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Made for FontStruct's Future Competition. This display typeface was designed with a little influence from stencil, this font has rounded corners intermixed with angular corners, and gaps in unusual places. It also uses the “two-storey” lowercase g, which was a challenge to fit cohesively within the restrictions I gave myself.
ASCII + Cyrillic.
WORK IN PROGRESS!
See more:
https://fontstruct.com/fontstructions/show/1466632/melter-1
https://fontstruct.com/fontstructions/show/371427/soft_cell_diluted
https://fontstruct.com/fontstructions/show/136899/ncd_amoeba_1
https://fontstruct.com/fontstructions/show/1238441/tm-and-multiply
https://fontstruct.com/fontstructions/show/359675/fs_ink_blot
https://www.myfonts.com/fonts/wiescherdesign/alpha-papa/
https://www.fontstruct.com/fontstructions/show/138512/ncd_amoeba_three
WIP
See more:
https://www.fontstruct.com/fontstructions/show/1704181/systems-pure
https://www.fontstruct.com/fontstructions/show/1679386/derty-1-1
https://fontstruct.com/fontstructions/show/988227/de_stijl_11
https://fontstruct.com/fontstructions/show/1531237/stf-de-stijl
https://www.fontstruct.com/fontstructions/show/1656605/minimal-fraktur
https://fontstruct.com/fontstructions/show/1389996/lines-38
http://letterhead.store/generoso
https://rentafont.ru/fonts/dublon/regular
https://fontstruct.com/fontstructions/show/487001/squarific_stencilicious
https://fontstruct.com/fontstructions/show/836597/vermin_vibes_dystopia
https://fontstruct.com/fontstructions/show/298451/impossible_2
I built this font ignoring all knowledge and experience of brickwork and physics. Yet it stands up to use ;) Work in progress...
This is a clone of Free MasonryWhy you can read this? Этот шрифт исследует как орнаментальную состовляющую шрифта, так и рукописную, составляющую из отдельных штрихов целую букву. Эти структуры могут лечь в основу других, более сложных или простых шрифтов.
https://fontstruct.com/fontstructions/show/1339192/zykowarfare-eye-fs
https://www.fontstruct.com/fontstructions/show/65983/minima_4
https://www.fontstruct.com/fontstructions/show/1562147/stf-hyster
https://fontstruct.com/fontstructions/show/930129/patchwork_4
https://fontstruct.com/fontstructions/show/1282518/floriitutaak48
I started with the "Q" and worked from there. The "Q" has been kept with the more 'delicate' stroke thickness at base and apex (these thinner strokes also noticeable on the A, V, X, Y). I think the "Q" has qualities that could be transferred to a completely new font.
Attempt to recap the classic lettering by "Theo Van Doesburg" for avant garde architectural magazine "De Stijl".
Apart from some small variations I made between a couple of upper and lower case characters the two are mostly copies!