5033512
Published: 23rd May, 2008
Last edited: 13th February, 2016
Created: 23rd May, 2008
A new font that contains a lot of characters, over 350. Most of them are very pixely looking (all characters were at the start, thus Riged (I know its not spelt that way)). I then started to add curves and circles to basic latin and I am going to continue until the font is a good font that everyone can enjoy. If you have any tips that would make this font better then please tell me as I am sure I have made a few mistakes.
*UPDATE - "x", "M", "m" have now been fixed 5th July 2008
30301
Published: 27th October, 2015
Last edited: 3rd November, 2015
Created: 26th October, 2015
Congealed is a typeface based around the theme Fluid. I took inspiration from the movement of fluid and based my research on fluid dynamics. After completing experiments looking into how different liquids dispersed within water, I used the forms from images captured to influence the characters; thus Congealed was born. Transferring my original letters onto Fontstruct created broken curves, which is why Congealed was a fitting title for the typeface (congeal: verb – to become semi-solid). The variation of the weight makes this font legible and I feel that because of this, each character is unique yet complimentary of one another.
50332
Published: 26th October, 2015
Last edited: 26th October, 2015
Created: 19th October, 2015
This typeface was inspired after researching into what the word fluid could mean. I looked into the form of liquid state and how it moved. I tried to replicate this with drawings but then had trouble replicating it in fontstruct. I think that this typeface is useful only for large scale use as its creates a dazzle when small, and is also only in capitals.
14826257
Published: 12th September, 2015
Last edited: 23rd September, 2015
Created: 10th September, 2015
A quick experiment, inspired by the LCD numbers of my Casio calculator watch and the digital screens of modern gasoline pumps. Hopefully a little more elegant than the traditional "sharp-angled" versions. Limited to hexadecimal values (A-F, a-f, 0-9), the decimal point (period .), and the colon (:).
2151010010
Published: 21st September, 2015
Last edited: 21st September, 2015
Created: 15th September, 2015
After looking at several examples, this is my interpretation of a 16 Segment alphabet, an expansion of my Curved Seven Segment experiment. Hopefully a little more elegant than the traditional "sharp-angled" versions. The interior diagonals are not as nice as I would like, but suitable for this project.
2092252
Published: 13th September, 2015
Last edited: 13th September, 2015
Created: 13th September, 2015
Clone of Curved Seven Segment. A variant of my previous font: the lower left segment now matches the other three corners, allowing for a symmetrical design of hexdecimal letters. Again, inspired by the LCD numbers of my Casio calculator watch and the digital screens of modern gasoline pumps. Hopefully a little more elegant than the traditional "sharp-angled" versions. Limited to hexadecimal values (A-F, a-f, 0-9), the decimal point (period .), and the colon (:).This is a clone of Curved Seven Segment
60304
Published: 28th October, 2014
Last edited: 3rd November, 2014
Created: 19th October, 2014
A typeface inspired by a mixture of 8th- 13th century typefaces. The idea originated from the obsessive compulsive disorder, where by neatness and repetition is vital.
601780
Published: 15th September, 2014
Last edited: 15th September, 2014
Created: 14th September, 2014
Zen style font without any diagonal lines. French accent included.
55502
Published: 16th April, 2014
Last edited: 15th May, 2014
Created: 5th August, 2013
I loved Yautja's music (can't remember where I found it).
It inspired this font.
...*...*...*...*...*...*...*...*...*...
The space is a blank length as usual, the ^ and ` are ovals over the baseline, the _ is a short baseline with a circle, the * a long wavey baseline and the , a short baseline with a straight descender.
You can use a "." at the beginning of a sentence if you want that circle instead of the curve.
I liked using the * in place of the space between words to get a long baseline carrying the "melody" of letters .....
70981
Published: 4th April, 2014
Last edited: 5th April, 2014
Created: 3rd April, 2014
A kind-of slick font that has a lot of curves, circles, and stacked blocks. It's very small because I don't have much experience at making fonts.
39697818
Published: 7th April, 2012
Last edited: 26th February, 2014
Created: 6th April, 2012
Modernized and Simplified Baybayin/Alibata.
Notes:
- I put the Letter "NGa" on the "X", both Uppercase and lowercase.
- Use the lowercase "e" or "i" to make a dot above the consonant, and use "o" or "u" to make a dot below the consonant.
- To put a cross sign below the consonant, use "`" or "+".
- Use space or "|" to separate lines/sentences with 2 vertical lines.
- Numbers and other punctuation marks are not used by ancient filipinos, I just fill those characters, just in case you need them.
203514
Published: 18th February, 2014
Last edited: 25th February, 2014
Created: 11th February, 2014
Made out of dots. there is no lowercase. there are numbers and a few punctuations.
2101541
Published: 11th December, 2013
Last edited: 12th December, 2013
Created: 11th December, 2013
This is for me the best typography i did since now. Its is 5x7 and for me it looks great, so please rate and comment fore more! :)
I invite to take a look to my other works.
Smoothy eh?
173650
Published: 29th October, 2013
Last edited: 15th November, 2013
Created: 13th October, 2013
This font originated from the theme of "squishy". I took the literal term of this to begin with and played around with squishing a sponge into different letter shapes, however soon found out this did not work well with letters such as "R" which contains a hole. I therefore started to play around with putty and found that by pulling it apart it left a "flick". This related quite well to one of the blocks acutely being a "flick". I thought this "flick" could also represent when something is gloopy. I wanted my font to be fairly legible, so it has turned out very simple - the lower case more than the upper case as the grid I was working with was very small. The font is named "Séparé" meaning "separate" in french, as the main feature of the font is the "flick" formed when the putty or a gloopy substance such as cake mix is separated.
30970
Published: 19th July, 2013
Last edited: 19th July, 2013
Created: 18th July, 2013
A curly, simple font. I know lots of people have made fonts like this, but I just wanted to try making one.
305555
Published: 27th June, 2013
Last edited: 29th June, 2013
Created: 26th June, 2013
A small idea of mine. Very thin strokes on a large grid scale. Made from scratch and mind.
264965
Published: 9th June, 2013
Last edited: 9th June, 2013
Created: 27th May, 2013
I've never before done a script so I thought that the Scriptcomp would be a good place to show it off. A extremely curved spript, containing numbers and general punctuation. And no, I will not do uppercase.
P.S: There's a 'r' alternate on the grave accent.
185995
Published: 29th May, 2013
Last edited: 31st May, 2013
Created: 24th April, 2013
My first fontstruction, inspired by Indonesian Culture. It's the Oekir Djepara (read: Oo-Keer Jew-Para (as in Parachute)). Oekir Djepara is known as the best Javanese Carving. It's curvy stroke based on nature's shapes like tree, flowers and leafs. It's for our Typography assignment from Petra Christian University, Indonesia. Please give me critics for my first whole-set basic latin fontstruction. And if you don't mind, vote for my rating. Thanks.
PS: you might want to take a look at Oekir Djepara, just google it "Ukir Jepara".