Here is an extended version of my Atemayar Rigid Script. This script has taken me years to get to the point where it is. It is incomplete however I figured I would release it with the current list of characters that I have created. While I plan to complete it, it will be some time before this is achieved so please bear with me as life tends to get in the way sometimes.

I began this font August 31, 2017, and I'm releasing it 30 days short of its 2 year anniversary.

Based off the original alphabet of Atemayar Qelisayér featured on Omniglot created by Simon Halfdan Hvilshøj Andersen. Credit for all the original characters of this alphabet goes to him, as well as credit for inspiration. Some characters in this alphabet are wholly original to this font (most are not however), these are inspired wholly by the original Atemayar alphabet in one way or another.

I truly and sincerely hope you enjoy, this font is made for all to enjoy and to spread such a beautiful alphabet to be used for all languages and all writing systems. I love Atemayar more than any existing writing system, I take all my notes in it, and I wish that Simon Halfdan Hvilshøj Andersen's alphabet will be spread around the world and used by many.

The alphabets can be categorized into groups based on the following criteria:
- Pseudo-Atemayar: shares no letters with Atemayar, but appears similar
- Semi-Pseudo-Atemayar: shares a few characters with Atemayar, but overall still looks like its base alphabet and can't be read by Atemayar users
- Modified Atemayar: Follows all/most of the same letters as Atemayar, however has added or modified letters as well
- Classic Atemayar: Original Atemayar alphabet without change

The alphabets' classifications are as follows:

Basic Latin: Classic (except X, which is a ligature of K and S)
Punctuation (all except . , : ; ? ! ... " '): Modified
More Latin: Modified
Extended Latin B: Modified
Extended Latin A: Modified
Greek & Coptic: Modified
Cyrillic: Modified
Arabic: Modified (reversed letters)
Devanagari: Modified (line above letters)
Georgian: Semi-Pseudo
Armenian: Semi-Pseudo
Katakana: Modified
Hebrew: Modified (reversed letters) ***Incomplete***
Hangul: Pseudo ***Incomplete***
Bopomofo: Modified (dots above letters, ligatures)
Thai: Pseudo ***Incomplete***

http://ithkuil.net

WIP ithkuil font

===============

DONE:

primare aspect characters

vertical/diagonal tail modifications

above/below/midline dicaritics

secondary and tertiary aspect characters

secondary and tertiary aspect character diacritics

consonantal characters

tail modifications for the horizontal sections

placeholders

punctuation

numbers

===============

The diacritic/tail modification placements would be handled using opentype GSUB and GPOS.

Enjoy the several hundreds of various zero width diacritics and modification characters stacking on top of each other.

A font for my friend's conlang called Anachek. Anachek uses a syllabary of 23 consonants and 5 vowels called porodowixme (/pɔrɔdɔʍiχmɜ/) for a total of 93 characters and 22 diacritics. This font also includes the number system, which is base 12. This should be the most complete font including all punctuation and numbers, and some math operations.

punctuation system might undergo changes because we are still working on the conworld

Not my original work. Attribution is on the last sentence.

This is a font utilising the phonetic keybindings for LCC1.6 (Language Creation Challenge - challenge #1, version 6).

sample: clagg = word | vjjl'clagg = words | vjjl'clag-oen = wordy

Usage. [Keybinding = Natural Script ; pronounciation]

a = a ; a in accustomed, according, account, attribution, active

b = vv ; v in Vladislav, Vladivostok, Vladimir, Valishchevo, Volgograd, Vietnam, Veteran

c = c ; z in zazazoo, Zoolander, zero, and Zero Dark Thirty

d = tt ; d in donut, don't, do, dose

e = e ; e in expect and expand

f = v ; f in father, feather, farther, further

g = gg ; g in guess, guest, gust, guts, and goat

h = x ; kh in Russian word ukhoda and khorosho

i = jj ; i in in, is, it, and if

j = ttz ; dzh in Russian names Dzhoshua and Dzhon

k = g ; k in kangaroo and king

l = l ; l in lord and lore

m = nn ; m in mice, mice, mice

n = n ; n in nice, nice, nice

o = o ; o in octave and orthodontist

p = v ; f in father, feather, farther, further

q = q ; ts in lots, fats, cats

r = p ; r in rabbit, rocket, racket, race, raise, road, rode

s = s ; sh in shoulder and shout and sch in German word schreiben

t = t ; t in titanic, tetris, and attractants

u = uu ; u in Uzbekistan and ue in blue and glue

v = vv ; v in vest, vintage, and volcanic

w = u ; w in west, wish, and would've

x = x ; kh in Russian word ukhoda and khorosho

y = j ; y in yes, yesn't, yeet

z = z ; zh in Russian name Zhana and j in French name Jean-Paul

cc = cc ; s in snake and sound

Attribution: Original blackletter font is called "Zeitgeist" created by PSerighelli.

