Here is my version of a serif Eriseci alphabet. It is the same format as the previous Eriseci font which this was cloned from, so for use of this font please referrence that one. I hope you enjoy :D
This is a clone of Eriseci Alphabet*Note: the first few lines of the preview is a romanization. The "proper" font consists of the triangle, parabola, and diamond-like shapes in the bottom half*
A revised script of my alien conlang "cimar" Built with Apple's Hebrew QWERTY in mind, though if you are comfortable with the standard Hebrew layout you should have little trouble as long as you keep in mind the four characters which are used for non-standard sounds.
This script is a semi-featural abjad/abugida hybrid inspired by. Read right-to-left, consonants appear as main glyphs while vowels are diacritics which hang above that follows it. of the glyph determines place of , and diacritics inside of the glyph represent manner. The numbers are in hexadecimal and bound to latin characters (1-9, A-F). Like Hebrew, they are read least-to-greatest place value.
Here are the correspondances with Hebrew characters, their latin transcriptions, and a few IPA symbols where the glyphs make a different sound than in Hebrew and/or English.
מ נ
n m
ף ת ך ק
'(ʔ) k t p
ב ד ג
g d b
פ ס צ כ ה
h x(x~χ) c(ɕ) s f(ɸ)
ש ז ח ר
r(ɣ~ʁ) j(ʑ) z v(β)
ל ט
y l
א ע י ו
o i e a
My own "language" (basically just English but with more letters).
A - Same as English.
B - Same as English.
Б - Same as B, but softer in the sounds it makes
C - Makes the C sound (as in cat)
Ç - Makes the ch sound (as in choose)
D - Same as English.
E - Same as English.
F - Same as English.
G - Same as English.
H - Same as English.
I - Makes the I sound (as in right) (Use ı for lowercase)
İ - Makes the I sound (as in igloo) (Use i for lowercase)
J - Same as English.
K - Same as English.
Ḳ - Makes the kw sound (as in question, Qatar, and all the words the letter Q is in)
L - Same as English.
M - Same as English.
N - Same as English.
Ŋ - Makes the ng sound (as in building)
O - Same as English.
P - Same as English.
R - Same as English.
S - Same as English.
ß - Makes the ss sound (as in possess)
T - Same as English.
Þ - Makes the th sound (as in thousand)
Ţ - Makes the TI sound (as in time)
Ŧ - Makes the TI sound (as in practice)
U - Same as English.
V - Same as English.
W - Same as English, but pronounced "wynn" instead of "double-u"
X - Same as English.
Y - Same as English.
Z - Same as English.
Espaniranto is a transitional "lost link" conscript between Latin and the "future" Desertborn Language conscripts like "Wadi Emet" and "Seeq Antique" from the planet Araxes at the Mu Draconis System http://slurl.com/secondlife/Splintered%20Rock/55/4/55 (A Second Life Sci-Fi RPG sim/server cluster ). It covers most of the basic latin script(english), some extended glyphs to write Esperanto(ĉ, ĝ, ĥ, ĵ, ŝ, ŭ) and Spanish(ñ) but without accents and with basic limited extra glyph support besides the alphabet. In accordance with Desertborn scholar Taquis Samiirah Sorciere from House Morloch, Desertborn culture has it's roots mostly out from earth-that-was Berber culture, so maybe the Desertborn scripts evolved through millennia from a common branch of pidgin alphabets of hybridized Latin, Tifinagh scripts, Berber Latin, and unknown space-farer scripts resembling the one at the "Singapore Stone". Espaniranto is highly regarded as the possible common Latin script ancestor. The numerals are binary coded glyphs and naturaly suitable to be used in base-12(ø being number 10 and Ø being 11). Yet is highly compatible with the common base-10 numeral system in the Empire. Desertborn culture is highly regarded as possessing superior engineering and for their creative technological solutions in contrast to the common starborn ways. Some other odd influences notorious in Espaniranto are: -It's peculiar punctuation that somehow resemble the Himalayan conventions of Tibeto-burmese or mongolian scripts like phagspa, uchen/umê, and newa scripts. -It's "unicase" nature as in such scripts. A more solid link to the eurasian plateaus mysticism had been provided in the only especimen of Espaniranto writing being a XXIII'rd century treatise/manual on mysticism, the so called Lagrangian-Point Dzogchen-Zen-Sufi codex, a specimen with plenty of common mystic terminology between Persiand and Tibetan plateaus mysticism, but fully wrote in Classical Zamenhof's Esperanto. The lack of any ascender and descender in the Espaniranto script and it's awful readability supports the idea of it being mostly a religious script in opposition to daily use. [[--MKN(while at a long absence from that sandy planet my home)]]
This is a cloneFact: The conlang here isn't mine. It belongs to one of my friends.
A clone of Gremlin 3x4 optimized for toki pona (shape and height of the letter 'n').
This is a clone of Gremlin 3x4A script designed for the conlang of 'Ȑiþȑa̷în'.
The language of Ȑiþȑa̷înwas created at Farnad by a joint effort of Harlastes and Rakiana specifically for the use of the new ‘nation’ taking form from surviving Hyntellar, Aignar and Oumda peoples, who were later collectively known as the Ȑa̷inðâl (Ȑiþȑa̷în: ‘the agency of the world’). As a language, it was designed principally for morphemic elegance and semantic density while using the aesthetic phonemic preferences of its creators and intended speakers, perhaps inspired by the logico-mathematical concept of ‘elegance’ taught at Cynkyallat (Khalaris), Tain and Icoras. As a result, the range of consonants and vowels is relatively small, while also being highly inflected; making extensive use of suprafixes – where the first vowel-sound of a word is modified to change its grammatical function – and limited use of more standard suffix-inflection. In particular, the semantic density of Ȑiþȑa̷în made it ideal for transcription onto valuable or rare writing media as well as possessing a high level of concision in spoken form. Its most celebrated features were used in philosophy, where widespread suprafixing meant that singular concepts tended to retain their essential form regardless of grammatical function and in debate where complex ideas could be put over remarkably quickly. However, its suprafixional grammar also required excellent diction and enunciation from its speakers, precipitating a rather unique oral culture.
‘Ȑiþȑa̷în’is a compound word from the phrase ȑīþ ȑa̷în, which literally means ‘the speech of agency’ or ‘agency’s speech’ – relating to the important concept of ‘civilisation’ or ‘the agency of a people’ in the culture of Farnad. Ithas five cases, five persons, five tense-aspects, and two numbers in its inflectional system, while gender and, when necessary, mood, are conveyed lexically and through word order.
This is a cloneMy attempt at making a Unown font where all the letters are consistent in size. This is original pixel art made using a high-res reference. It's made to be a nice-looking design, not to be 100% accurate to the games. Upper case is fully kerned.
"We Dunno" is an anagram for "Unowned".
Original size: 6.75pt (use multiples of this value for pixel perfection)
Recommended: Use with kerning turned ON!
Heptal is an alternative alphabet for English created by Katie Molnar. The original can be found here: http://www.omniglot.com/conscripts/heptal.htm
The original script uses overlines to identify vowels which join together when next to each other. The extended vowels á (acute) begins the join the à (grave) ends the join and the ä (diaresis) is the middle of a join - each vowel has an equivalent.
The original script also has 3 varieties of s. Use the S for the capital, the s for an s in the middle of the word and a $ for a final s.
Finally, all sentences should be started with an _ (underscore).
This is a clone