11896522
Published: 24th June, 2009
Last edited: 29th June, 2009
Created: 23rd June, 2009
Experimenting with reverse glyph building (knockouts) to create a modular monoline font with more fluid, rounded shapes.
A work in progress. I would appreciate any and all feedback, suggestions, etc.This is a clone
1931266021
Published: 15th June, 2009
Last edited: 25th June, 2009
Created: 14th June, 2009
I liked the word "steeldog" and started to work ...
This is a clone
120114225
Published: 30th May, 2009
Last edited: 30th June, 2009
Created: 27th May, 2009
A tribute to Josef Albers: inadvertently inspired by saberrider and afrojet.
This font totally happened by accident. Recently, saberrider created steep, which uses a 2.0 x 1.11 filter setting to smoothly blend the quarter-circle bricks into the triangles. After saberrider created his experimental variable scale fontstruction, it lead me to revisit an abandoned work I did from last year that was done in a similar scale. After getting over the initial disgust of looking at the dismal failure, I started tweaking. Then I decided to tweak the letters instead. It became apparent that I could create a stencil type font that also looked like Josef Alber's font. Coincidentally, Saberrider also has a variation with fontstract,
and of course, that Stewf guy has his own family of Leaflets. ;-) Afrojet's sessions came into play in creating some of the letter forms, especially the numerals. The final filter setting became 1.638 x 1.08, which created a nice fusion of the curved and triangular bricks, but was also naturally inclined to necessitate the vertical divide on each glyph. The rest flowed rather easily from there. Here's to more happy accidents. =)
The sample is also a tribute to Alber's color theory, showing the names in identical colors, which, when juxtaposed over contrasting colors tricks the eye into thinking the bottom name is darker than the top.
The following Josef Albers quote can relate to all things creative, like fontstructing, not just color:
"It should be clear by now that our way of studying color does not start with the past - neither with works of the past nor with its theories.
As we begin principally with the material, color itself, and its action and interaction as registered in our minds, we practice first and mainly a study of ourselves.
Thus, we replace looking backward by looking first at ourselves and our surroundings, and replace retrospection with introspection."
- Josef Albers
This is a clone
1244727
Published: 26th March, 2009
Last edited: 2nd May, 2009
Created: 2nd August, 2008
A regular geometric stencil font.This is a clone of Ficus Stencil Condensed
307148715
Published: 9th March, 2009
Last edited: 22nd June, 2009
Created: 9th March, 2009
To destroy the own font is a bit masochistic I guess. But it's fun!
1392216410
Published: 12th February, 2009
Last edited: 26th August, 2010
Created: 12th February, 2009
IF YOU WANT THE FULL FONT WITH EUROPEAN CHARACTERS, THEN PLEASE:-
Make a donation of $5 via PAYPAL to djnippa@hotmail.com
(Please put which font you require in the subject box).
I will send the full font immediately.
Many Thanks.
Stenciled version NCD Blagger.This is a clone
39286140
Published: 26th January, 2009
Last edited: 22nd June, 2009
Created: 26th January, 2009
Space invaders, only a touch muckier. enjoy!This is a clone of Invade This
14311516
Published: 1st December, 2008
Last edited: 31st December, 2021
Created: 29th November, 2008
Bridge is a thick and heavy, geometric typeface designed to emulate the look of industrial stencil lettering.
5761617547
Published: 13th August, 2008
Last edited: 22nd June, 2009
Created: 11th August, 2008
jet-ti-son
-verb
1. to cast (goods) overboard in order to lighten a vessel or aircraft or to improve its stability in an emergency.
2. to throw off (something) as an obstacle or burden; discard.
-noun
1. the act of casting goods from a vessel or aircraft to lighten or stabilize it.
520604
Published: 8th August, 2008
Last edited: 22nd August, 2008
Created: 8th August, 2008
first try here at a font, based on some stuff from my sketch book
893585
Published: 12th June, 2008
Last edited: 8th July, 2008
Created: 12th June, 2008
Stencil font with some shots. Uppercase, numbers and basic punctation. This is a clone of Gunny
730566
Published: 12th June, 2008
Last edited: 6th July, 2008
Created: 12th June, 2008
Stencil font on a octagonal base with a military look. Uppercase, numbers and basic punctation.This is a clone of Regent
11601306
Published: 17th May, 2008
Last edited: 16th June, 2009
Created: 17th May, 2008
THIS FONT IS STILL UNDER FONTSTRUCTION.
PLEASE WAIT...This is a clone
760982
Published: 12th May, 2008
Last edited: 26th June, 2008
Created: 12th May, 2008
Squared & almost stencil. Just caps. Inspired by a surfstation.lu type.
118010611
Published: 30th April, 2008
Last edited: 22nd June, 2009
Created: 30th April, 2008
Pushing another one out of the nest...This is a clone of SlabStruct
28357715
Published: 30th April, 2008
Last edited: 16th June, 2009
Created: 30th April, 2008
Based ever-so-loosely on the stencil lettering from the original Mission Impossible TV series logo.This is a clone of StenSealed
12201013
Published: 23rd April, 2008
Last edited: 19th March, 2009
Created: 23rd April, 2008
*** in progress - spacing will change - adding Extende Latin characters ***
Heavily rounded and altered clone of Femke. Lower case q stays a little edgy though... :)
(Formerly named as DK Femke Bubble.)This is a clone of Femke
11812073
Published: 15th April, 2008
Last edited: 18th March, 2009
Created: 15th April, 2008
Inspired by Braggadocio and Futura Black, a typeface based on a 2 by 3 grid (mostly) using only 6 FontStruct elements.
v2 - Updated 18 March 2009 - Changed spacing, added Extended Latin (108 characters extra!). Reviewed and adjusted characters a l ? ! ( ) <>
Note for use: you probably have to set the tracking to a desired amount.