5364266121
Published: 9th November, 2011
Last edited: 5th December, 2011
Created: 8th November, 2011
This Fonstruction was created in my first year studying graphic design at UWE. The design brief was to create a typeface using the key word; 'ornate'. I have taken heavy influence from gothic fonts and architecture, looking in particular at religion and religious texts. For more information please visit my website at http://wasteofpaper.co.uk/wordpress
I welcome all comments and constructive criticism, thank you :)This is a clone
74136114
Published: 3rd October, 2009
Last edited: 4th October, 2009
Created: 1st October, 2009
My name is Geostruct Grotesque and I'm a typeface. I love grotesque and gothic type fonts, particularly with vertical exaggeration; so I set out with this in mind and here's the result. Love Trade Gothic & Univers Condensed.
http://type60.com/2009/10/geostruct-grotesque-a-typeface/This is a clone
3623110
Published: 25th October, 2011
Last edited: 23rd November, 2011
Created: 23rd October, 2011
As part of a project for my graphic design course at UWE, our brief was to create a typeface based on a theme. I chose vibration as my theme as I explored my theme I was drawn to line graphs which help record the frequency of sounds. I wanted my typeface to resemble this like it was on an ECG monitor. I also looked at John Skelton’s pinpression typeface which truly inspired my font, having continuous lines connecting all of the characters was very important and finding his work showed me that it was possible. This is my first attempt at creating a typeface and there are still alterations that need to be done.
491268
Published: 10th November, 2011
Last edited: 8th December, 2011
Created: 29th October, 2011
This is the font I have designed for the first module in my Graphic Design degree at UWE Bristol.
My typeface is based on the word 'Energy'.
The design journey started with me looking into electrical energy, and the result (See: "Fused Font Thin") led me to explore magnetic energy patterns within iron fillings. Next, during the process of creating a magnetic energy typeface I saw similarities with sound waves in my designs, and so also tried to combine the two. The result was "Energy Vibration".
Lots of energy drinks were consumed for inspiration and staying up for hours trying to battle the server. Full character set now complete.
340316
Published: 7th November, 2011
Last edited: 7th December, 2011
Created: 25th October, 2011
So here it is...Green Eyed Girl.
This project at UWE Bristol was to create a typefacd based around one word; so I looked into the word 'Curves' (which I probabily will never do again) and eventually came up with this. The idea came from looking at curves in lizards and vines, then linking the curvy-reptile theme with Medusa - hence 'Green Eye'.
Originally I was going to base it on a serif typeface but found that far too difficult on Fontstruct so used aggressive strait lines - similar to pre-historic drawings - to provide contrast against the seductive curves to make it seem like an Evil Temptress. The serif's are there to add authority.
So thats Green Eyed Girl by me...Sophina B.
*I think it may need tweaking in the sense that I've aligned each letter to the edge of the curve rather than the edge against the serif or stem. *
240576
Published: 30th October, 2012
Last edited: 30th October, 2012
Created: 30th October, 2012
I created this typeface when set a typography task on my Graphic Design project at UWE. My chosen theme is 'Energy' I took this further by looking into energy drinks and their existing products' labels at the moment. I was inspired by the effective look of bubbles so based my typeface on this. Every letter's bubbles are different which makes it a unique font. This typeface would be best suited promoting events, products and maybe awareness advertising that are linked with fizziness, water or drinks etc.This is a clone
283305
Published: 30th November, 2011
Last edited: 29th November, 2011
Created: 29th November, 2011
i created this font as part of a graphic design project while studying at uwe. i chose the theme of decay and after research and development decided to go with the idea of radioactive decay. i really like the particle effect. the inspiration for this came from images from electron microscopes i found during my research. the build up of particles that make up solid objects is really interesting to me. i wanted to capture the idea of the many tiny particles so i made my font rather large using many circular tiles to gain detail in my letters.
221544
Published: 1st November, 2011
Last edited: 9th December, 2011
Created: 28th October, 2011
This is my first fontstruction I have designed for the first module in my Graphic Design degree at UWE Bristol.
My typeface is based on the word 'Energy'.
