WIP
See more:
https://www.fontstruct.com/fontstructions/show/675113/equalize-1
This is a clone of ztrong eYe/FSSee more:
https://fontstruct.com/fontstructions/show/517534/his_nibs
https://fontstruct.com/fontstructions/show/753191/tourniquet
https://fontstruct.com/fontstructions/show/445265/fs_rinali
https://www.volcano-type.de/fonts/categories/modulargeometric/dreid
https://fontstruct.com/fontstructions/show/458350/fs_ini
https://www.fontstruct.com/fontstructions/show/257072/fs_easy_dna_auto_stencil
https://fontstruct.com/fontstructions/show/1311565/arabic-13
This is a clone of Watefall italicWell, I was not happy with the final look of my zelestia, so I tried to change the center of gravity of the font, which I managed to lighten its weight and basically alter its general appearance. I like this new, more dynamic and special look better... and I wish you would like it too. Let me know your opinion. Thanks a thousand.
Unicase italic font with many alternates (in the lower case zone), so much that it's almost like two fonts in one. Hope you like it.
This is a clone of zelestia eYe/FSBasic 7-segment slanted font enhanced with 3 extra segments to fill whole alphabet. Quasi-monospaced, characters width is constant, separators have own width.
This is a clone of 7-seg Digi ItaA script designed for the conlang of 'Ȑiþȑa̷în'.
The language of Ȑiþȑa̷înwas created at Farnad by a joint effort of Harlastes and Rakiana specifically for the use of the new ‘nation’ taking form from surviving Hyntellar, Aignar and Oumda peoples, who were later collectively known as the Ȑa̷inðâl (Ȑiþȑa̷în: ‘the agency of the world’). As a language, it was designed principally for morphemic elegance and semantic density while using the aesthetic phonemic preferences of its creators and intended speakers, perhaps inspired by the logico-mathematical concept of ‘elegance’ taught at Cynkyallat (Khalaris), Tain and Icoras. As a result, the range of consonants and vowels is relatively small, while also being highly inflected; making extensive use of suprafixes – where the first vowel-sound of a word is modified to change its grammatical function – and limited use of more standard suffix-inflection. In particular, the semantic density of Ȑiþȑa̷în made it ideal for transcription onto valuable or rare writing media as well as possessing a high level of concision in spoken form. Its most celebrated features were used in philosophy, where widespread suprafixing meant that singular concepts tended to retain their essential form regardless of grammatical function and in debate where complex ideas could be put over remarkably quickly. However, its suprafixional grammar also required excellent diction and enunciation from its speakers, precipitating a rather unique oral culture.
‘Ȑiþȑa̷în’is a compound word from the phrase ȑīþ ȑa̷în, which literally means ‘the speech of agency’ or ‘agency’s speech’ – relating to the important concept of ‘civilisation’ or ‘the agency of a people’ in the culture of Farnad. Ithas five cases, five persons, five tense-aspects, and two numbers in its inflectional system, while gender and, when necessary, mood, are conveyed lexically and through word order.
This is a cloneA stencil version of RC Dynamite made for laser cutting! Could also be an LCD Segment design with slight modification...
This is a clone of RC DynamiteRenaissance-style Italic font, with straight capitals & old style numerals. The lower case letters are designed within a dot matrix, albeit slanted; with the uppercase letters I have deviated from this, in order to create well-proportioned Roman capitals.
45NUM_WI71
MY MAPPING
1=14 fonts
<<
1234567890
>>
U0030-0075
(48-117)
~~~~~~~~~~
0123456789
:;<=>?@ABC
DEFGHIJKLM
NOPQRSTUVW
XYZ[\]^_`a
bcdefghijk
lmnopqrstu
----------
°±²³´µ¶·¸¹
º»¼½¾¿ÀÁÂÃ
ÄÅÆÇÈÉÊËÌÍ
ÎÏÐÑÒÓÔÕÖ×
ØÙÚÛÜÝÞßàá
âãäåæçèéêë
ìíîïðñòóôõ
~~~~~~~~~~
U00B0-00F5
(176-245)
7 WEIGHTS + 1 ITALIC
<< 1234567890 . 1234567890 >>
.............!.............
W7I0: 0123456789 ! °±²³´µ¶·¸¹ :W7I1
W6I0: :;<=>?@ABC ! º»¼½¾¿ÀÁÂà :W6I1
W5I0: DEFGHIJKLM ! ÄÅÆÇÈÉÊËÌÍ :W5I1
W4I0: NOPQRSTUVW ! ÎÏÐÑÒÓÔÕÖ× :W4I1
W3I0: XYZ[\]^_`a ! ØÙÚÛÜÝÞßàá :W3I1
W2I0: bcdefghijk ! âãäåæçèéêë :W2I1
W1I0: lmnopqrstu ! ìíîïðñòóôõ :W1I1
<< 1 2 3 4 5 6 7 8 9 0 , 1 2 3 4 5 6 7 8 9 0 >>
==+===============================+===============================+==
W7! 30 31 32 33 34 35 36 37 38 39 | B0 B1 B2 B3 B4 B5 B6 B7 B8 B9 !W7
I0! 0 1 2 3 4 5 6 7 8 9 | ° ± ² ³ ´ µ ¶ · ¸ ¹ !I1
--+-------------------------------+-------------------------------+--
W6! 3A 3B 3C 3D 3E 3F 40 41 42 43 | BA BB BC BD BE BF C0 C1 C2 C3 !W6
I0! : ; < = > ? @ A B C | º » ¼ ½ ¾ ¿ À Á Â Ã !I1
--+-------------------------------+-------------------------------+--
W5! 44 45 46 47 48 49 4A 4B 4C 4D | C4 C5 C6 C7 C8 C9 CA CB CC CD !W5
I0! D E F G H I J K L M | Ä Å Æ Ç È É Ê Ë Ì Í !I1
--+-------------------------------+-------------------------------+--
W4! 4E 4F 50 51 52 53 54 55 56 57 | CE CF D0 D1 D2 D3 D4 D5 D6 D7 !W4
I0! N O P Q R S T U V W | Î Ï Ð Ñ Ò Ó Ô Õ Ö × !I1
--+-------------------------------+-------------------------------+--
W3! 58 59 5A 5B 5C 5D 5E 5F 60 61 | D8 D9 DA DB DC DD DE DF E0 E1 !W3
I0! X Y Z [ \ ] ^ _ ` a | Ø Ù Ú Û Ü Ý Þ ß à á !I1
--+-------------------------------+-------------------------------+--
W2! 62 63 64 65 66 67 68 69 6A 6B | E2 E3 E4 E5 E6 E7 E8 E9 EA EB !W2
I0! b c d e f g h i j k | â ã ä å æ ç è é ê ë !I1
--+-------------------------------+-------------------------------+--
W1! 6C 6D 6E 6F 70 71 72 73 74 75 | EC ED EE EF F0 F1 F2 F3 F4 F5 !W1
I0! l m n o p q r s t u | ì í î ï ð ñ ò ó ô õ !I1
==+===============================+===============================+==
<< 1 2 3 4 5 6 7 8 9 0 ' 1 2 3 4 5 6 7 8 9 0 >>
Metadata quote:
"4x5 numerics with 7 weights and 1 italic a.k.a. WI71"
Not inspired by any other design,
e.g. Abneurone's minimalist pixel experiments
(my very dotted 4x5 version may look like the 7x7
"Deep Low 2" font he made on 2014 and 2017
- which includes a lot of duplicates
but is not limited to the numerics).
NOT for commercial use:
fontstruct.com/fontstructions/show/1505214
2018
0212 PNG
0320 TXT
dpla