Experimental mosaic... or maybe a new mineral species?
This one started as a doodle. I began placing circles to see what kinds of complex shapes I could make, and this was the result.
It achieves a new visual effect at almost every size up to the original. Also try slowly moving the zoom slider for some interesting animations!
*
This font is now nearly 1MB in size! I guess it has to do with the intrinsic complexity of circles.
Alternate take on Nirvanite, this time with bullseyes rather than solid circles as the large segments.
This one is a lot more organic than its predecessor, but also a lot more confusing. Looks like clusters of alien tadpole eggs to me!
This is a clone of NirvaniteWORK IN PROGRESS!
See more:
https://fontstruct.com/fontstructions/show/1466632/melter-1
https://fontstruct.com/fontstructions/show/371427/soft_cell_diluted
https://fontstruct.com/fontstructions/show/136899/ncd_amoeba_1
https://fontstruct.com/fontstructions/show/1238441/tm-and-multiply
https://fontstruct.com/fontstructions/show/359675/fs_ink_blot
https://www.myfonts.com/fonts/wiescherdesign/alpha-papa/
https://www.fontstruct.com/fontstructions/show/138512/ncd_amoeba_three
Codex Terribilis draws inspiration from handwritten manuscripts and codices with some complementary symbols (alchemical, zodiac signs, etc).
Uppercase and lowercase letters interact in playful and sometimes unexpected ways. For that I had to omit bits of the uppercase D, H, M, and Z. These can be added back by typing, respectively: ); |; |; and \.
I've done a lot of kerning already but it feels endless so I've given up ever finishing.
pour Bérénice, joyeux anniversaire :)
ZMRDE!
Na plešce ti vidím vešku,
zaklapni svou sprostou držku,
nebo spadneš na koleje.
Zpozdím tebou české dráhy,
spousta lidí se pobleje,
až zvážím tvé smrti váhy.
Na plešce ti vidím vešku,
koukám na ní pěkně zvršku.
Koukám tak i na tebe,
na všechny kolem sebe.
Small-grid doodle which creates new combinatorial forms.
I considered this design rather rough and unappealing until I gave it negative spacing. This caused the forms to merge together in unpredictable and interesting ways. The lesson here is that sometimes the metrics, not the aesthetics, are what "make" or "save" a design.
Out of 111 bricks used, only ten are from existing bricks; all the rest are custom bricks. There would have been a lot more bricks if most weren't rotated or flipped.
3 bricks tall.
Pixelated demake of Nirvanite Fossil. It introduces more size variation than its predecessors, and proves even harder to read. The size variation was necessary to prevent these sprites from being too large and to make them more unique from the glyphs in Nirvanite Fossil.
Original size: 25pt (use multiples of this value for pixel perfection)
(Complete basic latin set). First iteration of a font meant to be used as a substitution cypher in a videogame set in a very far future. Letters are, with a few exceptions, inspired by their corresponding latin glyph. Numbers look a bit like cells dividing in a petri dish. Punctuation and symbols are designed for easy recognition.
Updated version: https://fontstruct.com/fontstructions/show/2100999/far-future-1
A tribute to all those handwritten, rough, and fun fonts!
My initial research for this font was into the word gregarious. I started looking at the idea of things that group together; people, plants etc. I also looked at repetition in surface design and architecture. To me the repeated shapes act in a social way – grouping together. I started to look at ways of representing these initial ideas I had. I came up with the idea of using magnets to spell out a word and then pouring iron filings on top to create a social typeface. I got good results, so that was the basis of my font. The characters also look very organic which is relevant to the original theme of gregarious.
Bold-ganic is a bold, semi-dense, and playful typeface that incorporate organic and life within the design. Some characters are adorned with elements of leaves or sprouts, giving the typeface a unique, nature-inspired aesthetic.