500416
Published: 21st February, 2012
Last edited: 21st February, 2012
Created: 21st February, 2012
VIKING is a false-historical font evolving from Elder Futhark Runes. This runic typeface is based upon the ancient Germanic symbols later adapted by the Goths, Anglo-Saxons, Vikings, The Third Reich, and within Fantasy genera, depicted as Dwarven Runes.
ELDER VIKING is almost an exact interpretation of Elder Futhark plus a few extra characters corresponding as a best fit to the basic 26 upper-case Latin characters.
MIDDLE VIKING is the second generation evolution Rune based upon Elder Futhark. Designed as a semi-cryptic, visually interesting type but intended to be almost-readable as a Latin equivalent (unlike ELDER VIKING), MIDDLE VIKING contains numeric runes and basic punctuation.
YOUNGER VIKING is the third generation rune type which is a fully modern interpretation of Elder Futhark. YOUNGER VIKING, a.k.a. "SPACE VIKING" contains all upper and lower-case fonts as well as numbers and various punctuation.This is a clone of VIKING, MIDDLE Runes
6109914
Published: 4th February, 2012
Last edited: 4th February, 2012
Created: 4th February, 2012
VIKING is a false-historical font evolving from Elder Futhark Runes. This runic typeface is based upon the ancient Germanic symbols later adapted by the Goths, Anglo-Saxons, Vikings, The Third Reich, and within Fantasy genera, depicted as Dwarven Runes.
ELDER VIKING is almost an exact interpretation of Elder Futhark plus a few extra characters corresponding as a best fit to the basic 26 upper-case Latin characters.
MIDDLE VIKING is the second generation evolution Rune based upon Elder Futhark. Designed as a semi-cryptic, visually interesting type but intended to be almost-readable as a Latin equivalent (unlike ELDER VIKING), MIDDLE VIKING contains numeric runes and basic punctuation.
YOUNGER VIKING is the third generation rune type which is a fully modern interpretation of Elder Futhark. YOUNGER VIKING, a.k.a. "SPACE VIKING" contains all upper and lower-case fonts as well as numbers and various punctuation.This is a clone of VIKING, YOUNGER (Space Viking) Runes
1127996
Published: 4th February, 2012
Last edited: 4th February, 2012
Created: 17th August, 2008
VIKING is a false-historical font evolving from Elder Futhark Runes. This runic typeface is based upon the ancient Germanic symbols later adapted by the Goths, Anglo-Saxons, Vikings, The Third Reich, and within Fantasy genera, depicted as Dwarven Runes.
ELDER VIKING is almost an exact interpretation of Elder Futhark plus a few extra characters corresponding as a best fit to the basic 26 upper-case Latin characters.
MIDDLE VIKING is the second generation evolution Rune based upon Elder Futhark. Designed as a semi-cryptic, visually interesting type but intended to be almost-readable as a Latin equivalent (unlike ELDER VIKING), MIDDLE VIKING contains numeric runes and basic punctuation.
YOUNGER VIKING is the third generation rune type which is a fully modern interpretation of Elder Futhark. YOUNGER VIKING, a.k.a. "SPACE VIKING" contains all upper and lower-case fonts as well as numbers and various punctuation.
451411
Published: 4th February, 2012
Last edited: 4th February, 2012
Created: 30th January, 2012
VIKING is a false-historical font evolving from Elder Futhark Runes. This runic typeface is based upon the ancient Germanic symbols later adapted by the Goths, Anglo-Saxons, Vikings, The Third Reich, and within Fantasy genera, depicted as Dwarven Runes.
ELDER VIKING is almost an exact interpretation of Elder Futhark plus a few extra characters corresponding as a best fit to the basic 26 upper-case Latin characters.
MIDDLE VIKING is the second generation evolution Rune based upon Elder Futhark. Designed as a semi-cryptic, visually interesting type but intended to be almost-readable as a Latin equivalent (unlike ELDER VIKING), MIDDLE VIKING contains numeric runes and basic punctuation.
YOUNGER VIKING is the third generation rune type which is a fully modern interpretation of Elder Futhark. YOUNGER VIKING, a.k.a. "SPACE VIKING" contains all upper and lower-case fonts as well as numbers and various punctuation.This is a clone of VIKING, ELDER Runes
810311
Published: 4th February, 2012
Last edited: 1st February, 2012
Created: 24th January, 2012
VIKING is a false-historical font evolving from Elder Futhark Runes. This runic typeface is based upon the ancient Germanic symbols later adapted by the Goths, Anglo-Saxons, Vikings, The Third Reich, and within Fantasy genera, depicted as Dwarven Runes.
ELDER VIKING is almost an exact interpretation of Elder Futhark plus a few extra characters corresponding as a best fit to the basic 26 upper-case Latin characters.
MIDDLE VIKING is the second generation evolution Rune based upon Elder Futhark. Designed as a semi-cryptic, visually interesting type but intended to be almost-readable as a Latin equivalent (unlike ELDER VIKING), MIDDLE VIKING contains numeric runes and basic punctuation.
YOUNGER VIKING is the third generation rune type which is a fully modern interpretation of Elder Futhark. YOUNGER VIKING, a.k.a. "SPACE VIKING" contains all upper and lower-case fonts as well as numbers and various punctuation.This is a clone of VIKING, YOUNGER (Space Viking) Runes
1901013
Published: 30th January, 2012
Last edited: 30th January, 2012
Created: 30th January, 2012
This is a clone of Elephant and castle with added punctuation and adjusted spacing. It should be fairly usable, though I'm not happy with some of the symbols ($, /, \, @). I hope it can be useful!This is a clone of Elephant and castle
92981
Published: 25th January, 2012
Last edited: 25th January, 2012
Created: 18th January, 2012
A modern interpretation of an old english rune style font crossed with gothic/calligraphy stokes.
