Based on the Timerider logo. This is definitely the most difficult font I've made - don't know if I can finish the accents and punctuation.
I wanted to try some 'deformation' of the perspective used for italic glyphs. It was fun to try, the font looks amusing and the slants are irreverent enough. I know that a word processor could change Raysan into an italic style but a word processed Raysan would be too predictable and without creative spark.
Despite the purposeful changing of lines specially the curved sections which don't follow any "perspective rule" this font looks italic. It has a pleasant rythm in longer headlines etc, and gives eye catching 'splash' text when used with the parent font.
It took quite a while to finish, I constantly fought the wish to make composites and stacks to get the correct shape and directions into the curves.This is a clone of Raysan
A font in the "Compass" group which I started a few years ago and not finished yet. Living in Western Europe I wanted a swingy-light-rounded looking font for "West" on the compass to celebrate the gentle hills and open spaces around my home in France.
Here's what not to do:
--Start an easy fontstruction to pretend you don't have time to do research assignment due last month
--Draw lowercase letters
--Change all letters to have slightly more personality
--Change all lowercase to match the uppercase
--Change all uppercase to match numbers
--Change one letter so that it makes better auto-ligature
--Change all letters to have less personality
At this point, who knows how much time has been sunk into doing this "easy" fs and what it started out as. And unoriginal to boot. Forget it. Next!