THEME: PROTECT
A display font inspired by one of the UK's first and most influential free-party sound systems- Spiral Tribe. They helped create a culture of freedom and expression through art and music which was heavily (and still continues to be) suppressed by the Police. They used tribal patterns frequently in their artwork, which is the reasoning behind the spiral shapes within the letters.
The weights are varied throughout the letters to make it more playful and psycholdelic, as the rave culture is against agression and force used frequently against them by the police. New age travellers embrace harmony- which is why the letters are sized so that they work together in words to create a wider pattern.
A series from Electron Sans, inspired from GS Unicode 2.0 by Greenstar967
Under development, Beta 1.0.16
Glyphs: 733 Char
Recent changes
Changing oblique assets like X, Y, etc. and reverted back font styles to mono.
I'm Baaaaaaaaaacccck!
Sorry it took so long to post another font.
Being that my last font was so low resolution and just felt to compact, I decided to make a new font with curves and a fun style. This steampunk like font is sure to add personality into any document or project.
Pls enjoy it!
(Any similarities to any fonts preexisting is a coincidence. If you fell that this or any of my fonts are copying another font, please alert me so that I can make some changes.)
Sans Serif font, inspired by GS Unicode 2.0 by Greenstar967
Discontinued Font, Alpha 1.1
This font have a series, click here to check it out. For now and so on, i'll working at the font series of this font.
Inspired by a video showing a hairdresser creating a wig for a play........
Many LC glyphs are an alternate to corresponding UC.
I haven't mastered creating good joints between FS bricks and the compos I need to make ""to join"" the two types of brick. Trying to get them to flow into each other produces more or less untidy joining in many places which I find frustrating. Maybe I have to sketch out simpler designs for easy Fontstructing.
Looking at the caron I wonder if the center cross-over brick needs replacing with the one that dips downwards? See the two different bricks in the caron of E and e.
This is a cloneSuggestions welcome!
See more:
https://www.fontstruct.com/fontstructions/show/1119387/eshie
https://www.fontstruct.com/fontstructions/show/366047/en_druna
https://www.fontstruct.com/fontstructions/show/1421851/mr-ken-2
https://fontstruct.com/fontstructions/show/109666/trk_softbunker
https://fontstruct.com/fontstructions/show/1166146/labrynth_2_0
https://fontstruct.com/fontstructions/show/137341/fs_entwined
https://fontstruct.com/fontstructions/show/67991/groo_1
https://fontstruct.com/fontstructions/show/644366/polymoda
https://fontstruct.com/fontstructions/show/210139/funkadelia
https://www.fontstruct.com/fontstructions/show/14121/dots_and_loops
https://www.fontstruct.com/fontstructions/show/181115/yaegerwerks_tubenet
This is a clone of MotakkuSomething "fun". Inspired by the many journeys I've made and by train travels. And by my grandchildren's train toys. The angular design echoes small table tops we sometimes use to put the tracks on ...
UC is normal weight and is used in the sampler (font name). LC has some thicker lines for increased legibility although this font is only meant to illustrate concepts (travel, finding new ways, diversification etc) or for logos, shop signs, invitations and similar. Not simple enough for use in anything long or complex that has to be easily read.