I've offered this modern rectangular serif font to my class mates and friends when we met to celebrate an important anniversary of our Baccalaureat-Abitur.
There are just a few more symbols and dingbats I want to add but for the moment this is useable for letter heads and that weird stuff the 'High-Flyers' in our class ;) like to produce
Brush script, art deco, classic engraving, three genera of gothic (sans serif, blackletter, and ancient alphabet!), runic, hieroglyphic, and yet still some futuristic tendencies all informed me. But do they blend?
The handwritten quality of a broad-nibbed pen or skillfully wielded marker provides the binding agent. An emulsion of all these influences, it is at once all and none. Even the strict modularity begins to melt into the background. Yet so distinctly fontstruct...
This is a cloneI love the look of this style. The name is self explanatory ;) if you know French.........
UC, numerals and some symbols have one line thicker than the others, LC only has the thinner lines. LC can be used on its own if even thickness of lines is desired but it is 3 px shorter than UC which will show clearly when using Basic Latin LC in combination with Hebrew, numerals, some symbols and some punctuation marks. Cyrillic and Hebrew added. Latin1 will come eventually ;)
The normal version.
This is a clone of AT Imagiro ReversedThe reversed version of AT Imagiro for the Reversecomp (2nd entry).
This should be printed on paper and cut according to symmetry axis to achieve the result as in the samples.