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My design was influenced by walls, barriers, and the requirement for a division between our built and natural environments in order to protect us. I am a first-year student at UWE Bristol studying Graphic Design, and I made this digital typeface in response to this year's subject, "PROTECT."
A font in the "Compass" group which I started a few years ago and not finished yet. Living in Western Europe I wanted a swingy-light-rounded looking font for "West" on the compass to celebrate the gentle hills and open spaces around my home in France.
This font uses the idea of destruction to break up the individual letters. The effect of the destruction comes from a bullet going through each of the letters and not stopping, which is why the line is at the same level for each letter. The line is clean to show the speed in which the bullet would be travelling.
This typeface is based around the word SYSTEMATIC. Systematic is something that is acted upon according to a set plan. The main inspiration for this typeface has come from Harry Beck’s London Underground Map. First published in 1933, Beck's map has now been used to show many different transport routes for different cities across the globe. The typeface itself is very angular and includes very little curves throughout. Although the letterforms aren’t reflective of any geographical locations, each letter reflects both the stations and the railway lines from Beck’s map.
For the goddess Circe ... Elegant, feminine, joyful, rounded, with a positive swing to it. Working with shapes and 'frames' I made this for the "mix-and-match" set of decorative fonts called CIRCE. The caps can be used as a "majuscle" but might overload visually if used exclusively in a text? The LC are quite legible in smaller sizes. This font is part of a 5-font style set