is a clone
Published: 20th July, 2008
Last edited: 3rd August, 2014
Created: 15th July, 2008
Clone of Prometheus Light (Basic Set), which is based on condensed Grecian typefaces by Darius Wells and William Hamilton Page. Many Grecian wood type samples lack lower case characters or numerals (or both!)... hence my sampling of different sources.This is a clone
Published: 8th October, 2012
Last edited: 3rd November, 2012
Created: 6th October, 2012
A slab-serif stencil. Made on a relatively small grid - hence a couple of spacing issues - but I've never been one for faux curves.
Published: 18th February, 2011
Last edited: 3rd May, 2011
Created: 28th January, 2011
This is a tall monospaced font, so I had to get a bit creative with some of the glyphs. But I think it's relatively legible.
Published: 12th March, 2010
Last edited: 12th March, 2010
Created: 12th March, 2010
No respect at all of any conventionnal font design: no ascender, no descender, monospace, monoheight, interior slab.
The main focus was to create a readable font and been totaly free of any standard design restriction.
This is a clone
Published: 6th June, 2013
Last edited: 6th June, 2013
Created: 5th June, 2013
Bold slab serif. Was originally planning this for the scriptcomp, but it doesn't really work as a script. Plenty of ligatures, though.
Published: 20th November, 2011
Last edited: 29th November, 2011
Created: 3rd November, 2011
A badass slab serif reminiscent of the West, 60's rock posters, and the digital world. This is a clone
Published: 3rd July, 2009
Last edited: 2nd July, 2009
Created: 2nd July, 2009
This is a derivative work of Elspeth LC. Filter: both horizontal and vertical brick size are set to 0.5.
Recommended font sizes: 24, 48, 72, 96, 144, 192, 240. Other sizes result in different moiré patterns as
the bricks partially overlap the screen pixels. Kerning is not perfect, some minor ovelapping may occur. This is a clone of Elspeth
Published: 29th March, 2010
Last edited: 29th March, 2010
Created: 29th January, 2010
Feels like years since I've shared my last fontstructions...
This one's been lying around in the private box for quite a while because I didn't find the inner peace to do an extended character set. Originally I just trying to get an acceptable A using a 2x1 filter setting, but somehow it grew to a whole typeface. (That makes any word written in capital letters look like a tobacco brand, hence the name...)