Vykra is a conlang script based on the concept of a syllabic alphabet and inspired by plants.
The upper case is the plant body, while the lowercase is the root. As such it is necessary to write this script in alternating case (AlTeRnAtInG CaSe) so as to place an upper and lower case letter together.
The full stop symbol is used for words consisting of one letter to provide a root.
Here is the second version of the Unlu script font.
This one has been called Unlu Light as it is significantly smaller than the original with cleaner lines and angles.
In addition to the Unlu v.1 letters and usage this version includes more punctuation and the numbers 0-9.
Matriarc is a linear script of flowing lines orditing central circles. This is used as a standard alphabet with the upper and lowercase vowels having a different distance to the main line to allow aesthetic placement.
A script designed for the conlang of 'Ȑiþȑa̷în'.
The language of Ȑiþȑa̷înwas created at Farnad by a joint effort of Harlastes and Rakiana specifically for the use of the new ‘nation’ taking form from surviving Hyntellar, Aignar and Oumda peoples, who were later collectively known as the Ȑa̷inðâl (Ȑiþȑa̷în: ‘the agency of the world’). As a language, it was designed principally for morphemic elegance and semantic density while using the aesthetic phonemic preferences of its creators and intended speakers, perhaps inspired by the logico-mathematical concept of ‘elegance’ taught at Cynkyallat (Khalaris), Tain and Icoras. As a result, the range of consonants and vowels is relatively small, while also being highly inflected; making extensive use of suprafixes – where the first vowel-sound of a word is modified to change its grammatical function – and limited use of more standard suffix-inflection. In particular, the semantic density of Ȑiþȑa̷în made it ideal for transcription onto valuable or rare writing media as well as possessing a high level of concision in spoken form. Its most celebrated features were used in philosophy, where widespread suprafixing meant that singular concepts tended to retain their essential form regardless of grammatical function and in debate where complex ideas could be put over remarkably quickly. However, its suprafixional grammar also required excellent diction and enunciation from its speakers, precipitating a rather unique oral culture.
‘Ȑiþȑa̷în’is a compound word from the phrase ȑīþ ȑa̷în, which literally means ‘the speech of agency’ or ‘agency’s speech’ – relating to the important concept of ‘civilisation’ or ‘the agency of a people’ in the culture of Farnad. Ithas five cases, five persons, five tense-aspects, and two numbers in its inflectional system, while gender and, when necessary, mood, are conveyed lexically and through word order.
This is a cloneThis is my conlang called Ezunas.
How To Use Ezunas
Type c and j to get tsemuly and dzemuly.
Type C and J to get chahang and jahang.
Type L M and N to get lyahang, ngasu, and nyahang respectively.
Type q and x to get shahang and zhahang.
Letters semuly and zemuly have distinct initial, medial, and final forms.
For semuly, type S, s, or $.
For zemuly, type Z, z, or %.
Type the vowels in caps to lengthen them.
Type ' for the glottal stop.
Type < and > for kpekpe and gbegbe.
A contructed language I made
p= p (pea)
b= b (buy)
m= m (sim)
t= t (tea)
d= d (dye)
n= n (sin)
k= k (key)
g= g (guy)
N= ng (sing)
f= f (foul)
v= v (vowel)
T= th (think)
D= dth (though)
s= s (sip)
z= z (zip)
x= sh (rush)
Z= zh (rouge)
q= ch (chomp)
j= j (jump)
c= ts (pizza)
C= dz (godzilla)
y= y (yell)
w= w (well)
h= h (house)
#= 10
$= 100
%= 1K (1,000)
&= 1M (1,000,000)
£= Currency
K= Chapeter
P= Paragraph
UPDATES
v1.0 - Official release
v1.1 - Added Latin-1
v1.2 - Added Balsnese
v1.2.2 - Fixed some letters on Balsnese
v1.3 - Added Polish Letters
v1.4 - Added Arabic
v1.4.2 - Finished few letters and fixing less letters
v1.4.5 - Added ligatures
v1.4.8 - Fixed lowercase K
v1.5 - 1 Month Special, Update
v1.6 - Added supplemental Balsnese
This is a conlang font based on the SIGIL panel script which can be found on the Omniglot Website. Unlike the inspiration this font is alphabetical.
Note on the script: The script is formed from consonant-vowel pairs. If a pair cannot be made in the order consonant-vowel then an underscore [_] should be used for the consonant or a hyphen [-] for a vowel.
A new conlang I've created based on LokiT's unlu and Evikræl and a few others I've found on the web. Although the time I spent fonstructing this one was minimal, I did put a lot of effort into designing it's style and method. You'll find a similar one to this on omniglot; trust me, I designed this without knowledge of the other one.
Hope you enjoy it; not much to explain about its usage, really, other than the advanced glyphs æ and á on a latin keyboard or a regular "special symbols" page on a mac make an Ai or Ay sound, like eye, or cry, or a japanes maegeri, and that á makes a kind of æ and eh hybrid sound not in our language, symilar to a heavily accented e in spanish.
Sooo, yeah.
BYEEEEE!
This, as the name suggests, is a cubic version of the script helix. This variation removes all curved lines and approached the script with a box look rather than the traditional helix twist effect.
This has the same letter/punctuation as other helix variations.
Here is an extended version of my Atemayar Rigid Script. This script has taken me years to get to the point where it is. It is incomplete however I figured I would release it with the current list of characters that I have created. While I plan to complete it, it will be some time before this is achieved so please bear with me as life tends to get in the way sometimes.
I began this font August 31, 2017, and I'm releasing it 30 days short of its 2 year anniversary.
Based off the original alphabet of Atemayar Qelisayér featured on Omniglot created by Simon Halfdan Hvilshøj Andersen. Credit for all the original characters of this alphabet goes to him, as well as credit for inspiration. Some characters in this alphabet are wholly original to this font (most are not however), these are inspired wholly by the original Atemayar alphabet in one way or another.
I truly and sincerely hope you enjoy, this font is made for all to enjoy and to spread such a beautiful alphabet to be used for all languages and all writing systems. I love Atemayar more than any existing writing system, I take all my notes in it, and I wish that Simon Halfdan Hvilshøj Andersen's alphabet will be spread around the world and used by many.
The alphabets can be categorized into groups based on the following criteria:
- Pseudo-Atemayar: shares no letters with Atemayar, but appears similar
- Semi-Pseudo-Atemayar: shares a few characters with Atemayar, but overall still looks like its base alphabet and can't be read by Atemayar users
- Modified Atemayar: Follows all/most of the same letters as Atemayar, however has added or modified letters as well
- Classic Atemayar: Original Atemayar alphabet without change
The alphabets' classifications are as follows:
Basic Latin: Classic (except X, which is a ligature of K and S)
Punctuation (all except . , : ; ? ! ... " '): Modified
More Latin: Modified
Extended Latin B: Modified
Extended Latin A: Modified
Greek & Coptic: Modified
Cyrillic: Modified
Arabic: Modified (reversed letters)
Devanagari: Modified (line above letters)
Georgian: Semi-Pseudo
Armenian: Semi-Pseudo
Katakana: Modified
Hebrew: Modified (reversed letters) ***Incomplete***
Hangul: Pseudo ***Incomplete***
Bopomofo: Modified (dots above letters, ligatures)
Thai: Pseudo ***Incomplete***