1:-üü 2:ü- 3:e- 4:-ee 5:u- 6:-uu 7:-ii 8:i- 9:-ö 0:o- -:'/ʺ ^:a-
q:ɢ w:-ü e:-e r:r t:t y:y/(V-)i u:-u i:-i o:-o p:p @:-aa [:(
a:-a s:s d:d f:f g:g h:kh j:j k:k l:l ;:ö- ::-oo ]:)
z:z x:sh c:ch v:v b:b n:n m:m ,:, .:. /:oo- _:-öö
!:! ":" &:uu (:ii- ):ö =:-
Q:aa- W:ü E:e R:r' T:t' Y:ii U:u I:i O:o P:p' `:aa {:öö
A:a S:ee- D:d' F:ee G:g' H:kh' J:uu- K:k' L:l' *:oo }:öö-
Z:-üü X:üü C:ts V:v' B:b' N:n' M:m' ?:?
1:1 2:2 3:3 4:4 5:5 6:6 7:7 8:8 9:9 0:0 -:- ^:tx
q:ts w:rr e:e r:r t:t y:ll u:u i:i o:o p:p @:ü [:tt
a:a s:s d:d f:f g:g h:h j:j k:k l:l ;:; ::: ]:ñ
z:z x:x c:tz v:dd b:b n:n m:m ,:, .:. _:nasal vowel
!:! ":" ':' (:( ):) ~:TX |:NAZAL VOWEL
Q:TS W:RR E:E R:R T:T Y:LL U:U I:I O:O P:P `:Ü {:TT
A:A S:S D:D F:F G:G H:H J:J K:K L:L }:Ñ
Z:Z X:X C:TZ V:DD B:B N:N M:M ?:?
Here is the font for my first rendition of Altrimaya. One might notice many of these letters differ greatly from my revised and refined Altrimaya alphabet I also have featured here. I figured I should publish this one as well to let users decide which version they prefer. Hope you enjoy!
Please note however that I will likely only make fonts from my Revised Altrimaya alphabet, not this one. Regardless if the title of these other fonts includes "revised" or not, unless specifically stated that it originates from this alphabet it will always originate from Altrimaya (Revised).
Here is my rendition of the Taiogeuna alphabet featured on Omniglot. I was able to create a glyph for every character in the "Basic Latin" pack which eliminates the need for any accented letters (as my other fonts commonly use), please refer to the chart below for the un-transliteratable characters. I hope you enjoy. :D
AE = a (only lowercase)
EO = e (only lowercase)
AI = i (only lowercase)
OI = o (only lowercase)
UE = u (only lowercase)
CH = Q
DH = B
PH = F
SH = X
TH = K
ZH = J
Start of Sentence = ,
Double Vowel = *
Start of Line = #
Please see the Kynaatt Language and alphabet chart for Katemayar at kynaatt.com
This is a clone of Atemayar (Rigid Script)Hazaf 5x9 Origin is a font created for the orthography of the Hazaf language. It contains all 25 letters (22 in the alphabet + J W Y) with both uppercase and lowercase characters. Each character is drawn on a 5x9 square grid.It also includes official Hazaf punctuation (" ' @ &).
Encoding
Ȟeriš can by typed with the letter H.
Šlifen can by typed with the letter X.
A stylistic alternative for the letter Kana can be typed with the letter Q.
A Latin & is also included in the typeface, and is assigned with the £ symbol.
A written court language used by Ashrians on Bysonce Island, Planet Ashr in my video game Endless Sea of Stars. This one is used for public court documents, and its brother language Calystiphos Hand is used for private documents and old government records.
These glyphs could be considered a form of shorthand unto themselves, since each court stenographer has its own way of writing these down and its own way of abbreviating or embellishing them. Through knowledge of these glyphs, and their accompanying interpretation, one can surmise all of the important proceedings and notes.
*
Common methods for stenographers to alter these glyphs involve:
- Adding/removing quadrants
- Crossing out one or more elements in colored ink
- Drawing connecting lines between points within one or more quadrants
- Inscribing shorthand or marginalia within negative spaces
- Marking or coloring within the central circle
- Shading via different means (scribbling, crosshatching, or with colors)
- Rotating a quadrant upon its own axis
It's important to note that stenographers also often write (either in Royal Bysoncian, Sea Bysoncian or Voktlandish) in accompaniment with these symbols. The idea is for each stenographer to come up with a system of encoding that works for it. Eudastiphos Hand could thus be considered an amalgamate, interlingual cipher built from other Ashrian languages.
*
In terms of communication systems which exist on Earth, this is most readily compared to Nsibidi.
Another conlang/conscript from my own works. These are the Symbols of Starborn Lightness used by Asgari.