I researched electrical energy and tried to create an electrical fuse/spark typeface. The result reminded my of iron fillings and so I went on to create "Energy Vibration"
200563
Published: 28th November, 2011
Last edited: 29th November, 2011
Created: 21st November, 2011
i created this font as part of a graphic design project while studying at uwe. i chose the theme of decay and after research and development decided to go with the idea of radioactive decay. i really like the particle effect. the inspiration for this came from images from electron microscopes i found during my research. the build up of particles that make up solid objects is really interesting to me. i wanted to capture the idea of the many tiny particles so i made my font rather large using many circular tiles to gain detail in my letters.
60983
Published: 30th May, 2012
Last edited: 30th May, 2012
Created: 25th May, 2012
This font was created using a 9(row)X 3(column) pixel area. Its created slim and digitized.
151523
Published: 19th January, 2012
Last edited: 12th January, 2012
Created: 10th January, 2012
A set of two capitals created using only one compound of object on a larger bit depth. Each letter sequentially overlaps the other to create a thicker weight. However, in doing so every other letter would not overlap with the other, ie A with C, C with E, so on. So the other set was created by manipulating the first set, allowing any letter form to overlap with each other by switching between either capital or lower case.
1513992
Published: 9th September, 2009
Last edited: 13th September, 2009
Created: 26th August, 2009
The unassuming functionality of a stencil typeface with stark angles hinting at 1970’s chic.
Tyro = learner / beginner ( very apt )
33121602
Published: 14th May, 2010
Last edited: 3rd June, 2010
Created: 12th May, 2010
(EN)"Adapt Bodoni" were the starting key words. developed in a typography workshop lectured by teachers Olinda Martins e Pedro Amado in Universidade de Aveiro, Portugal.
(PT) resultado de um workshop de tipografia orientado pelos prodfessores Olinda Martins e Pedro Amado, na Universidade de Aveiro, onde tinhamos que adaptar a font 'Bodoni'
192992
Published: 15th August, 2010
Last edited: 18th August, 2010
Created: 15th August, 2010
A simple conscript (constructed script / writing system / alphabet) inspired by conlangs (constructed languages) and yet undeciphered ancient and modern writings.
Currently, this conscript is just a basic substitution set and can be used as an alternative writing system for the Basic Latin set (the new glyphs correspond to the Latin alphabet), i.e. for writing English, but the glyphs for Cyrillic are still unfinished.
The capital letters (uppercase letter glyphs) are identical to their lowercase equivalents, but are written inside a square to distinguish them from the lowercases.
The font has some problems with punctuation kerning, but these are because of the need for the capital letters to be aligned to the lowercases. Standard symbols such as numbers and punctuation are identical to their Latin originals.
The final goal is to write my own conlang, which will utilize a future version of this script.
The script is also intended as a substitution alphabet for writing Latin, Cyrillic and other languages (using a yet undeveloped specific interlingua convention).
For a quick reference chart on how to read the letter-to-letter correspondence, see http://sahwar.deviantart.com/art/Sahwarian-writing-systems-1-128986775.
As already stated, the SahWarian Alphabet Type1 is currently just an alternative alphabet for English invented by sahwar. It is intended to be used as a code for writing diaries, journals, artcode or hidden messages.
Notable features:
Type of writing system: alphabet
Direction of writing: left to write in horizontal lines
Used to write: only English / Basic Latin (for now).
(Info source used for some of the terms: http://omniglot.com)
Changelog:
15 Aug 2010 — Initial release.
17 Aug 2010 — Some minor fixes.
18 Aug 2010 — Fixed the "]" (it was incorrectly identical to the "[". Added more information to this description.
841201
Published: 10th September, 2009
Last edited: 12th September, 2009
Created: 8th September, 2009
Made block by block, that's why I called it Blocks, as a house it is build up stone by stone.
153771
Published: 25th June, 2009
Last edited: 26th June, 2009
Created: 24th June, 2009
A 7 LED high instructional typeface to replace current type on LUAS Transport in Dublin, Ireland.
http://sefsar.com/index.php?/sarhan-px1---typeface/This is a clone
232661
Published: 14th September, 2009
Last edited: 14th September, 2009
Created: 14th September, 2009
I love chocolate, it's tasty stuff. So I've designed a cheap and cheerful typeface to express how I feel.
http://type60.com/2009/09/chocolade-a-typeface
40981
Published: 8th April, 2011
Last edited: 8th April, 2011
Created: 6th March, 2011
This font features thick lines and round edges. I have tried to maintain uniformity and offer all decent font, but I find that some characters are out of sync with the rest. Do advise me how to rectify this and make it completely professional.