The routine is the first jailer. Look forward, open your mind. Ask about everything. Our Future begins in... 3... 2... 1... NOW!
Another cursive font, once again based off of the song Big Elpaso from the puzzle game Lumines.
Yes, that's how they're spelled.
The name Pos Ya is my original thought to when I finished the font meaning it's done, there, finally, it is in spanish. It is a long and skinny font that can be used in different ways. Experimented different versions and this was a top version that is stil legiable to use.
Something "fun". Inspired by the many journeys I've made and by train travels. And by my grandchildren's train toys. The angular design echoes small table tops we sometimes use to put the tracks on ...
UC is normal weight and is used in the sampler (font name). LC has some thicker lines for increased legibility although this font is only meant to illustrate concepts (travel, finding new ways, diversification etc) or for logos, shop signs, invitations and similar. Not simple enough for use in anything long or complex that has to be easily read.
It's Monday, so I really didn't want to work too hard on this one.
A typeface inspired by the theme 'systematic', developed through finding hidden shapes within geometric architecture and using them as building blocks for the letterforms. Sister font to - STACKED BLACKOUT
Another font Inspired by a Lumines Song.
You're In The House!
A multi-line design which is slightly reminescent of mazes/fingerprints. It's not designed to create functional mazes, but it is somewhat capable!
"Absinthelyric Print" is an anagram for "Labyrinthine Script".
Original size: 11.25pt. Use multiples of this value for pixel perfection. (If you use antialiasing, it will look perfect at most any size.)
1. Square bricks and 90-degree angles only.
2. Alphabetic glyphs must have open terminals; numerals and symbols must have closed terminals. Letters which do not terminate (D,O, etc.) must be broken so that they terminate.
3. Glyphs must fill the 15x15 grid.
4. Ligatures and combinatorial glyphs must fit into one letter's space.
5. Draw from the outside in.
https://www.fontstruct.com/fontstructions/show/181115/yaegerwerks_tubenetThis is a clone of Motakku
Reserved font name "Vertalics" (previously known as "Chicken Scratches") was created by and is Copyright Doug Peters 2018, and released as freeware under the SIL Open Font License. It is currently a limited character set novelty font and would require a lot of time and patience to develop it beyond that because of the nature of its design. You are welcome to carry on the work on your own, though I would like credit for the concept, initial design and the working start on it.
My Font Groups:
A wicked track-looking font with every letter at least has a 180-degree-flip pair. Perfect for ambigram.
" ( " for left line cap
" ) " for right line cap
"space" for extending the lineThis is a clone
A neat language of combining letters to create even more unique characters. Based on some languages like Armenian. Work in progress.
This is a take on a classic arcade font with crowns and points. Best used for large type.
<a rel="license" href="http://creativecommons.org/licenses/by-nd/4.0/"><img alt="Creative Commons License" style="border-width:0" src="https://i.creativecommons.org/l/by-nd/4.0/88x31.png" /></a><br />This work is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nd/4.0/">Creative Commons Attribution-NoDerivatives 4.0 International License</a>.
A font that uses a simple diagonal line technique to give the illusion of depth. All letters are confined within monospaced parallelograms, just for fun.
I don't know if this has been done before.
It's just a simple & elegant solution utilizing 4 parallel lines.
See how neat the letter 'B' is formed by 6 rectangles.
A strong, geometric font that makes your brain wobble Font inspired by Escher