Asgari is an artificial sun orbiting Gara, an interstellar planet. It was built to use Starborn Lightness symbols as concept-units in order to electronically convey information to the Garai people about itself. So, these symbols were originally something like status indicators. Until C.Y. 1997, they could be seen on displays in the Celestial Telemetry Room at Magong Stack One in Upper Netazeca.
However, some Garai re-used the symbols to make constructed languages and ciphers. Monsaic Sun is unique among these in that it uses only the existing symbols, without any alteration. So this font can be used to write either language.
Appears in: Seven Candles Trilogy (2013)
1:zh 2:ch 3:sh 4:(zh, ch, sh, r, z, c, s)-i 5:-ai 6:-i-(V) 7:-u-(V) 8:---ng 9:---n 0:-o -:-ei ^:--ê
q:q w:w e:-e r:r t:t y:y u:u i:i o:-o p:p @:--a [:-ou
a:-a s:s d:d f:f g:g h:h j:j k:k l:l ;:-ng ::-n ]:-ao
z:z x:x c:c v:ü b:b n:n m:m ,:, .:. /:! _:yu-
!:tone1 ":tone2 #:tone3 $:tone4 %:-ai &:-i ':-u (:-ng ):-n =:--ei ~:-ê |:'
Q:ai W:wu E:e R:-r T:--r Y:yi U:-ü-(V) O:o `:、 {:--ou
A:a D:ei F:-e G:---r H:ê L:ou +:; *:: }:--ao
Z:ao V:yu B:----r <:( >:) ?:?
1:-ng 2:-ă 3:-e 4:tr 5:-t 6:-iê 7:-u/o 8:th 9:-n 0:-c -:-ươ ^:-ô
q:ng/ngh- w:-â e:-ê r:r t:t- y:-ư u:u/o- i:i/y- o:-o p:-p @:-ơ [:-ô(-c/ng)
a:-a s:x d:đ f:ph g:g/gh h:h- j:-i/y k:c/k/q- l:l- ;:-o(-c/ng) ::kh ]:nh-
z:d x:s c:ch- v:v b:b n:n- m:m- ,:, .:. /:! _:-m
!:ă ":--ă #:--e %:- $:e &:--iê ':' (:( ):) =:ưa ~:ô |:ia/ya
Q:a W:--â E:--ê R:ê T:ê(-ch/nh) Y:ư U:u I:--i/y O:o P:p- `:--ơ {:ô(-c/ng)
A:--a S:â D:a(-ch/nh) F:-a(-ch/nh) G:-ê(-ch/nh) H:--ê(-ch/nh) J:i/y K:ua L:-uô +:o(-c/ng) *:ơ }:-nh
Z:gi- C:-ch V:--a(-ch/nh) B:◌̀ N:◌̉ M:◌̃ <:◌́ >:़ ?:?
More info on the script: https://www.omniglot.com/conscripts/sea.htm
This is a clone of Ambrosia SansMore info on the script: https://www.omniglot.com/conscripts/grandalphabet.htm
This is a clone of Ambrosia SansI got this crazy idea that I wanted to create a script that looked like it had been created by tiny pastel horses (you're allowed to laugh). My inspiration comes from the Burmese script and a few other closely related ones that all kind of look like hoof prints stringed together at different angles.
There was just one problem: FontStruct doesn't do these circular letters. So I used FontStruct to create a prototype with mostly 5×5 and 7×5 letters to make the most out of the rounded corners.
Once satisfied I set out to find a bunch of tools to create "real" fonts. Inkscape and Fontforge looked like the perfect combination for a cheapskate like me. Designing the letters in Inkscape was easy since they consist of a few standard elements combined at different angles. These elements in turn mostly consist of circle sectors merged together. Fontforge on the other hand is a constant source of frustration. The constant crashes are the least of my problems. Paths that are imported will contain several errors that need to be fixed and however hard I try I can't seem to adjust widths and bearings in a way that makes sense.
Currently the script takes about 90% of its letters straight from Burmese while the vowels are more closely inspired by Shan. The script is used to write English phonetically and works as a not-really-an-abugida. There's no inherent vowel and it thus works more like Tolkien's Tengwar. Initial consonants are written as conjuncts while final consonants are mostly written as a linear sequence. The twelve vowels of RP have been merged into ten. There are two sets of vowel diacritics: the regular ones based on Shan and the overly cutesy ones consisting of hearts, gems and celestial bodies.
Todo: Thicker letters. Larger diacritics and increased distance. My own set of letters using the same basic components – possibly featural but probably not. Proper metrics. Kerning. Ligatures. Learn AAT and/or Graphite.