1:1 2:2 3:3 4:4 5:5 6:6 7:7 8:8 9:9 0:0 -:- ^:ō
q:a w:w e:-e r:e t:ū y:-ī u:-u i:-i o:-o p:p @:o [:(CV)-i
a:-a s:ē d:-ē f:-ū g:ī h:h j:i k:k l:l ;:; ::: ]:(V)-i
z:-ā x:ā c:’ v:u b:(CV)-u n:n m:m ,:, .:. /:(V)-u _:-ō
!:! ":" ':' (:( ):)
E:(CV)-e R:(V)-e O:(CV)-o
L:(V)-o
?:?
This conscript was a real pain to make, but I think it turned out okay.
I included the 4 abbreviations with it too:
To type "of", press 0
To type "the", press 1
To type "to", press 2
To type "and", press 3
More info on the Krul alphabet here: https://www.omniglot.com/conscripts/krul.htm
Deccan Lipi is a simplified and modernised script based on the Grantha Lipi script devised by Punya Pranava Pasumarty. It is designed for writing Sanskrit and all South Indian languages, although it can be used for most other Indian languages as well.
It can be used to write: Kannada, Telugu, Tamil, Malayalam and other languages of southern India (this font applies to Kannada script only)
This is a recreation of Deccan Lipi using FontStruct tools in case someone would like to write with it themselves. More information about the script can be found on Omniglot here.
Beringin Tulis is a minimalist rendition of the constructed Beringin script created by Adam Damario in 2017. A documentation by its creator can be read here (in Indonesian and English), while a documentation by Omniglot can be read here (in English).
Besides having stylized letterforms, I've added a reduplication sign in order to write Indonesian and Malay words more efficiently. In addition to that, this rendition of the Beringin script doesn't have letters for foreign sounds (/f q v ʃ x z/) as this rendition is intended to write Austronesian words only.
This is a revision of the original Imrian script (my first fontstruct).
This revision has had some significant tweaks based on what I have learnt from my other designs.
The original script was laced with a strong botanical theme and draw from the Ogham language. All sentences should begin with a ( [open bracket] to create the root symbol. Words are then typed as in english using a - [hyphen] instead of a space. For example:
(The-quick-brown-fox-jumps-over-the-lazy-dog.
Enjoy!
Beringin Ukir is a serif rendition of the constructed Beringin script created by Adam Damario in 2017. A documentation by its creator can be read here (in Indonesian and English), while a documentation by Omniglot can be read here (in English).
The letters are made separated from one another, unlike the original verison in which each letters are connected, to emphasize its serif property. I've also added a reduplication sign in order to write Indonesian and Malay words more efficiently. In addition to that, this rendition of the Beringin script doesn't have letters for foreign sounds (/f q v ʃ x z/) as this rendition is intended to write Austronesian words only.
I got this crazy idea that I wanted to create a script that looked like it had been created by tiny pastel horses (you're allowed to laugh). My inspiration comes from the Burmese script and a few other closely related ones that all kind of look like hoof prints stringed together at different angles.
There was just one problem: FontStruct doesn't do these circular letters. So I used FontStruct to create a prototype with mostly 5×5 and 7×5 letters to make the most out of the rounded corners.
Once satisfied I set out to find a bunch of tools to create "real" fonts. Inkscape and Fontforge looked like the perfect combination for a cheapskate like me. Designing the letters in Inkscape was easy since they consist of a few standard elements combined at different angles. These elements in turn mostly consist of circle sectors merged together. Fontforge on the other hand is a constant source of frustration. The constant crashes are the least of my problems. Paths that are imported will contain several errors that need to be fixed and however hard I try I can't seem to adjust widths and bearings in a way that makes sense.
Currently the script takes about 90% of its letters straight from Burmese while the vowels are more closely inspired by Shan. The script is used to write English phonetically and works as a not-really-an-abugida. There's no inherent vowel and it thus works more like Tolkien's Tengwar. Initial consonants are written as conjuncts while final consonants are mostly written as a linear sequence. The twelve vowels of RP have been merged into ten. There are two sets of vowel diacritics: the regular ones based on Shan and the overly cutesy ones consisting of hearts, gems and celestial bodies.
Todo: Thicker letters. Larger diacritics and increased distance. My own set of letters using the same basic components – possibly featural but probably not. Proper metrics. Kerning. Ligatures. Learn AAT and/or Graphite.
This, as the name suggests, is a cubic version of the script helix. This variation removes all curved lines and approached the script with a box look rather than the traditional helix twist effect.
This has the same letter/punctuation as other helix variations.