Here is my first conscript font on Fontstruct. Alphabet 1 is an alphabet I created from various inspirations to function for most European languages using the Latin alphabet. This is not however the first alphabet I have created in general. I hope you enjoy the alphabet.

An adaption of my previous alphabet. Works best with Spanish keyboard.

The default Kaiski sans serif font.

Kaiski's Helvetica, or more appropriately, Kaiski's Inter UI.

Kaiski is the orthography (alphabet) of Kairen, a language developed by Kimeiga for his videogames.

kimeiga.github.io/kairen

Kaiski font based on Akzidenz light

Bold version of Kaiski Akzidenz

Light weight of Kaiski Akzidenz

(Ten year anniversary!)

This is my conlang, Täämüŕ.

а = a
ӓ = ɐ̃
ә = æ
б = b
в = β
г = ʞ̬̬
ҕ = ɢ
ԁ = d̪

ѯ = ð
є = ɛ

ѧ = ɛ̃~ɜ
ӡ = ʑ
з = z
і = i
ѵ = ɨ̃~ə

к = k

ӄ = χ

л = l~ʎ

м = m

н = n

ӈ = ɲ~ɴ

о = ɔ

ө = ɶ

ѫ = ɔ̃

п = p

ҧ = β̞

р = ʁ

ҏ = ɾ

с = s

ҩ = ɕ

ԍ = ɧ

т = t

ѳ = θ

ү = u

ұ = ɯ̽

ѡ = ʉ̃

ф = ɸ

Mostly for wall or border decoration (you can read letters, but probably not the numbers). Every vertical line column is a letter(plus connection to previous column)! Have fun!

For dozenal counting system, " ' " serves as "0", "0" is "10", "-" is "11", "_" is "-", ":" is division, "*" is multiplication, ";" is for roots (as the opposite of powers, "^")

Here is my version of a serif Eriseci alphabet. It is the same format as the previous Eriseci font which this was cloned from, so for use of this font please referrence that one. I hope you enjoy :D

Espaniranto is a transitional "lost link" conscript between Latin and the "future" Desertborn Language conscripts like "Wadi Emet" and "Seeq Antique" from the planet Araxes at the Mu Draconis System http://slurl.com/secondlife/Splintered%20Rock/55/4/55 (A Second Life Sci-Fi RPG sim/server cluster ). It covers most of the basic latin script(english), some extended glyphs to write Esperanto(ĉ, ĝ, ĥ, ĵ, ŝ, ŭ) and Spanish(ñ) but without accents and with basic limited extra glyph support besides the alphabet. In accordance with Desertborn scholar Taquis Samiirah Sorciere from House Morloch, Desertborn culture has it's roots mostly out from earth-that-was Berber culture, so maybe the Desertborn scripts evolved through millennia from a common branch of pidgin alphabets of hybridized Latin, Tifinagh scripts, Berber Latin, and unknown space-farer scripts resembling the one at the "Singapore Stone". Espaniranto is highly regarded as the possible common Latin script ancestor. The numerals are binary coded glyphs and naturaly suitable to be used in base-12(ø being number 10 and Ø being 11). Yet is highly compatible with the common base-10 numeral system in the Empire. Desertborn culture is highly regarded as possessing superior engineering and for their creative technological solutions in contrast to the common starborn ways. Some other odd influences notorious in Espaniranto are: -It's peculiar punctuation that somehow resemble the Himalayan conventions of Tibeto-burmese or mongolian scripts like phagspa, uchen/umê, and newa scripts. -It's "unicase" nature as in such scripts. A more solid link to the eurasian plateaus mysticism had been provided in the only especimen of Espaniranto writing being a XXIII'rd century treatise/manual on mysticism, the so called Lagrangian-Point Dzogchen-Zen-Sufi codex, a specimen with plenty of common mystic terminology between Persiand and Tibetan plateaus mysticism, but fully wrote in Classical Zamenhof's Esperanto. The lack of any ascender and descender in the Espaniranto script and it's awful readability supports the idea of it being mostly a religious script in opposition to daily use. [[--MKN(while at a long absence from that sandy planet my home)]]