The counters in breach overlap the outlines of their glyphs and extend beyond them. x-height: 3 bricks

Very stressful assembly of bricks, I thought I would not finish it on time. Uff! Some glyphs are still expecting to be included in the font. WIP, and kerning.

G1 Recoil. It's like a vibrating pixel font. It's got like one strand most of the time. 

Countercomp entry

A funky idea that started with the A and expanded from there. Most letters are drawn by a single line winding around, although some are just not willing to follow this mantra. I found this half-finished while scrolling through my private FontStructions, looking for ideas for the CounterComp, and decided it was already an interesting entry :-)

There's an alternate, narrow set of numbers that can be reached with Shift+number (on a QWERTY, Dvorak, etc. layout); not sure which set fits the style better. Suggestions and critiques welcome for anything, and feel free to clone and poke around with it. Thanks and enjoy!

Inspired by the Maze Set. A technical fontstruction showing the usage for thinner macaroni bricks. The logic for possible counter relation: 

1) Every letter is filled with thinner version of itself (self-pattern fill).

2) Outline vs Inline, emphasizing the "opposite" meaning of counter.

The idea is to represent counters with arrows. Letters with closed counters (e.g. D,P ) were first opened and only afterwards were represented by arrows.

This started out as a joke, but it just kept getting more interesting to me as it was developed. 
Completed countertops can contain at least two pieces: an uppercase and lowercase letter. The left side of the counter starts with a capital letter, which has a corresponding right side piece in the same lower case letter. Numbers and Shifted Numbers contain center pieces that can be typed in multiples. 
The <>, [], and {} make special faux perspective counter pairs. Use sparingly. 

my entry into countercomp

a font for when you want to be brutally serious and to the point

A classical option with a new point of view (the scrape). The LC is different to make more legible the pairs of equals glyphs like FF, TT, CC, OO, EE... IBYP because I'm kerning a lot of them.  

A last minute countercomp entry, taking a deco design and surrounding the glyphs with greater and lesser facsimiles

G1 Counterfade. Its got faded halftoned counters. Who would've thought.

Fonts for "Counter competition"

Los gatos means the cats in Spanish. Cuz i'm learning Spanish and got no ideas for the name.

my 2nd entry for countercomp :3 'ω'

This font was inspired by crockery decorated with a name which I saw offered in a car boot sale. My font's UC has delicately decorated glyps, visible before food is placed on the plates; LC shows plates after the meal, with food remnants covering/filling parts of glyphs  ;)

Half ink cost here, but I like this big contrast.

serifia la printe the name is just trying to pretend like French. It's not French i guess?

So this font is basically serif + filled counter.

it is also for the counter competition.

please favorite this entry to appreciate your love of this!

Also called F77 Postage Stamp...

MY "COUNTER" COMPETITION ENTRY.

The idea was to make a minimalism type without any counters at all, hence the name: "DON'T COUNT ON ME".

It's size is tiny (only 2x4 units) but that didn't cut the fun!

Another example of glyphs acting as the counter in a space, and this space filling the usual "glyph's white space" in the way the counters were described for the competition.

My third counter comp entry.

A clone updated from a byegone era.

LOREM IPSUM EXITANTUM EST