A variant of Radio Grave which took many hours to produce. I think the effort was worth it! This is a functional Multi-font and can produce a broad range of effects, especially when used at down near the original size.
*
Shading Rules:
1. Use the darkest tone on the outermost concentric region and get lighter as one progresses inward.
2. Let the 5x5 region surrounding the exact center of each glyph use the lightest tone, except when this would place the lightest tone into its neighboring region.
3. Glyphs with diagonals and glyphs which use a smaller than 5x5 drawing area may bend rule 2 for the sake of more consistent and/or interesting shading.
*
See also: Fuzzy Logic
Original size: 12.75pt (use multiples of this size for pixel perfection)
This is a clone of Radio GraveFuzzy Logic, but the darkest halftone has been replaced with a copy of the lightest.
The bands in the overlapping regions are artifacts of the FS preview. They don't show up when the font is used elsewhere. However, any size which is not a multiple of the original can create a different type of banding... I recommend using this at larger sizes...
This is a clone of Fuzzy Logic45NUM_WI71
MY MAPPING
1=14 fonts
<<
1234567890
>>
U0030-0075
(48-117)
~~~~~~~~~~
0123456789
:;<=>?@ABC
DEFGHIJKLM
NOPQRSTUVW
XYZ[\]^_`a
bcdefghijk
lmnopqrstu
----------
°±²³´µ¶·¸¹
º»¼½¾¿ÀÁÂÃ
ÄÅÆÇÈÉÊËÌÍ
ÎÏÐÑÒÓÔÕÖ×
ØÙÚÛÜÝÞßàá
âãäåæçèéêë
ìíîïðñòóôõ
~~~~~~~~~~
U00B0-00F5
(176-245)
7 WEIGHTS + 1 ITALIC
<< 1234567890 . 1234567890 >>
.............!.............
W7I0: 0123456789 ! °±²³´µ¶·¸¹ :W7I1
W6I0: :;<=>?@ABC ! º»¼½¾¿ÀÁÂà :W6I1
W5I0: DEFGHIJKLM ! ÄÅÆÇÈÉÊËÌÍ :W5I1
W4I0: NOPQRSTUVW ! ÎÏÐÑÒÓÔÕÖ× :W4I1
W3I0: XYZ[\]^_`a ! ØÙÚÛÜÝÞßàá :W3I1
W2I0: bcdefghijk ! âãäåæçèéêë :W2I1
W1I0: lmnopqrstu ! ìíîïðñòóôõ :W1I1
<< 1 2 3 4 5 6 7 8 9 0 , 1 2 3 4 5 6 7 8 9 0 >>
==+===============================+===============================+==
W7! 30 31 32 33 34 35 36 37 38 39 | B0 B1 B2 B3 B4 B5 B6 B7 B8 B9 !W7
I0! 0 1 2 3 4 5 6 7 8 9 | ° ± ² ³ ´ µ ¶ · ¸ ¹ !I1
--+-------------------------------+-------------------------------+--
W6! 3A 3B 3C 3D 3E 3F 40 41 42 43 | BA BB BC BD BE BF C0 C1 C2 C3 !W6
I0! : ; < = > ? @ A B C | º » ¼ ½ ¾ ¿ À Á Â Ã !I1
--+-------------------------------+-------------------------------+--
W5! 44 45 46 47 48 49 4A 4B 4C 4D | C4 C5 C6 C7 C8 C9 CA CB CC CD !W5
I0! D E F G H I J K L M | Ä Å Æ Ç È É Ê Ë Ì Í !I1
--+-------------------------------+-------------------------------+--
W4! 4E 4F 50 51 52 53 54 55 56 57 | CE CF D0 D1 D2 D3 D4 D5 D6 D7 !W4
I0! N O P Q R S T U V W | Î Ï Ð Ñ Ò Ó Ô Õ Ö × !I1
--+-------------------------------+-------------------------------+--
W3! 58 59 5A 5B 5C 5D 5E 5F 60 61 | D8 D9 DA DB DC DD DE DF E0 E1 !W3
I0! X Y Z [ \ ] ^ _ ` a | Ø Ù Ú Û Ü Ý Þ ß à á !I1
--+-------------------------------+-------------------------------+--
W2! 62 63 64 65 66 67 68 69 6A 6B | E2 E3 E4 E5 E6 E7 E8 E9 EA EB !W2
I0! b c d e f g h i j k | â ã ä å æ ç è é ê ë !I1
--+-------------------------------+-------------------------------+--
W1! 6C 6D 6E 6F 70 71 72 73 74 75 | EC ED EE EF F0 F1 F2 F3 F4 F5 !W1
I0! l m n o p q r s t u | ì í î ï ð ñ ò ó ô õ !I1
==+===============================+===============================+==
<< 1 2 3 4 5 6 7 8 9 0 ' 1 2 3 4 5 6 7 8 9 0 >>
Metadata quote:
"4x5 numerics with 7 weights and 1 italic a.k.a. WI71"
Not inspired by any other design,
e.g. Abneurone's minimalist pixel experiments
(my very dotted 4x5 version may look like the 7x7
"Deep Low 2" font he made on 2014 and 2017
- which includes a lot of duplicates
but is not limited to the numerics).
NOT for commercial use:
fontstruct.com/fontstructions/show/1505214
2018
0212 PNG
0320 TXT
dpla
The theme for this typeface is the word 'Filthy'. The letterform's structures are based on dust and the way it separates when a finger is dragged through it. Dust collects on objects that have been untouched for periods of time, often through neglect. The use of negative space and lack of border draws attention to the dot-work dust that forms around the accents of the letters. As a finger cleans dust, larger piles form where there is a change in direction. This helps identify the individual characters whilst keeping a minimalistic approach. This font can be used for headings and posters, or shop designs and logos. I have always felt this font would go well on a burger shack to help give a rustic or edgy look.