25115140226
Published: 31st December, 2011
Last edited: 24th October, 2022
Created: 31st December, 2009
Here’s Noptical as it was meant to be. Two years in the making, still an ugly font!
But look: better spacing, 1333 glyphs, all latin variants you could wish for (including Vietnamese), Greek, Cyrillic, Braille, Yijing hexagrams, the not yet Unicode-encoded Rouble sign, interrobang (after a design by Adien Gunarta), even a tombstone!This is a clone of Noptical
70241
Published: 29th December, 2011
Last edited: 29th December, 2011
Created: 29th December, 2011
Pixel Font
To use - Captial latin letters: F U D A R K G W H N I K Q P Z S T B E M L O and lower case latin letters: g and d
163187638
Published: 24th December, 2011
Last edited: 4th January, 2012
Created: 22nd December, 2011
Typeface based on the work of Victorian Designer and Architect E. W. Godwin (1833-1886) born in Stokes Croft, Bristol. He was influential in the Aesthetic movement that created "the look" of Victorian Britain. He began his career working in the strongly polychromatic "Ruskinian Gothic" style of mid-Victorian Britain, inspired by The Stones of Venice, then moved on to provide designs in the "Anglo-Japanese taste" of the Aesthetic Movement and Whistler's circle in the 1870s. A friend of Oscar Wilde, James Whistler and William Burges he was also the father of revered actress Dame Ellen Terrys illegitimate child. Godwin's influence can be detected in the Arts and Crafts Movement. To judge from his sketchbooks at the Victoria and Albert Museum, one might have expected an eclectic historicist, but Godwin, by no means a tame reproducer of antiquarian Gothic designs, was among the first to extend the European design repertory to include the arts of Japan, which had been opened to the Western world in 1853. His work is undergoing a revival since he was jokingly adopted as the patron saint of Stokes Croft by community action group the Peoples Republic of Stokes Croft. The group aim to to put some of his finest architectural achievements in the city back to good use as many of them despite being buildings of some historical significance lie empty and unused. His design work is being reincorporated into the urban landscape through the community organisation's programme of public art and his style has recently been adopted by a number of Street Artists including Dones and Felix Braun so his work is undergoing some kind of a revival.The glyphs are all based on the patterns from his sketchbooks.
1351491
Published: 22nd December, 2011
Last edited: 25th December, 2011
Created: 9th December, 2011
Something quickly put together, based on a pretty simple module in between gothic and moorish. I thought there’s something festive about it, hence the name.
120700
Published: 22nd November, 2011
Last edited: 12th December, 2011
Created: 17th October, 2011
Typeface inspired by the idea of merging together common graffiti hand style accents with a modern typeface. Meet Gothic and Graffiti in the middle and you have my idea for Open Up.
5344266121
Published: 9th November, 2011
Last edited: 5th December, 2011
Created: 8th November, 2011
This Fonstruction was created in my first year studying graphic design at UWE. The design brief was to create a typeface using the key word; 'ornate'. I have taken heavy influence from gothic fonts and architecture, looking in particular at religion and religious texts. For more information please visit my website at http://wasteofpaper.co.uk/wordpress
I welcome all comments and constructive criticism, thank you :)This is a clone
14376949
Published: 31st October, 2011
Last edited: 1st December, 2011
Created: 31st October, 2011
I am a first year student at the University of the West of England. Our first project this year was to design a typeface based around a word of our choosing. I opted for ‘Pompous’, as it stood out to me from the list. During the project I visited Bristol Cathedral several times, and spent time in and around Bridgwater, looking at anything that I found to be pompous, such as cast-iron work and Baroque architecture. My final design is influenced by Gothic typefaces and raised lead tombstones/plaques. The name ‘Delectatio Morosa’ is Latin for peevish delight, which I discovered whilst looking at different Latin phrases.
50951
Published: 11th October, 2011
Last edited: 11th October, 2011
Created: 11th October, 2011
This is a style that I like to write in sometimes. While the style in Punk Gothic font isn't as heavy as how I usually write it, I still really love this font.
591943
Published: 16th August, 2011
Last edited: 19th August, 2011
Created: 15th August, 2011
I made this hexagonal typeface for my brother. It's not monospaced; and kerning's a bitch...
416824
Published: 22nd July, 2011
Last edited: 22nd July, 2011
Created: 21st July, 2011
A condensed "blackletterish" exercise. Oldstyle with modern FontStructed conformity. Works for short words in big sizes. HEAVILY inspired by the calligraphic fontworks of Bulgarian designers J Jelew and S Simow. One could say it´s more or less a FontStruct adaptation of their fine "Grant Deco", I have no problem with that. I wanted to see the "Grant" glyphs a little less "tall and hansome". ("Estoc" is an old type of long sword, similar to rapier or foil.)
80821
Published: 20th July, 2011
Last edited: 19th July, 2011
Created: 19th July, 2011
A quick, half-assed attempt at a pixellated version of one of my favorite fonts, Century Gothic.
231995
Published: 14th July, 2011
Last edited: 14th July, 2011
Created: 14th July, 2011
This is sorta what my handwrting looks like. When this is downloaded it is pretty small